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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 148 149 it is the complementary color RGB 81 107 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 148 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 174 148 149: RGB 179 148 144, RGB 196 166 163, RGB 213 184 182, RGB 230 202 201 and RGB 247 220 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 148 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 174 148 149: RGB 174 148 149, RGB 157 130 130, RGB 140 112 111, RGB 123 94 92 and RGB 106 76 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 14 / 32

HEX #AE9495

RGB 174 148 149

HSL 357.69, 0.14%, 0.63%

LAB 63.63, 9.85, 3.07

 

Complementary color

CMYK 24 / 0 / 1 / 58

HEX #516B6A

RGB 81 107 106

HSL 177.69, 0.14%, 0.37%

LAB 43.22, -9.74, -2.57

 

CMYK 0 / 17 / 20 / 30

HEX #B39490

RGB 179 148 144

HSL 6.86, 0.19%, 0.63%

LAB 63.98, 10.94, 6.45

 

CMYK 0 / 15 / 17 / 23

HEX #C4A6A3

RGB 196 166 163

HSL 5.45, 0.22%, 0.7%

LAB 70.63, 10.46, 5.62

 

CMYK 0 / 14 / 15 / 16

HEX #D5B8B6

RGB 213 184 182

HSL 3.87, 0.27%, 0.77%

LAB 77.16, 10.04, 4.84

 

CMYK 0 / 12 / 13 / 10

HEX #E6CAC9

RGB 230 202 201

HSL 2.07, 0.37%, 0.85%

LAB 83.59, 9.65, 4.1

 

CMYK 0 / 11 / 11 / 3

HEX #F7DCDC

RGB 247 220 220

HSL 0, 0.63%, 0.92%

LAB 89.92, 9.3, 3.39

 

CMYK 0 / 15 / 14 / 32

HEX #AE9495

RGB 174 148 149

HSL 357.69, 0.14%, 0.63%

LAB 63.63, 9.85, 3.07

 

CMYK 0 / 17 / 17 / 38

HEX #9D8282

RGB 157 130 130

HSL 0, 0.12%, 0.56%

LAB 56.83, 10.32, 3.87

 

CMYK 0 / 20 / 21 / 45

HEX #8C706F

RGB 140 112 111

HSL 2.07, 0.12%, 0.49%

LAB 49.87, 10.86, 4.74

 

CMYK 0 / 24 / 25 / 52

HEX #7B5E5C

RGB 123 94 92

HSL 3.87, 0.14%, 0.42%

LAB 42.75, 11.48, 5.69

 

CMYK 0 / 28 / 31 / 58

HEX #6A4C49

RGB 106 76 73

HSL 5.45, 0.18%, 0.35%

LAB 35.43, 12.23, 6.79

 

CMYK 0 / 15 / 14 / 32

HEX #AE9495

RGB 174 148 149

HSL 357.69, 0.14%, 0.63%

LAB 63.63, 9.85, 3.07

 

CMYK 0 / 13 / 15 / 32

HEX #AD9693

RGB 173 150 147

HSL 6.92, 0.14%, 0.63%

LAB 64, 8.02, 4.72

 

CMYK 0 / 11 / 15 / 32

HEX #AD9A93

RGB 173 154 147

HSL 16.15, 0.14%, 0.63%

LAB 65.04, 5.8, 6.22

 

CMYK 0 / 8 / 15 / 32

HEX #AD9F93

RGB 173 159 147

HSL 27.69, 0.14%, 0.63%

LAB 66.36, 3.05, 8.1

 

CMYK 0 / 6 / 15 / 32

HEX #ADA393

RGB 173 163 147

HSL 36.92, 0.14%, 0.63%

LAB 67.42, 0.86, 9.61

 

CMYK 0 / 15 / 14 / 32

HEX #AE9495

RGB 174 148 149

HSL 357.69, 0.14%, 0.63%

LAB 63.63, 9.85, 3.07

 

CMYK 0 / 15 / 14 / 12

HEX #E1BFC1

RGB 225 191 193

HSL 356.47, 0.36%, 0.82%

LAB 80.25, 12.41, 3.49

 

CMYK 0 / 14 / 14 / 92

HEX #151212

RGB 21 18 18

HSL 0, 0.08%, 0.08%

LAB 5.74, 1.25, 0.44

 

CMYK 0 / 15 / 14 / 72

HEX #483D3E

RGB 72 61 62

HSL 354.55, 0.08%, 0.26%

LAB 26.91, 4.97, 1.15

 

CMYK 0 / 15 / 15 / 52

HEX #7B6969

RGB 123 105 105

HSL 0, 0.08%, 0.45%

LAB 46.09, 7.12, 2.64

 

CMYK 0 / 15 / 14 / 32

HEX #AE9495

RGB 174 148 149

HSL 357.69, 0.14%, 0.63%

LAB 63.63, 9.85, 3.07

 

CMYK 2 / 0 / 15 / 32

HEX #A9AD93

RGB 169 173 147

HSL 69.23, 0.14%, 0.63%

LAB 69.77, -6.04, 12.9

 

CMYK 15 / 8 / 0 / 32

HEX #939FAD

RGB 147 159 173

HSL 212.31, 0.14%, 0.63%

LAB 64.98, -1.29, -8.71

 

CMYK 0 / 15 / 14 / 32

HEX #AE9495

RGB 174 148 149

HSL 357.69, 0.14%, 0.63%

LAB 63.63, 9.85, 3.07

 

CMYK 14 / 0 / 15 / 32

HEX #94AD93

RGB 148 173 147

HSL 117.69, 0.14%, 0.63%

LAB 68.23, -13.71, 10.5

 

CMYK 15 / 14 / 0 / 32

HEX #9394AD

RGB 147 148 173

HSL 237.69, 0.14%, 0.63%

LAB 62, 4.86, -13.17

 

CMYK 0 / 15 / 14 / 32

HEX #AE9495

RGB 174 148 149

HSL 357.69, 0.14%, 0.63%

LAB 63.63, 9.85, 3.07

 

CMYK 2 / 0 / 15 / 32

HEX #A9AD93

RGB 169 173 147

HSL 69.23, 0.14%, 0.63%

LAB 69.77, -6.04, 12.9

 

CMYK 15 / 0 / 1 / 32

HEX #93ADAC

RGB 147 173 172

HSL 177.69, 0.14%, 0.63%

LAB 68.8, -9.12, -2.5

 

CMYK 13 / 15 / 0 / 32

HEX #9793AD

RGB 151 147 173

HSL 249.23, 0.14%, 0.63%

LAB 62.05, 6.77, -13.06

 

CMYK 0 / 15 / 14 / 32

HEX #AE9495

RGB 174 148 149

HSL 357.69, 0.14%, 0.63%

LAB 63.63, 9.85, 3.07

 

CMYK 7 / 0 / 15 / 32

HEX #A1AD93

RGB 161 173 147

HSL 87.69, 0.14%, 0.63%

LAB 69.16, -9.01, 11.95

 

CMYK 15 / 0 / 1 / 32

HEX #93ADAC

RGB 147 173 172

HSL 177.69, 0.14%, 0.63%

LAB 68.8, -9.12, -2.5

 

CMYK 8 / 15 / 0 / 32

HEX #9F93AD

RGB 159 147 173

HSL 267.69, 0.14%, 0.63%

LAB 62.72, 9.51, -11.99

 

Description

Color code: RGB 174 148 149 | qconv.com Color code: RGB 174 148 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 148 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 148 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 14 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 14% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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