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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 3 76 it is the complementary color RGB 82 252 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 3 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 173 3 76: RGB 178 3 71, RGB 195 21 90, RGB 212 39 109, RGB 229 57 128 and RGB 246 75 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 3 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 173 3 76: RGB 173 3 76, RGB 156 0 57, RGB 139 0 38, RGB 122 0 19 and RGB 105 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 56 / 32

HEX #AD034C

RGB 173 3 76

HSL 334.24, 0.97%, 0.35%

LAB 36.88, 62.22, 8.51

 

Complementary color

CMYK 67 / 0 / 29 / 1

HEX #52FCB3

RGB 82 252 179

HSL 154.24, 0.97%, 0.65%

LAB 89.24, -59.84, 22.54

 

CMYK 0 / 98 / 60 / 30

HEX #B20347

RGB 178 3 71

HSL 336.69, 0.97%, 0.35%

LAB 37.82, 63.08, 13.21

 

CMYK 0 / 89 / 54 / 24

HEX #C3155A

RGB 195 21 90

HSL 336.21, 0.81%, 0.42%

LAB 42.58, 66.24, 8.24

 

CMYK 0 / 82 / 49 / 17

HEX #D4276D

RGB 212 39 109

HSL 335.72, 0.69%, 0.49%

LAB 47.69, 68.3, 4.17

 

CMYK 0 / 75 / 44 / 10

HEX #E53980

RGB 229 57 128

HSL 335.23, 0.77%, 0.56%

LAB 53.11, 69.41, 0.87

 

CMYK 0 / 70 / 40 / 4

HEX #F64B93

RGB 246 75 147

HSL 334.74, 0.9%, 0.63%

LAB 58.73, 69.87, -1.81

 

CMYK 0 / 98 / 56 / 32

HEX #AD034C

RGB 173 3 76

HSL 334.24, 0.97%, 0.35%

LAB 36.88, 62.22, 8.51

 

CMYK 0 / 100 / 63 / 39

HEX #9C0039

RGB 156 0 57

HSL 338.08, 1%, 0.31%

LAB 32.62, 57.28, 14.52

 

CMYK 0 / 100 / 73 / 45

HEX #8B0026

RGB 139 0 38

HSL 343.6, 1%, 0.27%

LAB 28.46, 52.02, 21.04

 

CMYK 0 / 100 / 84 / 52

HEX #7A0013

RGB 122 0 19

HSL 350.66, 1%, 0.24%

LAB 24.27, 46.84, 27.63

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 98 / 56 / 32

HEX #AD034C

RGB 173 3 76

HSL 334.24, 0.97%, 0.35%

LAB 36.88, 62.22, 8.51

 

CMYK 0 / 99 / 73 / 31

HEX #AF0230

RGB 175 2 48

HSL 344.05, 0.98%, 0.35%

LAB 36.69, 61.27, 26.39

 

CMYK 0 / 99 / 89 / 31

HEX #AF0213

RGB 175 2 19

HSL 354.1, 0.98%, 0.35%

LAB 36.37, 60.41, 42.86

 

CMYK 0 / 92 / 99 / 31

HEX #AF0E02

RGB 175 14 2

HSL 4.16, 0.98%, 0.35%

LAB 36.8, 58.71, 50.05

 

CMYK 0 / 75 / 99 / 31

HEX #AF2B02

RGB 175 43 2

HSL 14.22, 0.98%, 0.35%

LAB 39.32, 51.6, 51.21

 

CMYK 0 / 98 / 56 / 32

HEX #AD034C

RGB 173 3 76

HSL 334.24, 0.97%, 0.35%

LAB 36.88, 62.22, 8.51

 

CMYK 0 / 98 / 56 / 12

HEX #E00462

RGB 224 4 98

HSL 334.36, 0.96%, 0.45%

LAB 48.03, 75.4, 11.75

 

CMYK 0 / 100 / 55 / 92

HEX #140009

RGB 20 0 9

HSL 333, 1%, 0.04%

LAB 1.52, 7.28, -1.28

 

CMYK 0 / 99 / 56 / 72

HEX #47011F

RGB 71 1 31

HSL 334.29, 0.97%, 0.14%

LAB 12.35, 33.25, 1.72

 

CMYK 0 / 98 / 56 / 52

HEX #7A0236

RGB 122 2 54

HSL 334, 0.97%, 0.24%

LAB 25.1, 48.31, 4.99

 

CMYK 0 / 98 / 56 / 32

HEX #AD034C

RGB 173 3 76

HSL 334.24, 0.97%, 0.35%

LAB 36.88, 62.22, 8.51

 

CMYK 0 / 23 / 99 / 31

HEX #AF8702

RGB 175 135 2

HSL 46.13, 0.98%, 0.35%

LAB 58.46, 5.1, 63.17

 

CMYK 99 / 17 / 0 / 31

HEX #0292AF

RGB 2 146 175

HSL 190.06, 0.98%, 0.35%

LAB 55.75, -21.92, -24.35

 

CMYK 0 / 98 / 56 / 32

HEX #AD034C

RGB 173 3 76

HSL 334.24, 0.97%, 0.35%

LAB 36.88, 62.22, 8.51

 

CMYK 56 / 0 / 99 / 31

HEX #4DAF02

RGB 77 175 2

HSL 93.99, 0.98%, 0.35%

LAB 63.54, -53.6, 64.07

 

CMYK 99 / 56 / 0 / 31

HEX #024DAF

RGB 2 77 175

HSL 213.99, 0.98%, 0.35%

LAB 34.83, 20.16, -57.52

 

CMYK 0 / 98 / 56 / 32

HEX #AD034C

RGB 173 3 76

HSL 334.24, 0.97%, 0.35%

LAB 36.88, 62.22, 8.51

 

CMYK 0 / 23 / 99 / 31

HEX #AF8702

RGB 175 135 2

HSL 46.13, 0.98%, 0.35%

LAB 58.46, 5.1, 63.17

 

CMYK 99 / 0 / 43 / 31

HEX #02AF64

RGB 2 175 100

HSL 153.99, 0.98%, 0.35%

LAB 63.01, -55.25, 28.05

 

CMYK 99 / 75 / 0 / 31

HEX #022BAF

RGB 2 43 175

HSL 225.78, 0.98%, 0.35%

LAB 26.26, 42.54, -71.6

 

CMYK 0 / 98 / 56 / 32

HEX #AD034C

RGB 173 3 76

HSL 334.24, 0.97%, 0.35%

LAB 36.88, 62.22, 8.51

 

CMYK 6 / 0 / 99 / 31

HEX #A4AF02

RGB 164 175 2

HSL 63.82, 0.98%, 0.35%

LAB 68.43, -21.04, 69.95

 

CMYK 99 / 0 / 43 / 31

HEX #02AF64

RGB 2 175 100

HSL 153.99, 0.98%, 0.35%

LAB 63.01, -55.25, 28.05

 

CMYK 92 / 99 / 0 / 31

HEX #0E02AF

RGB 14 2 175

HSL 244.16, 0.98%, 0.35%

LAB 20.95, 59.31, -80.44

 

Description

Color code: RGB 173 3 76 | qconv.com Color code: RGB 173 3 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 3 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 3 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 56 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 56% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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