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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 182 226 it is the complementary color RGB 82 73 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 182 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 173 182 226: RGB 178 182 221, RGB 195 200 240, RGB 212 218 255, RGB 229 236 255 and RGB 246 254 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 182 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 173 182 226: RGB 173 182 226, RGB 156 164 207, RGB 139 146 188, RGB 122 128 169 and RGB 105 110 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 19 / 0 / 11

HEX #ADB6E2

RGB 173 182 226

HSL 229.81, 0.48%, 0.78%

LAB 74.72, 6.28, -23.05

 

Complementary color

CMYK 0 / 11 / 65 / 68

HEX #52491D

RGB 82 73 29

HSL 49.81, 0.48%, 0.22%

LAB 30.99, -2.54, 27.17

 

CMYK 19 / 18 / 0 / 13

HEX #B2B6DD

RGB 178 182 221

HSL 234.42, 0.39%, 0.78%

LAB 74.91, 6.69, -20.01

 

CMYK 19 / 17 / 0 / 6

HEX #C3C8F0

RGB 195 200 240

HSL 233.33, 0.6%, 0.85%

LAB 81.4, 6.41, -20.29

 

CMYK 17 / 15 / 0 / 0

HEX #D4DAFF

RGB 212 218 255

HSL 231.63, 1%, 0.92%

LAB 87.66, 5.31, -18.67

 

CMYK 10 / 7 / 0 / 0

HEX #E5ECFF

RGB 229 236 255

HSL 223.85, 1%, 0.95%

LAB 93.39, 1.27, -9.96

 

CMYK 4 / 0 / 0 / 0

HEX #F6FEFF

RGB 246 254 255

HSL 186.67, 1%, 0.98%

LAB 99.1, -2.43, -1.4

 

CMYK 23 / 19 / 0 / 11

HEX #ADB6E2

RGB 173 182 226

HSL 229.81, 0.48%, 0.78%

LAB 74.72, 6.28, -23.05

 

CMYK 25 / 21 / 0 / 19

HEX #9CA4CF

RGB 156 164 207

HSL 230.59, 0.35%, 0.71%

LAB 68.11, 6.59, -22.84

 

CMYK 26 / 22 / 0 / 26

HEX #8B92BC

RGB 139 146 188

HSL 231.43, 0.27%, 0.64%

LAB 61.38, 6.93, -22.65

 

CMYK 28 / 24 / 0 / 34

HEX #7A80A9

RGB 122 128 169

HSL 232.34, 0.21%, 0.57%

LAB 54.49, 7.31, -22.49

 

CMYK 30 / 27 / 0 / 41

HEX #696E96

RGB 105 110 150

HSL 233.33, 0.18%, 0.5%

LAB 47.44, 7.75, -22.36

 

CMYK 23 / 19 / 0 / 11

HEX #ADB6E2

RGB 173 182 226

HSL 229.81, 0.48%, 0.78%

LAB 74.72, 6.28, -23.05

 

CMYK 24 / 24 / 0 / 12

HEX #ABACE1

RGB 171 172 225

HSL 238.89, 0.47%, 0.78%

LAB 71.96, 10.96, -26.74

 

CMYK 20 / 24 / 0 / 12

HEX #B4ABE1

RGB 180 171 225

HSL 250, 0.47%, 0.78%

LAB 72.41, 14.26, -26

 

CMYK 16 / 24 / 0 / 12

HEX #BDABE1

RGB 189 171 225

HSL 260, 0.47%, 0.78%

LAB 73.14, 17.07, -24.8

 

CMYK 12 / 24 / 0 / 12

HEX #C6ABE1

RGB 198 171 225

HSL 270, 0.47%, 0.78%

LAB 73.91, 19.92, -23.56

 

CMYK 23 / 19 / 0 / 11

HEX #ADB6E2

RGB 173 182 226

HSL 229.81, 0.48%, 0.78%

LAB 74.72, 6.28, -23.05

 

CMYK 23 / 18 / 0 / 91

HEX #111216

RGB 17 18 22

HSL 228, 0.13%, 0.08%

LAB 5.51, 0.52, -2.6

 

CMYK 23 / 19 / 0 / 71

HEX #383B49

RGB 56 59 73

HSL 229.41, 0.13%, 0.25%

LAB 25.11, 2.32, -8.98

 

CMYK 23 / 19 / 0 / 51

HEX #5F647C

RGB 95 100 124

HSL 229.66, 0.13%, 0.43%

LAB 42.77, 3.74, -14.04

 

CMYK 23 / 19 / 0 / 31

HEX #868DAF

RGB 134 141 175

HSL 229.76, 0.2%, 0.61%

LAB 59.17, 5.05, -18.68

 

CMYK 23 / 19 / 0 / 11

HEX #ADB6E2

RGB 173 182 226

HSL 229.81, 0.48%, 0.78%

LAB 74.72, 6.28, -23.05

 

CMYK 0 / 24 / 0 / 12

HEX #E1ABE0

RGB 225 171 224

HSL 301.11, 0.47%, 0.78%

LAB 76.38, 28.48, -19.02

 

CMYK 10 / 0 / 24 / 12

HEX #CBE1AB

RGB 203 225 171

HSL 84.44, 0.47%, 0.78%

LAB 86.74, -16.57, 24.05

 

CMYK 23 / 19 / 0 / 11

HEX #ADB6E2

RGB 173 182 226

HSL 229.81, 0.48%, 0.78%

LAB 74.72, 6.28, -23.05

 

CMYK 0 / 24 / 20 / 12

HEX #E1ABB5

RGB 225 171 181

HSL 348.89, 0.47%, 0.78%

LAB 75.12, 21.24, 2.57

 

CMYK 20 / 0 / 24 / 12

HEX #B5E1AB

RGB 181 225 171

HSL 108.89, 0.47%, 0.78%

LAB 85.31, -24.28, 21.85

 

CMYK 23 / 19 / 0 / 11

HEX #ADB6E2

RGB 173 182 226

HSL 229.81, 0.48%, 0.78%

LAB 74.72, 6.28, -23.05

 

CMYK 0 / 24 / 0 / 12

HEX #E1ABE0

RGB 225 171 224

HSL 301.11, 0.47%, 0.78%

LAB 76.38, 28.48, -19.02

 

CMYK 0 / 4 / 24 / 12

HEX #E1D7AB

RGB 225 215 171

HSL 48.89, 0.47%, 0.78%

LAB 85.78, -3.44, 22.99

 

CMYK 24 / 0 / 24 / 12

HEX #ABE1AC

RGB 171 225 172

HSL 121.11, 0.47%, 0.78%

LAB 84.73, -27.46, 20.44

 

CMYK 23 / 19 / 0 / 11

HEX #ADB6E2

RGB 173 182 226

HSL 229.81, 0.48%, 0.78%

LAB 74.72, 6.28, -23.05

 

CMYK 0 / 24 / 8 / 12

HEX #E1ABD0

RGB 225 171 208

HSL 318.89, 0.47%, 0.78%

LAB 75.88, 25.62, -11.08

 

CMYK 0 / 4 / 24 / 12

HEX #E1D7AB

RGB 225 215 171

HSL 48.89, 0.47%, 0.78%

LAB 85.78, -3.44, 22.99

 

CMYK 24 / 0 / 16 / 12

HEX #ABE1BD

RGB 171 225 189

HSL 140, 0.47%, 0.78%

LAB 85.09, -24.43, 12.04

 

Description

Color code: RGB 173 182 226 | qconv.com Color code: RGB 173 182 226 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 182 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 182 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 19 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 19% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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