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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 63 253 it is the complementary color RGB 82 192 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 63 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 173 63 253: RGB 178 63 248, RGB 195 81 255, RGB 212 99 255, RGB 229 117 255 and RGB 246 135 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 63 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 173 63 253: RGB 173 63 253, RGB 156 45 234, RGB 139 27 215, RGB 122 9 196 and RGB 105 0 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 75 / 0 / 1

HEX #AD3FFD

RGB 173 63 253

HSL 274.74, 0.98%, 0.62%

LAB 51.3, 74.13, -74.91

 

Complementary color

CMYK 57 / 0 / 99 / 25

HEX #52C002

RGB 82 192 2

HSL 94.74, 0.98%, 0.38%

LAB 69.11, -58.28, 68.56

 

CMYK 28 / 75 / 0 / 3

HEX #B23FF8

RGB 178 63 248

HSL 277.3, 0.93%, 0.61%

LAB 51.61, 73.94, -71.6

 

CMYK 24 / 68 / 0 / 0

HEX #C351FF

RGB 195 81 255

HSL 279.31, 1%, 0.66%

LAB 56.79, 71.57, -67

 

CMYK 17 / 61 / 0 / 0

HEX #D463FF

RGB 212 99 255

HSL 283.46, 1%, 0.69%

LAB 61.78, 67.48, -58.88

 

CMYK 10 / 54 / 0 / 0

HEX #E575FF

RGB 229 117 255

HSL 288.7, 1%, 0.73%

LAB 66.98, 63.31, -50.49

 

CMYK 4 / 47 / 0 / 0

HEX #F687FF

RGB 246 135 255

HSL 295.5, 1%, 0.76%

LAB 72.32, 59.18, -41.94

 

CMYK 32 / 75 / 0 / 1

HEX #AD3FFD

RGB 173 63 253

HSL 274.74, 0.98%, 0.62%

LAB 51.3, 74.13, -74.91

 

CMYK 33 / 81 / 0 / 8

HEX #9C2DEA

RGB 156 45 234

HSL 275.24, 0.82%, 0.55%

LAB 45.48, 73.55, -73.84

 

CMYK 35 / 87 / 0 / 16

HEX #8B1BD7

RGB 139 27 215

HSL 275.74, 0.78%, 0.47%

LAB 39.88, 72.09, -72.25

 

CMYK 38 / 95 / 0 / 23

HEX #7A09C4

RGB 122 9 196

HSL 276.26, 0.91%, 0.4%

LAB 34.64, 69.33, -69.9

 

CMYK 41 / 100 / 0 / 31

HEX #6900B1

RGB 105 0 177

HSL 275.59, 1%, 0.35%

LAB 29.86, 64.89, -66.6

 

CMYK 32 / 75 / 0 / 1

HEX #AD3FFD

RGB 173 63 253

HSL 274.74, 0.98%, 0.62%

LAB 51.3, 74.13, -74.91

 

CMYK 20 / 75 / 0 / 1

HEX #CA3FFD

RGB 202 63 253

HSL 283.89, 0.98%, 0.62%

LAB 55.28, 79.14, -68.28

 

CMYK 8 / 75 / 0 / 1

HEX #EA3FFD

RGB 234 63 253

HSL 294, 0.98%, 0.62%

LAB 60.01, 85.03, -60.41

 

CMYK 0 / 75 / 5 / 1

HEX #FD3FF0

RGB 253 63 240

HSL 304.11, 0.98%, 0.62%

LAB 62.28, 86.73, -49.42

 

CMYK 0 / 75 / 18 / 1

HEX #FD3FD0

RGB 253 63 208

HSL 314.21, 0.98%, 0.62%

LAB 60.77, 82.35, -33.79

 

CMYK 32 / 75 / 0 / 1

HEX #AD3FFD

RGB 173 63 253

HSL 274.74, 0.98%, 0.62%

LAB 51.3, 74.13, -74.91

 

CMYK 31 / 76 / 0 / 81

HEX #220C31

RGB 34 12 49

HSL 275.68, 0.61%, 0.12%

LAB 7.45, 19.88, -19.94

 

CMYK 32 / 75 / 0 / 61

HEX #441964

RGB 68 25 100

HSL 274.4, 0.6%, 0.25%

LAB 19.41, 35.12, -35.74

 

CMYK 32 / 75 / 0 / 41

HEX #672697

RGB 103 38 151

HSL 274.51, 0.6%, 0.37%

LAB 30.65, 48.86, -49.58

 

CMYK 32 / 75 / 0 / 21

HEX #8A32CA

RGB 138 50 202

HSL 274.74, 0.6%, 0.49%

LAB 41.13, 62.03, -62.69

 

CMYK 32 / 75 / 0 / 1

HEX #AD3FFD

RGB 173 63 253

HSL 274.74, 0.98%, 0.62%

LAB 51.3, 74.13, -74.91

 

CMYK 0 / 75 / 58 / 1

HEX #FD3F6B

RGB 253 63 107

HSL 346.11, 0.98%, 0.62%

LAB 57.56, 72.46, 20.28

 

CMYK 75 / 0 / 63 / 1

HEX #3FFD5E

RGB 63 253 94

HSL 129.79, 0.98%, 0.62%

LAB 88.02, -76.21, 61.21

 

CMYK 32 / 75 / 0 / 1

HEX #AD3FFD

RGB 173 63 253

HSL 274.74, 0.98%, 0.62%

LAB 51.3, 74.13, -74.91

 

CMYK 0 / 33 / 75 / 1

HEX #FDAA3F

RGB 253 170 63

HSL 33.79, 0.98%, 0.62%

LAB 76.06, 21.79, 64.43

 

CMYK 75 / 0 / 33 / 1

HEX #3FFDAA

RGB 63 253 170

HSL 153.79, 0.98%, 0.62%

LAB 89.02, -64.63, 26.76

 

CMYK 32 / 75 / 0 / 1

HEX #AD3FFD

RGB 173 63 253

HSL 274.74, 0.98%, 0.62%

LAB 51.3, 74.13, -74.91

 

CMYK 0 / 75 / 58 / 1

HEX #FD3F6B

RGB 253 63 107

HSL 346.11, 0.98%, 0.62%

LAB 57.56, 72.46, 20.28

 

CMYK 43 / 0 / 75 / 1

HEX #91FD3F

RGB 145 253 63

HSL 94.11, 0.98%, 0.62%

LAB 90.15, -60.21, 75.37

 

CMYK 75 / 0 / 18 / 1

HEX #3FFDD0

RGB 63 253 208

HSL 165.79, 0.98%, 0.62%

LAB 89.79, -56.3, 8.36

 

CMYK 32 / 75 / 0 / 1

HEX #AD3FFD

RGB 173 63 253

HSL 274.74, 0.98%, 0.62%

LAB 51.3, 74.13, -74.91

 

CMYK 0 / 70 / 75 / 1

HEX #FD4B3F

RGB 253 75 63

HSL 3.79, 0.98%, 0.62%

LAB 58.3, 66.32, 46.26

 

CMYK 43 / 0 / 75 / 1

HEX #91FD3F

RGB 145 253 63

HSL 94.11, 0.98%, 0.62%

LAB 90.15, -60.21, 75.37

 

CMYK 75 / 5 / 0 / 1

HEX #3FF0FD

RGB 63 240 253

HSL 184.11, 0.98%, 0.62%

LAB 87.23, -38.8, -18.89

 

Description

Color code: RGB 173 63 253 | qconv.com Color code: RGB 173 63 253 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 63 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 63 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 75 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 75% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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