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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 77 228 it is the complementary color RGB 82 178 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 77 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 173 77 228: RGB 178 77 223, RGB 195 95 242, RGB 212 113 255, RGB 229 131 255 and RGB 246 149 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 77 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 173 77 228: RGB 173 77 228, RGB 156 59 209, RGB 139 41 190, RGB 122 23 171 and RGB 105 5 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 66 / 0 / 11

HEX #AD4DE4

RGB 173 77 228

HSL 278.15, 0.74%, 0.6%

LAB 51.6, 63.16, -60.41

 

Complementary color

CMYK 54 / 0 / 85 / 30

HEX #52B21B

RGB 82 178 27

HSL 98.15, 0.74%, 0.4%

LAB 64.73, -52.61, 60.99

 

CMYK 20 / 65 / 0 / 13

HEX #B24DDF

RGB 178 77 223

HSL 281.51, 0.7%, 0.59%

LAB 51.95, 63.2, -56.99

 

CMYK 19 / 61 / 0 / 5

HEX #C35FF2

RGB 195 95 242

HSL 280.82, 0.85%, 0.66%

LAB 58.22, 62.79, -57.48

 

CMYK 17 / 56 / 0 / 0

HEX #D471FF

RGB 212 113 255

HSL 281.83, 1%, 0.72%

LAB 64.18, 60.97, -55.04

 

CMYK 10 / 49 / 0 / 0

HEX #E583FF

RGB 229 131 255

HSL 287.42, 1%, 0.76%

LAB 69.55, 56.52, -46.43

 

CMYK 4 / 42 / 0 / 0

HEX #F695FF

RGB 246 149 255

HSL 294.91, 1%, 0.79%

LAB 75.02, 52.23, -37.74

 

CMYK 24 / 66 / 0 / 11

HEX #AD4DE4

RGB 173 77 228

HSL 278.15, 0.74%, 0.6%

LAB 51.6, 63.16, -60.41

 

CMYK 25 / 72 / 0 / 18

HEX #9C3BD1

RGB 156 59 209

HSL 278.8, 0.62%, 0.53%

LAB 45.36, 63.33, -59.77

 

CMYK 27 / 78 / 0 / 25

HEX #8B29BE

RGB 139 41 190

HSL 279.46, 0.65%, 0.45%

LAB 39.23, 62.94, -58.77

 

CMYK 29 / 87 / 0 / 33

HEX #7A17AB

RGB 122 23 171

HSL 280.14, 0.76%, 0.38%

LAB 33.33, 61.61, -57.21

 

CMYK 31 / 97 / 0 / 40

HEX #690598

RGB 105 5 152

HSL 280.82, 0.94%, 0.31%

LAB 27.79, 58.9, -54.84

 

CMYK 24 / 66 / 0 / 11

HEX #AD4DE4

RGB 173 77 228

HSL 278.15, 0.74%, 0.6%

LAB 51.6, 63.16, -60.41

 

CMYK 13 / 66 / 0 / 11

HEX #C64DE4

RGB 198 77 228

HSL 288.08, 0.74%, 0.6%

LAB 54.98, 68.56, -54.8

 

CMYK 2 / 66 / 0 / 11

HEX #DF4DE4

RGB 223 77 228

HSL 298.01, 0.74%, 0.6%

LAB 58.6, 74.09, -48.83

 

CMYK 0 / 66 / 9 / 11

HEX #E44DD0

RGB 228 77 208

HSL 307.95, 0.74%, 0.6%

LAB 58.37, 72.09, -37.84

 

CMYK 0 / 66 / 20 / 11

HEX #E44DB7

RGB 228 77 183

HSL 317.88, 0.74%, 0.6%

LAB 57.29, 68.52, -25.21

 

CMYK 24 / 66 / 0 / 11

HEX #AD4DE4

RGB 173 77 228

HSL 278.15, 0.74%, 0.6%

LAB 51.6, 63.16, -60.41

 

CMYK 25 / 67 / 0 / 91

HEX #120818

RGB 18 8 24

HSL 277.5, 0.5%, 0.06%

LAB 3.33, 6.19, -7.26

 

CMYK 24 / 67 / 0 / 71

HEX #39194B

RGB 57 25 75

HSL 278.4, 0.5%, 0.2%

LAB 15.87, 25.84, -24.73

 

CMYK 24 / 66 / 0 / 51

HEX #602B7E

RGB 96 43 126

HSL 278.31, 0.49%, 0.33%

LAB 28.7, 39, -37.27

 

CMYK 24 / 66 / 0 / 31

HEX #863CB1

RGB 134 60 177

HSL 277.95, 0.49%, 0.46%

LAB 40.37, 51.34, -49.31

 

CMYK 24 / 66 / 0 / 11

HEX #AD4DE4

RGB 173 77 228

HSL 278.15, 0.74%, 0.6%

LAB 51.6, 63.16, -60.41

 

CMYK 0 / 66 / 55 / 11

HEX #E44D66

RGB 228 77 102

HSL 350.07, 0.74%, 0.6%

LAB 54.83, 59.96, 18.79

 

CMYK 66 / 0 / 51 / 11

HEX #4DE470

RGB 77 228 112

HSL 133.91, 0.74%, 0.6%

LAB 80.87, -63.55, 44.89

 

CMYK 24 / 66 / 0 / 11

HEX #AD4DE4

RGB 173 77 228

HSL 278.15, 0.74%, 0.6%

LAB 51.6, 63.16, -60.41

 

CMYK 0 / 24 / 66 / 11

HEX #E4AD4D

RGB 228 173 77

HSL 38.15, 0.74%, 0.6%

LAB 74.14, 10.42, 55.6

 

CMYK 66 / 0 / 24 / 11

HEX #4DE4AD

RGB 77 228 173

HSL 158.15, 0.74%, 0.6%

LAB 81.88, -52.45, 15.38

 

CMYK 24 / 66 / 0 / 11

HEX #AD4DE4

RGB 173 77 228

HSL 278.15, 0.74%, 0.6%

LAB 51.6, 63.16, -60.41

 

CMYK 0 / 66 / 55 / 11

HEX #E44D66

RGB 228 77 102

HSL 350.07, 0.74%, 0.6%

LAB 54.83, 59.96, 18.79

 

CMYK 42 / 0 / 66 / 11

HEX #84E44D

RGB 132 228 77

HSL 98.15, 0.74%, 0.6%

LAB 82.34, -53.61, 62.39

 

CMYK 66 / 0 / 11 / 11

HEX #4DE4CB

RGB 77 228 203

HSL 170.07, 0.74%, 0.6%

LAB 82.58, -45.34, 0.57

 

CMYK 24 / 66 / 0 / 11

HEX #AD4DE4

RGB 173 77 228

HSL 278.15, 0.74%, 0.6%

LAB 51.6, 63.16, -60.41

 

CMYK 0 / 57 / 66 / 11

HEX #E4614D

RGB 228 97 77

HSL 7.95, 0.74%, 0.6%

LAB 57.64, 49.68, 36.79

 

CMYK 42 / 0 / 66 / 11

HEX #84E44D

RGB 132 228 77

HSL 98.15, 0.74%, 0.6%

LAB 82.34, -53.61, 62.39

 

CMYK 66 / 9 / 0 / 11

HEX #4DD0E4

RGB 77 208 228

HSL 187.95, 0.74%, 0.6%

LAB 77.45, -29.32, -20.39

 

Description

Color code: RGB 173 77 228 | qconv.com Color code: RGB 173 77 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 77 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 77 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 66 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 66% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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