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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 219 0 it is the complementary color RGB 82 36 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 219 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 219 0 shade: RGB 178 219 0, RGB 195 237 14, RGB 212 255 33, RGB 229 255 52 and RGB 246 255 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 219 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 219 0 shade: RGB 173 219 0, RGB 156 201 0, RGB 139 183 0, RGB 122 165 0 and RGB 105 147 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 219 0 shade: RGB 173 219 0, RGB 219 206 0, RGB 219 147 0, RGB 219 87 0 and RGB 219 28 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 219 0 shade: RGB 173 219 0, RGB 114 219 0, RGB 54 219 0, RGB 0 219 4 and RGB 0 219 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 219 0 shade matches the following richer shades: RGB 173 219 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 219 0 shade: RGB 173 219 0, RGB 162 201 17, RGB 152 183 35, RGB 142 166 53 and RGB 132 148 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 219 0 shade: RGB 219 146 0, RGB 219 204 0, RGB 175 219 0, RGB 116 219 0 and RGB 58 219 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 219 0 shade: RGB 108 136 0, RGB 140 178 0, RGB 173 219 0, RGB 202 255 5 and RGB 211 255 46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 219 0 shade: RGB 173 219 0, RGB 0 219 87 and RGB 175 0 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 219 0 shade: RGB 173 219 0, RGB 0 175 219 and RGB 219 0 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 219 0 shade: RGB 173 219 0, RGB 0 219 87, RGB 43 0 219 and RGB 219 0 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 219 0 shade: RGB 173 219 0, RGB 0 219 153, RGB 43 0 219 and RGB 219 0 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 100 / 14

HEX #ADDB00

RGB 173 219 0

HSL 72.6, 1%, 0.43%

LAB 81.59, -38.11, 80.34

 

Complementary color

CMYK 68 / 86 / 0 / 0

HEX #5224FF

RGB 82 36 255

HSL 252.6, 1%, 0.57%

LAB 38.33, 73.55, -97.72

 

CMYK 19 / 0 / 100 / 14

HEX #B2DB00

RGB 178 219 0

HSL 71.23, 1%, 0.43%

LAB 81.91, -36.13, 80.72

 

CMYK 18 / 0 / 94 / 7

HEX #C3ED0E

RGB 195 237 14

HSL 71.3, 0.89%, 0.49%

LAB 88.07, -37.35, 84.71

 

CMYK 17 / 0 / 87 / 0

HEX #D4FF21

RGB 212 255 33

HSL 71.62, 1%, 0.56%

LAB 94.15, -38.42, 87.47

 

CMYK 10 / 0 / 80 / 0

HEX #E5FF34

RGB 229 255 52

HSL 67.68, 1%, 0.6%

LAB 95.34, -31.21, 84.92

 

CMYK 4 / 0 / 72 / 0

HEX #F6FF47

RGB 246 255 71

HSL 62.93, 1%, 0.64%

LAB 96.64, -23.69, 81.12

 

CMYK 21 / 0 / 100 / 14

HEX #ADDB00

RGB 173 219 0

HSL 72.6, 1%, 0.43%

LAB 81.59, -38.11, 80.34

 

CMYK 22 / 0 / 100 / 21

HEX #9CC900

RGB 156 201 0

HSL 73.43, 1%, 0.39%

LAB 75.35, -36.76, 75.14

 

CMYK 24 / 0 / 100 / 28

HEX #8BB700

RGB 139 183 0

HSL 74.43, 1%, 0.36%

LAB 69.01, -35.39, 69.86

 

CMYK 26 / 0 / 100 / 35

HEX #7AA500

RGB 122 165 0

HSL 75.64, 1%, 0.32%

LAB 62.55, -34.01, 64.48

 

CMYK 29 / 0 / 100 / 42

HEX #699300

RGB 105 147 0

HSL 77.14, 1%, 0.29%

LAB 55.96, -32.6, 58.99

 

CMYK 21 / 0 / 100 / 14

HEX #ADDB00

RGB 173 219 0

HSL 72.6, 1%, 0.43%

LAB 81.59, -38.11, 80.34

 

CMYK 0 / 6 / 100 / 14

HEX #DBCE00

RGB 219 206 0

HSL 56.44, 1%, 0.43%

LAB 81.4, -12.78, 81.71

 

CMYK 0 / 33 / 100 / 14

HEX #DB9300

RGB 219 147 0

HSL 40.27, 1%, 0.43%

LAB 66.46, 18.14, 71.31

 

CMYK 0 / 60 / 100 / 14

HEX #DB5700

RGB 219 87 0

HSL 23.84, 1%, 0.43%

LAB 53.9, 48.8, 63.64

 

CMYK 0 / 87 / 100 / 14

HEX #DB1C00

RGB 219 28 0

HSL 7.67, 1%, 0.43%

LAB 46.83, 68.2, 60.32

 

CMYK 21 / 0 / 100 / 14

HEX #ADDB00

RGB 173 219 0

HSL 72.6, 1%, 0.43%

LAB 81.59, -38.11, 80.34

 

CMYK 48 / 0 / 100 / 14

HEX #72DB00

RGB 114 219 0

HSL 88.77, 1%, 0.43%

LAB 78.6, -58.95, 76.74

 

CMYK 75 / 0 / 100 / 14

HEX #36DB00

RGB 54 219 0

HSL 105.21, 1%, 0.43%

LAB 76.95, -72.56, 74.73

 

CMYK 100 / 0 / 98 / 14

HEX #00DB04

RGB 0 219 4

HSL 121.1, 1%, 0.43%

LAB 76.48, -76.76, 73.77

 

CMYK 100 / 0 / 71 / 14

HEX #00DB3F

RGB 0 219 63

HSL 137.26, 1%, 0.43%

LAB 76.69, -74.01, 60.91

 

