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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 105 73 it is the complementary color RGB 81 150 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 105 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 174 105 73: RGB 179 105 68, RGB 196 123 87, RGB 213 141 106, RGB 230 159 125 and RGB 247 177 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 105 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 174 105 73: RGB 174 105 73, RGB 157 87 54, RGB 140 69 35, RGB 123 51 16 and RGB 106 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 58 / 32

HEX #AE6949

RGB 174 105 73

HSL 19.01, 0.41%, 0.48%

LAB 51.36, 24.4, 29.56

 

Complementary color

CMYK 55 / 18 / 0 / 29

HEX #5196B6

RGB 81 150 182

HSL 199.01, 0.41%, 0.52%

LAB 58.92, -12.51, -23.32

 

CMYK 0 / 41 / 62 / 30

HEX #B36944

RGB 179 105 68

HSL 20, 0.45%, 0.48%

LAB 51.95, 26.1, 33.23

 

CMYK 0 / 37 / 56 / 23

HEX #C47B57

RGB 196 123 87

HSL 19.82, 0.48%, 0.55%

LAB 58.59, 24.74, 31.44

 

CMYK 0 / 34 / 50 / 16

HEX #D58D6A

RGB 213 141 106

HSL 19.63, 0.56%, 0.63%

LAB 65.15, 23.55, 29.83

 

CMYK 0 / 31 / 46 / 10

HEX #E69F7D

RGB 230 159 125

HSL 19.43, 0.68%, 0.7%

LAB 71.62, 22.5, 28.36

 

CMYK 0 / 28 / 42 / 3

HEX #F7B190

RGB 247 177 144

HSL 19.22, 0.87%, 0.77%

LAB 78.01, 21.57, 27.01

 

CMYK 0 / 40 / 58 / 32

HEX #AE6949

RGB 174 105 73

HSL 19.01, 0.41%, 0.48%

LAB 51.36, 24.4, 29.56

 

CMYK 0 / 45 / 66 / 38

HEX #9D5736

RGB 157 87 54

HSL 19.22, 0.49%, 0.41%

LAB 44.59, 25.85, 31.47

 

CMYK 0 / 51 / 75 / 45

HEX #8C4523

RGB 140 69 35

HSL 19.43, 0.6%, 0.34%

LAB 37.76, 27.52, 33.56

 

CMYK 0 / 59 / 87 / 52

HEX #7B3310

RGB 123 51 16

HSL 19.63, 0.77%, 0.27%

LAB 30.92, 29.37, 35.54

 

CMYK 0 / 69 / 100 / 58

HEX #6A2100

RGB 106 33 0

HSL 18.68, 1%, 0.21%

LAB 24.17, 31.21, 35.1

 

CMYK 0 / 40 / 58 / 32

HEX #AE6949

RGB 174 105 73

HSL 19.01, 0.41%, 0.48%

LAB 51.36, 24.4, 29.56

 

CMYK 0 / 30 / 58 / 33

HEX #AC7848

RGB 172 120 72

HSL 28.8, 0.41%, 0.48%

LAB 54.73, 15.05, 34.21

 

CMYK 0 / 20 / 58 / 33

HEX #AC8948

RGB 172 137 72

HSL 39, 0.41%, 0.48%

LAB 59.09, 5.52, 39.43

 

CMYK 0 / 10 / 58 / 33

HEX #AC9A48

RGB 172 154 72

HSL 49.2, 0.41%, 0.48%

LAB 63.63, -3.8, 44.69

 

CMYK 0 / 1 / 58 / 33

HEX #ACAA48

RGB 172 170 72

HSL 58.8, 0.41%, 0.48%

LAB 68.01, -12.28, 49.64

 

CMYK 0 / 40 / 58 / 32

HEX #AE6949

RGB 174 105 73

HSL 19.01, 0.41%, 0.48%

LAB 51.36, 24.4, 29.56

 

CMYK 0 / 40 / 58 / 12

HEX #E1885E

RGB 225 136 94

HSL 19.24, 0.69%, 0.63%

LAB 65.3, 30.04, 36.81

 

CMYK 0 / 38 / 57 / 92

HEX #150D09

RGB 21 13 9

HSL 20, 0.4%, 0.06%

LAB 4.22, 2.4, 2.67

 

CMYK 0 / 40 / 58 / 72

HEX #482B1E

RGB 72 43 30

HSL 18.57, 0.41%, 0.2%

LAB 20.82, 11.8, 14.03

 

CMYK 0 / 40 / 58 / 52

HEX #7B4A34

RGB 123 74 52

HSL 18.59, 0.41%, 0.34%

LAB 36.66, 18.41, 21.84

 

CMYK 0 / 40 / 58 / 32

HEX #AE6949

RGB 174 105 73

HSL 19.01, 0.41%, 0.48%

LAB 51.36, 24.4, 29.56

 

CMYK 30 / 0 / 58 / 33

HEX #78AC48

RGB 120 172 72

HSL 91.2, 0.41%, 0.48%

LAB 64.94, -34.29, 45.17

 

CMYK 58 / 53 / 0 / 33

HEX #4850AC

RGB 72 80 172

HSL 235.2, 0.41%, 0.48%

LAB 38.01, 24.73, -50.47

 

CMYK 0 / 40 / 58 / 32

HEX #AE6949

RGB 174 105 73

HSL 19.01, 0.41%, 0.48%

LAB 51.36, 24.4, 29.56

 

CMYK 58 / 0 / 40 / 33

HEX #48AC67

RGB 72 172 103

HSL 138.6, 0.41%, 0.48%

LAB 63.23, -44.74, 26.97

 

CMYK 40 / 58 / 0 / 33

HEX #6748AC

RGB 103 72 172

HSL 258.6, 0.41%, 0.48%

LAB 38.72, 36.47, -49.19

 

CMYK 0 / 40 / 58 / 32

HEX #AE6949

RGB 174 105 73

HSL 19.01, 0.41%, 0.48%

LAB 51.36, 24.4, 29.56

 

CMYK 30 / 0 / 58 / 33

HEX #78AC48

RGB 120 172 72

HSL 91.2, 0.41%, 0.48%

LAB 64.94, -34.29, 45.17

 

CMYK 58 / 19 / 0 / 33

HEX #488CAC

RGB 72 140 172

HSL 199.2, 0.41%, 0.48%

LAB 55.19, -11.96, -23.38

 

CMYK 28 / 58 / 0 / 33

HEX #7C48AC

RGB 124 72 172

HSL 271.2, 0.41%, 0.48%

LAB 41.05, 41.61, -45.32

 

CMYK 0 / 40 / 58 / 32

HEX #AE6949

RGB 174 105 73

HSL 19.01, 0.41%, 0.48%

LAB 51.36, 24.4, 29.56

 

CMYK 48 / 0 / 58 / 33

HEX #5AAC48

RGB 90 172 72

HSL 109.2, 0.41%, 0.48%

LAB 63.46, -44.44, 43.09

 

CMYK 58 / 19 / 0 / 33

HEX #488CAC

RGB 72 140 172

HSL 199.2, 0.41%, 0.48%

LAB 55.19, -11.96, -23.38

 

CMYK 10 / 58 / 0 / 33

HEX #9A48AC

RGB 154 72 172

HSL 289.2, 0.41%, 0.48%

LAB 44.92, 49.41, -38.93

 

Description

Color code: RGB 174 105 73 | qconv.com Color code: RGB 174 105 73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 105 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 105 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 58 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 58% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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