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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFDB00 it is the complementary color #5024FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFDB00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFDB00 shade: #B4DB00, #C5ED0E, #D6FF21, #E7FF34 and #F8FF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFDB00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFDB00 shade: #AFDB00, #9EC900, #8DB700, #7CA500 and #6B9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFDB00 shade: #AFDB00, #DBCC00, #DB9100, #DB5500 and #DB1A00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFDB00 shade: #AFDB00, #74DB00, #38DB00, #00DB02 and #00DB3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFDB00 shade matches the following richer shades: #AFDB00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFDB00 shade: #AFDB00, #A4C911, #9AB723, #8FA635 and #849446

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFDB00 shade: #DB9200, #DBCC00, #AFDB00, #74DB00 and #3ADB00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFDB00 shade: #6D8800, #8EB200, #AFDB00, #CCFF05 and #D5FF2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFDB00 shade: #AFDB00, #00DB57 and #AF00DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFDB00 shade: #AFDB00, #00AFDB and #DB00AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFDB00 shade: #AFDB00, #00DB57, #2B00DB and #DB0083

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFDB00 shade: #AFDB00, #00DB99, #2B00DB and #DB0041

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

Complementary color

CMYK 69 / 86 / 0 / 0

HEX #5024FF

RGB 80 36 255

HSL 252.05, 1%, 0.57%

LAB 38.18, 73.43, -97.98

 

CMYK 18 / 0 / 100 / 14

HEX #B4DB00

RGB 180 219 0

HSL 70.68, 1%, 0.43%

LAB 82.04, -35.33, 80.87

 

CMYK 17 / 0 / 94 / 7

HEX #C5ED0E

RGB 197 237 14

HSL 70.76, 0.89%, 0.49%

LAB 88.19, -36.57, 84.86

 

CMYK 16 / 0 / 87 / 0

HEX #D6FF21

RGB 214 255 33

HSL 71.08, 1%, 0.56%

LAB 94.28, -37.64, 87.62

 

CMYK 9 / 0 / 80 / 0

HEX #E7FF34

RGB 231 255 52

HSL 67.09, 1%, 0.6%

LAB 95.48, -30.41, 85.09

 

CMYK 3 / 0 / 72 / 0

HEX #F8FF47

RGB 248 255 71

HSL 62.28, 1%, 0.64%

LAB 96.79, -22.89, 81.31

 

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

CMYK 21 / 0 / 100 / 21

HEX #9EC900

RGB 158 201 0

HSL 72.84, 1%, 0.39%

LAB 75.48, -35.96, 75.29

 

CMYK 23 / 0 / 100 / 28

HEX #8DB700

RGB 141 183 0

HSL 73.77, 1%, 0.36%

LAB 69.13, -34.59, 70.01

 

CMYK 25 / 0 / 100 / 35

HEX #7CA500

RGB 124 165 0

HSL 74.91, 1%, 0.32%

LAB 62.67, -33.2, 64.63

 

CMYK 27 / 0 / 100 / 42

HEX #6B9300

RGB 107 147 0

HSL 76.33, 1%, 0.29%

LAB 56.08, -31.79, 59.14

 

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

CMYK 0 / 7 / 100 / 14

HEX #DBCC00

RGB 219 204 0

HSL 55.89, 1%, 0.43%

LAB 80.88, -11.78, 81.33

 

CMYK 0 / 34 / 100 / 14

HEX #DB9100

RGB 219 145 0

HSL 39.73, 1%, 0.43%

LAB 65.99, 19.21, 70.99

 

CMYK 0 / 61 / 100 / 14

HEX #DB5500

RGB 219 85 0

HSL 23.29, 1%, 0.43%

LAB 53.55, 49.7, 63.46

 

CMYK 0 / 88 / 100 / 14

HEX #DB1A00

RGB 219 26 0

HSL 7.12, 1%, 0.43%

LAB 46.71, 68.55, 60.28

 

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

CMYK 47 / 0 / 100 / 14

HEX #74DB00

RGB 116 219 0

HSL 88.22, 1%, 0.43%

LAB 78.68, -58.35, 76.83

 

CMYK 74 / 0 / 100 / 14

HEX #38DB00

RGB 56 219 0

HSL 104.66, 1%, 0.43%

LAB 76.98, -72.26, 74.77

 

CMYK 100 / 0 / 99 / 14

HEX #00DB02

RGB 0 219 2

HSL 120.55, 1%, 0.43%

LAB 76.48, -76.79, 73.96

 

CMYK 100 / 0 / 72 / 14

HEX #00DB3D

RGB 0 219 61

HSL 136.71, 1%, 0.43%

LAB 76.68, -74.18, 61.61

 