CMYK 21 / 0 / 100 / 14

HEX #ADDB00

RGB 173 219 0

HSL 72.6, 1%, 0.43%

LAB 81.59, -38.11, 80.34

 

CMYK 21 / 0 / 100 / 14

HEX #ADDB00

RGB 173 219 0

HSL 72.6, 1%, 0.43%

LAB 81.59, -38.11, 80.34

 

CMYK 19 / 0 / 92 / 21

HEX #A2C911

RGB 162 201 17

HSL 72.72, 0.84%, 0.43%

LAB 75.76, -34.12, 73.77

 

CMYK 17 / 0 / 81 / 28

HEX #98B723

RGB 152 183 35

HSL 72.57, 0.68%, 0.43%

LAB 69.94, -29.3, 64.94

 

CMYK 14 / 0 / 68 / 35

HEX #8EA635

RGB 142 166 53

HSL 72.74, 0.52%, 0.43%

LAB 64.39, -24.29, 53.28

 

CMYK 11 / 0 / 53 / 42

HEX #849446

RGB 132 148 70

HSL 72.31, 0.36%, 0.43%

LAB 58.53, -17.99, 38.89

 

CMYK 0 / 33 / 100 / 14

HEX #DB9200

RGB 219 146 0

HSL 40, 1%, 0.43%

LAB 66.23, 18.68, 71.15

 

CMYK 0 / 7 / 100 / 14

HEX #DBCC00

RGB 219 204 0

HSL 55.89, 1%, 0.43%

LAB 80.88, -11.78, 81.33

 

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

CMYK 47 / 0 / 100 / 14

HEX #74DB00

RGB 116 219 0

HSL 88.22, 1%, 0.43%

LAB 78.68, -58.35, 76.83

 

CMYK 74 / 0 / 100 / 14

HEX #3ADB00

RGB 58 219 0

HSL 104.11, 1%, 0.43%

LAB 77.02, -71.95, 74.81

 

CMYK 21 / 0 / 100 / 47

HEX #6C8800

RGB 108 136 0

HSL 72.35, 1%, 0.27%

LAB 52.73, -26.1, 56.62

 

CMYK 21 / 0 / 100 / 30

HEX #8CB200

RGB 140 178 0

HSL 72.81, 1%, 0.35%

LAB 67.59, -32.69, 68.81

 

CMYK 21 / 0 / 100 / 14

HEX #ADDB00

RGB 173 219 0

HSL 72.6, 1%, 0.43%

LAB 81.59, -38.11, 80.34

 

CMYK 21 / 0 / 98 / 0

HEX #CAFF05

RGB 202 255 5

HSL 72.72, 1%, 0.51%

LAB 93.49, -42.67, 89.78

 

CMYK 17 / 0 / 82 / 0

HEX #D3FF2E

RGB 211 255 46

HSL 72.63, 1%, 0.59%

LAB 94.13, -38.46, 84.83

 

CMYK 21 / 0 / 100 / 14

HEX #ADDB00

RGB 173 219 0

HSL 72.6, 1%, 0.43%

LAB 81.59, -38.11, 80.34

 

CMYK 100 / 0 / 60 / 14

HEX #00DB57

RGB 0 219 87

HSL 143.84, 1%, 0.43%

LAB 76.89, -71.5, 51.41

 

CMYK 20 / 100 / 0 / 14

HEX #AF00DB

RGB 175 0 219

HSL 287.95, 1%, 0.43%

LAB 44.56, 81.15, -66.68

 

CMYK 21 / 0 / 100 / 14

HEX #ADDB00

RGB 173 219 0

HSL 72.6, 1%, 0.43%

LAB 81.59, -38.11, 80.34

 

CMYK 100 / 20 / 0 / 14

HEX #00AFDB

RGB 0 175 219

HSL 192.05, 1%, 0.43%

LAB 66.35, -21.79, -32.62

 

CMYK 0 / 100 / 20 / 14

HEX #DB00AF

RGB 219 0 175

HSL 312.05, 1%, 0.43%

LAB 49.68, 81.8, -32.47

 

CMYK 21 / 0 / 100 / 14

HEX #ADDB00

RGB 173 219 0

HSL 72.6, 1%, 0.43%

LAB 81.59, -38.11, 80.34

 

CMYK 100 / 0 / 60 / 14

HEX #00DB57

RGB 0 219 87

HSL 143.84, 1%, 0.43%

LAB 76.89, -71.5, 51.41

 

CMYK 80 / 100 / 0 / 14

HEX #2B00DB

RGB 43 0 219

HSL 251.78, 1%, 0.43%

LAB 28.45, 71.07, -93.79

 

CMYK 0 / 100 / 40 / 14

HEX #DB0083

RGB 219 0 131

HSL 324.11, 1%, 0.43%

LAB 47.88, 77.18, -8.87

 

CMYK 21 / 0 / 100 / 14

HEX #ADDB00

RGB 173 219 0

HSL 72.6, 1%, 0.43%

LAB 81.59, -38.11, 80.34

 

CMYK 100 / 0 / 30 / 14

HEX #00DB99

RGB 0 219 153

HSL 161.92, 1%, 0.43%

LAB 77.85, -60.06, 20.12

 

CMYK 80 / 100 / 0 / 14

HEX #2B00DB

RGB 43 0 219

HSL 251.78, 1%, 0.43%

LAB 28.45, 71.07, -93.79

 

CMYK 0 / 100 / 70 / 14

HEX #DB0041

RGB 219 0 65

HSL 342.19, 1%, 0.43%

LAB 46.23, 72.82, 29.57

 

Description

Color code: RGB 173 219 0 | qconv.com Color code: RGB 173 219 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 219 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 219 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 100 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 100% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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