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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 67 46 it is the complementary color RGB 82 188 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 67 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 173 67 46: RGB 178 67 41, RGB 195 85 60, RGB 212 103 79, RGB 229 121 98 and RGB 246 139 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 67 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 173 67 46: RGB 173 67 46, RGB 156 49 27, RGB 139 31 8, RGB 122 13 0 and RGB 105 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 73 / 32

HEX #AD432E

RGB 173 67 46

HSL 9.92, 0.58%, 0.43%

LAB 42.91, 42.16, 34.68

 

Complementary color

CMYK 61 / 10 / 0 / 18

HEX #52BCD1

RGB 82 188 209

HSL 189.92, 0.58%, 0.57%

LAB 71.12, -24.2, -19.7

 

CMYK 0 / 62 / 77 / 30

HEX #B24329

RGB 178 67 41

HSL 11.39, 0.63%, 0.43%

LAB 43.71, 43.78, 38.55

 

CMYK 0 / 56 / 69 / 24

HEX #C3553C

RGB 195 85 60

HSL 11.11, 0.53%, 0.5%

LAB 50.01, 42.41, 35.92

 

CMYK 0 / 51 / 63 / 17

HEX #D4674F

RGB 212 103 79

HSL 10.83, 0.61%, 0.57%

LAB 56.35, 41.03, 33.55

 

CMYK 0 / 47 / 57 / 10

HEX #E57962

RGB 229 121 98

HSL 10.53, 0.72%, 0.64%

LAB 62.69, 39.7, 31.46

 

CMYK 0 / 43 / 52 / 4

HEX #F68B75

RGB 246 139 117

HSL 10.23, 0.88%, 0.71%

LAB 69, 38.46, 29.61

 

CMYK 0 / 61 / 73 / 32

HEX #AD432E

RGB 173 67 46

HSL 9.92, 0.58%, 0.43%

LAB 42.91, 42.16, 34.68

 

CMYK 0 / 69 / 83 / 39

HEX #9C311B

RGB 156 49 27

HSL 10.23, 0.7%, 0.36%

LAB 36.64, 43.35, 37.55

 

CMYK 0 / 78 / 94 / 45

HEX #8B1F08

RGB 139 31 8

HSL 10.53, 0.89%, 0.29%

LAB 30.61, 44.1, 40.01

 

CMYK 0 / 89 / 100 / 52

HEX #7A0D00

RGB 122 13 0

HSL 6.39, 1%, 0.24%

LAB 25.03, 43.81, 37.1

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 61 / 73 / 32

HEX #AD432E

RGB 173 67 46

HSL 9.92, 0.58%, 0.43%

LAB 42.91, 42.16, 34.68

 

CMYK 0 / 50 / 73 / 32

HEX #AD562E

RGB 173 86 46

HSL 18.9, 0.58%, 0.43%

LAB 46.63, 32.59, 38.77

 

CMYK 0 / 38 / 73 / 32

HEX #AD6B2E

RGB 173 107 46

HSL 28.82, 0.58%, 0.43%

LAB 51.38, 21.08, 43.81

 

CMYK 0 / 26 / 73 / 32

HEX #AD802E

RGB 173 128 46

HSL 38.74, 0.58%, 0.43%

LAB 56.6, 9.3, 49.17

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 0 / 61 / 73 / 32

HEX #AD432E

RGB 173 67 46

HSL 9.92, 0.58%, 0.43%

LAB 42.91, 42.16, 34.68

 

CMYK 0 / 61 / 73 / 12

HEX #E0573C

RGB 224 87 60

HSL 9.88, 0.73%, 0.56%

LAB 55.06, 51.96, 42.9

 

CMYK 0 / 60 / 75 / 92

HEX #140805

RGB 20 8 5

HSL 12, 0.6%, 0.05%

LAB 3.01, 3.52, 2.52

 

CMYK 0 / 62 / 73 / 72

HEX #471B13

RGB 71 27 19

HSL 9.23, 0.58%, 0.18%

LAB 16.36, 20.42, 15.74

 

CMYK 0 / 61 / 74 / 52

HEX #7A2F20

RGB 122 47 32

HSL 10, 0.58%, 0.3%

LAB 30.1, 31.74, 25.95

 

CMYK 0 / 61 / 73 / 32

HEX #AD432E

RGB 173 67 46

HSL 9.92, 0.58%, 0.43%

LAB 42.91, 42.16, 34.68

 

CMYK 26 / 0 / 73 / 32

HEX #80AD2E

RGB 128 173 46

HSL 81.26, 0.58%, 0.43%

LAB 65.49, -33.76, 56.76

 

CMYK 73 / 55 / 0 / 32

HEX #2E4DAD

RGB 46 77 173

HSL 225.35, 0.58%, 0.43%

LAB 35.8, 22.74, -54.71

 

CMYK 0 / 61 / 73 / 32

HEX #AD432E

RGB 173 67 46

HSL 9.92, 0.58%, 0.43%

LAB 42.91, 42.16, 34.68

 

CMYK 73 / 0 / 62 / 32

HEX #2EAD41

RGB 46 173 65

HSL 128.98, 0.58%, 0.43%

LAB 62.38, -56, 44.73

 

CMYK 62 / 73 / 0 / 32

HEX #412EAD

RGB 65 46 173

HSL 248.98, 0.58%, 0.43%

LAB 29.65, 44.65, -64.71

 

CMYK 0 / 61 / 73 / 32

HEX #AD432E

RGB 173 67 46

HSL 9.92, 0.58%, 0.43%

LAB 42.91, 42.16, 34.68

 

CMYK 26 / 0 / 73 / 32

HEX #80AD2E

RGB 128 173 46

HSL 81.26, 0.58%, 0.43%

LAB 65.49, -33.76, 56.76

 

CMYK 73 / 11 / 0 / 32

HEX #2E9AAD

RGB 46 154 173

HSL 188.98, 0.58%, 0.43%

LAB 58.7, -23.49, -18.64

 

CMYK 48 / 73 / 0 / 32

HEX #5A2EAD

RGB 90 46 173

HSL 260.79, 0.58%, 0.43%

LAB 32.13, 48.39, -60.54

 

CMYK 0 / 61 / 73 / 32

HEX #AD432E

RGB 173 67 46

HSL 9.92, 0.58%, 0.43%

LAB 42.91, 42.16, 34.68

 

CMYK 48 / 0 / 73 / 32

HEX #5AAD2E

RGB 90 173 46

HSL 99.21, 0.58%, 0.43%

LAB 63.56, -47.25, 54.19

 

CMYK 73 / 11 / 0 / 32

HEX #2E9AAD

RGB 46 154 173

HSL 188.98, 0.58%, 0.43%

LAB 58.7, -23.49, -18.64

 

CMYK 26 / 73 / 0 / 32

HEX #802EAD

RGB 128 46 173

HSL 278.74, 0.58%, 0.43%

LAB 37.04, 55.4, -52.34

 

Description

Color code: RGB 173 67 46 | qconv.com Color code: RGB 173 67 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 67 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 67 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 73 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 73% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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