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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 77 81 it is the complementary color RGB 82 178 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 77 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 173 77 81: RGB 178 77 76, RGB 195 95 95, RGB 212 113 114, RGB 229 131 133 and RGB 246 149 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 77 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 173 77 81: RGB 173 77 81, RGB 156 59 62, RGB 139 41 43, RGB 122 23 24 and RGB 105 5 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 53 / 32

HEX #AD4D51

RGB 173 77 81

HSL 357.5, 0.38%, 0.49%

LAB 45.34, 39.65, 17.01

 

Complementary color

CMYK 54 / 0 / 2 / 30

HEX #52B2AE

RGB 82 178 174

HSL 177.5, 0.38%, 0.51%

LAB 67.04, -29.1, -6.57

 

CMYK 0 / 57 / 57 / 30

HEX #B24D4C

RGB 178 77 76

HSL 0.59, 0.4%, 0.5%

LAB 46.03, 41.08, 21.1

 

CMYK 0 / 51 / 51 / 24

HEX #C35F5F

RGB 195 95 95

HSL 0, 0.45%, 0.57%

LAB 52.52, 39.94, 18.92

 

CMYK 0 / 47 / 46 / 17

HEX #D47172

RGB 212 113 114

HSL 359.39, 0.54%, 0.64%

LAB 58.99, 38.82, 17.08

 

CMYK 0 / 43 / 42 / 10

HEX #E58385

RGB 229 131 133

HSL 358.78, 0.65%, 0.71%

LAB 65.42, 37.76, 15.5

 

CMYK 0 / 39 / 38 / 4

HEX #F69598

RGB 246 149 152

HSL 358.14, 0.84%, 0.77%

LAB 71.8, 36.76, 14.1

 

CMYK 0 / 55 / 53 / 32

HEX #AD4D51

RGB 173 77 81

HSL 357.5, 0.38%, 0.49%

LAB 45.34, 39.65, 17.01

 

CMYK 0 / 62 / 60 / 39

HEX #9C3B3E

RGB 156 59 62

HSL 358.14, 0.45%, 0.42%

LAB 38.8, 40.69, 19.49

 

CMYK 0 / 71 / 69 / 45

HEX #8B292B

RGB 139 41 43

HSL 358.78, 0.54%, 0.35%

LAB 32.37, 41.49, 22.59

 

CMYK 0 / 81 / 80 / 52

HEX #7A1718

RGB 122 23 24

HSL 359.39, 0.68%, 0.28%

LAB 26.2, 41.65, 26.52

 

CMYK 0 / 95 / 95 / 59

HEX #690505

RGB 105 5 5

HSL 0, 0.91%, 0.22%

LAB 20.53, 40.6, 29.17

 

CMYK 0 / 55 / 53 / 32

HEX #AD4D51

RGB 173 77 81

HSL 357.5, 0.38%, 0.49%

LAB 45.34, 39.65, 17.01

 

CMYK 0 / 49 / 55 / 33

HEX #AC584D

RGB 172 88 77

HSL 6.95, 0.38%, 0.49%

LAB 47.35, 33.21, 22.06

 

CMYK 0 / 40 / 55 / 33

HEX #AC684D

RGB 172 104 77

HSL 17.05, 0.38%, 0.49%

LAB 50.93, 24.46, 26.69

 

CMYK 0 / 30 / 55 / 33

HEX #AC784D

RGB 172 120 77

HSL 27.16, 0.38%, 0.49%

LAB 54.8, 15.47, 31.57

 

CMYK 0 / 21 / 55 / 33

HEX #AC884D

RGB 172 136 77

HSL 37.26, 0.38%, 0.49%

LAB 58.9, 6.49, 36.59

 

CMYK 0 / 55 / 53 / 32

HEX #AD4D51

RGB 173 77 81

HSL 357.5, 0.38%, 0.49%

LAB 45.34, 39.65, 17.01

 

CMYK 0 / 55 / 53 / 12

HEX #E06469

RGB 224 100 105

HSL 357.58, 0.67%, 0.64%

LAB 58.02, 48.8, 21.24

 

CMYK 0 / 55 / 55 / 92

HEX #140909

RGB 20 9 9

HSL 0, 0.38%, 0.06%

LAB 3.29, 3.67, 1.29

 

CMYK 0 / 55 / 54 / 72

HEX #472021

RGB 71 32 33

HSL 358.46, 0.38%, 0.2%

LAB 17.84, 18.72, 7.97

 

CMYK 0 / 56 / 53 / 52

HEX #7A3639

RGB 122 54 57

HSL 357.35, 0.39%, 0.35%

LAB 31.97, 29.94, 12.53

 

CMYK 0 / 55 / 53 / 32

HEX #AD4D51

RGB 173 77 81

HSL 357.5, 0.38%, 0.49%

LAB 45.34, 39.65, 17.01

 

CMYK 8 / 0 / 55 / 33

HEX #9EAC4D

RGB 158 172 77

HSL 68.84, 0.38%, 0.49%

LAB 67.51, -18.79, 46.44

 

CMYK 55 / 30 / 0 / 33

HEX #4D78AC

RGB 77 120 172

HSL 212.84, 0.38%, 0.49%

LAB 49.48, 0.69, -32.22

SW® 6963

CMYK 0 / 55 / 53 / 32

HEX #AD4D51

RGB 173 77 81

HSL 357.5, 0.38%, 0.49%

LAB 45.34, 39.65, 17.01

 

CMYK 52 / 0 / 55 / 33

HEX #52AC4D

RGB 82 172 77

HSL 116.84, 0.38%, 0.49%

LAB 63.21, -46.15, 40.32

 

CMYK 55 / 52 / 0 / 33

HEX #4D52AC

RGB 77 82 172

HSL 236.84, 0.38%, 0.49%

LAB 38.88, 24.47, -49.04

 

CMYK 0 / 55 / 53 / 32

HEX #AD4D51

RGB 173 77 81

HSL 357.5, 0.38%, 0.49%

LAB 45.34, 39.65, 17.01

 

CMYK 8 / 0 / 55 / 33

HEX #9EAC4D

RGB 158 172 77

HSL 68.84, 0.38%, 0.49%

LAB 67.51, -18.79, 46.44

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 47 / 55 / 0 / 33

HEX #5B4DAC

RGB 91 77 172

HSL 248.84, 0.38%, 0.49%

LAB 38.74, 30.68, -49.21

 

CMYK 0 / 55 / 53 / 32

HEX #AD4D51

RGB 173 77 81

HSL 357.5, 0.38%, 0.49%

LAB 45.34, 39.65, 17.01

 

CMYK 25 / 0 / 55 / 33

HEX #81AC4D

RGB 129 172 77

HSL 87.16, 0.38%, 0.49%

LAB 65.52, -30.4, 43.62

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 30 / 55 / 0 / 33

HEX #784DAC

RGB 120 77 172

HSL 267.16, 0.38%, 0.49%

LAB 41.66, 37.79, -44.38

 

Description

Color code: RGB 173 77 81 | qconv.com Color code: RGB 173 77 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 77 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 77 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 53 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 53% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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