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

CMYK 18 / 0 / 92 / 21

HEX #A4C911

RGB 164 201 17

HSL 72.07, 0.84%, 0.43%

LAB 75.89, -33.31, 73.93

 

CMYK 16 / 0 / 81 / 28

HEX #9AB723

RGB 154 183 35

HSL 71.76, 0.68%, 0.43%

LAB 70.08, -28.47, 65.11

 

CMYK 14 / 0 / 68 / 35

HEX #8FA635

RGB 143 166 53

HSL 72.21, 0.52%, 0.43%

LAB 64.46, -23.88, 53.38

 

CMYK 11 / 0 / 53 / 42

HEX #849446

RGB 132 148 70

HSL 72.31, 0.36%, 0.43%

LAB 58.53, -17.99, 38.89

 

CMYK 0 / 33 / 100 / 14

HEX #DB9200

RGB 219 146 0

HSL 40, 1%, 0.43%

LAB 66.23, 18.68, 71.15

 

CMYK 0 / 7 / 100 / 14

HEX #DBCC00

RGB 219 204 0

HSL 55.89, 1%, 0.43%

LAB 80.88, -11.78, 81.33

 

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

CMYK 47 / 0 / 100 / 14

HEX #74DB00

RGB 116 219 0

HSL 88.22, 1%, 0.43%

LAB 78.68, -58.35, 76.83

 

CMYK 74 / 0 / 100 / 14

HEX #3ADB00

RGB 58 219 0

HSL 104.11, 1%, 0.43%

LAB 77.02, -71.95, 74.81

 

CMYK 20 / 0 / 100 / 47

HEX #6D8800

RGB 109 136 0

HSL 71.91, 1%, 0.27%

LAB 52.8, -25.67, 56.7

 

CMYK 20 / 0 / 100 / 30

HEX #8EB200

RGB 142 178 0

HSL 72.13, 1%, 0.35%

LAB 67.72, -31.86, 68.97

 

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

CMYK 20 / 0 / 98 / 0

HEX #CCFF05

RGB 204 255 5

HSL 72.24, 1%, 0.51%

LAB 93.61, -41.9, 89.92

 

CMYK 16 / 0 / 82 / 0

HEX #D5FF2E

RGB 213 255 46

HSL 72.06, 1%, 0.59%

LAB 94.25, -37.69, 84.99

 

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

CMYK 100 / 0 / 60 / 14

HEX #00DB57

RGB 0 219 87

HSL 143.84, 1%, 0.43%

LAB 76.89, -71.5, 51.41

 

CMYK 20 / 100 / 0 / 14

HEX #AF00DB

RGB 175 0 219

HSL 287.95, 1%, 0.43%

LAB 44.56, 81.15, -66.68

 

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

CMYK 100 / 20 / 0 / 14

HEX #00AFDB

RGB 0 175 219

HSL 192.05, 1%, 0.43%

LAB 66.35, -21.79, -32.62

 

CMYK 0 / 100 / 20 / 14

HEX #DB00AF

RGB 219 0 175

HSL 312.05, 1%, 0.43%

LAB 49.68, 81.8, -32.47

 

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

CMYK 100 / 0 / 60 / 14

HEX #00DB57

RGB 0 219 87

HSL 143.84, 1%, 0.43%

LAB 76.89, -71.5, 51.41

 

CMYK 80 / 100 / 0 / 14

HEX #2B00DB

RGB 43 0 219

HSL 251.78, 1%, 0.43%

LAB 28.45, 71.07, -93.79

 

CMYK 0 / 100 / 40 / 14

HEX #DB0083

RGB 219 0 131

HSL 324.11, 1%, 0.43%

LAB 47.88, 77.18, -8.87

 

CMYK 20 / 0 / 100 / 14

HEX #AFDB00

RGB 175 219 0

HSL 72.05, 1%, 0.43%

LAB 81.72, -37.32, 80.49

 

CMYK 100 / 0 / 30 / 14

HEX #00DB99

RGB 0 219 153

HSL 161.92, 1%, 0.43%

LAB 77.85, -60.06, 20.12

 

CMYK 80 / 100 / 0 / 14

HEX #2B00DB

RGB 43 0 219

HSL 251.78, 1%, 0.43%

LAB 28.45, 71.07, -93.79

 

CMYK 0 / 100 / 70 / 14

HEX #DB0041

RGB 219 0 65

HSL 342.19, 1%, 0.43%

LAB 46.23, 72.82, 29.57

 

Description

Color code: HEX #AFDB00 | qconv.com Color code: HEX #AFDB00 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 219 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 219 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 100 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 100% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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