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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 154 63 it is the complementary color RGB 82 101 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 154 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 173 154 63: RGB 178 154 58, RGB 195 172 77, RGB 212 190 96, RGB 229 208 115 and RGB 246 226 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 154 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 173 154 63: RGB 173 154 63, RGB 156 136 44, RGB 139 118 25, RGB 122 100 6 and RGB 105 82 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 64 / 32

HEX #AD9A3F

RGB 173 154 63

HSL 49.64, 0.47%, 0.46%

LAB 63.63, -4.01, 48.96

 

Complementary color

CMYK 57 / 47 / 0 / 25

HEX #5265C0

RGB 82 101 192

HSL 229.64, 0.47%, 0.54%

LAB 45.51, 20.13, -50.1

 

CMYK 0 / 13 / 67 / 30

HEX #B29A3A

RGB 178 154 58

HSL 48, 0.51%, 0.46%

LAB 64.06, -2.12, 51.79

 

CMYK 0 / 12 / 61 / 24

HEX #C3AC4D

RGB 195 172 77

HSL 48.31, 0.5%, 0.53%

LAB 70.62, -3.12, 50.81

 

CMYK 0 / 10 / 55 / 17

HEX #D4BE60

RGB 212 190 96

HSL 48.62, 0.57%, 0.6%

LAB 77.08, -3.94, 49.66

 

CMYK 0 / 9 / 50 / 10

HEX #E5D073

RGB 229 208 115

HSL 48.95, 0.69%, 0.67%

LAB 83.45, -4.64, 48.46

 

CMYK 0 / 8 / 46 / 4

HEX #F6E286

RGB 246 226 134

HSL 49.29, 0.86%, 0.75%

LAB 89.72, -5.24, 47.26

 

CMYK 0 / 11 / 64 / 32

HEX #AD9A3F

RGB 173 154 63

HSL 49.64, 0.47%, 0.46%

LAB 63.63, -4.01, 48.96

 

CMYK 0 / 13 / 72 / 39

HEX #9C882C

RGB 156 136 44

HSL 49.29, 0.56%, 0.39%

LAB 56.94, -2.95, 49.77

 

CMYK 0 / 15 / 82 / 45

HEX #8B7619

RGB 139 118 25

HSL 48.95, 0.7%, 0.32%

LAB 50.12, -1.62, 49.91

 

CMYK 0 / 18 / 95 / 52

HEX #7A6406

RGB 122 100 6

HSL 48.62, 0.91%, 0.25%

LAB 43.16, 0.05, 48.64

 

CMYK 0 / 22 / 100 / 59

HEX #695200

RGB 105 82 0

HSL 46.86, 1%, 0.21%

LAB 36.06, 2.18, 44.3

 

CMYK 0 / 11 / 64 / 32

HEX #AD9A3F

RGB 173 154 63

HSL 49.64, 0.47%, 0.46%

LAB 63.63, -4.01, 48.96

 

CMYK 0 / 1 / 64 / 33

HEX #ACAA3E

RGB 172 170 62

HSL 58.91, 0.47%, 0.46%

LAB 67.92, -12.97, 53.96

 

CMYK 10 / 0 / 64 / 33

HEX #9BAC3E

RGB 155 172 62

HSL 69.27, 0.47%, 0.46%

LAB 67.14, -21.23, 52.73

 

CMYK 20 / 0 / 64 / 33

HEX #89AC3E

RGB 137 172 62

HSL 79.09, 0.47%, 0.46%

LAB 65.88, -28.62, 51

 

CMYK 31 / 0 / 64 / 33

HEX #77AC3E

RGB 119 172 62

HSL 88.91, 0.47%, 0.46%

LAB 64.78, -35.59, 49.49

 

CMYK 0 / 11 / 64 / 32

HEX #AD9A3F

RGB 173 154 63

HSL 49.64, 0.47%, 0.46%

LAB 63.63, -4.01, 48.96

 

CMYK 0 / 11 / 63 / 12

HEX #E0C752

RGB 224 199 82

HSL 49.44, 0.7%, 0.6%

LAB 80.35, -4.57, 60

 

CMYK 0 / 10 / 65 / 92

HEX #141207

RGB 20 18 7

HSL 50.77, 0.48%, 0.05%

LAB 5.39, -0.98, 5.18

 

CMYK 0 / 11 / 63 / 72

HEX #473F1A

RGB 71 63 26

HSL 49.33, 0.46%, 0.19%

LAB 26.65, -2.11, 23.58

 

CMYK 0 / 11 / 64 / 52

HEX #7A6D2C

RGB 122 109 44

HSL 50, 0.47%, 0.33%

LAB 45.98, -3.43, 37.25

 

CMYK 0 / 11 / 64 / 32

HEX #AD9A3F

RGB 173 154 63

HSL 49.64, 0.47%, 0.46%

LAB 63.63, -4.01, 48.96

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 37 / 64 / 0 / 33

HEX #6C3EAC

RGB 108 62 172

HSL 265.09, 0.47%, 0.46%

LAB 37.14, 43.27, -51.71

 

CMYK 0 / 11 / 64 / 32

HEX #AD9A3F

RGB 173 154 63

HSL 49.64, 0.47%, 0.46%

LAB 63.63, -4.01, 48.96

 

CMYK 64 / 0 / 12 / 33

HEX #3EAC98

RGB 62 172 152

HSL 169.09, 0.47%, 0.46%

LAB 64, -35.93, 1.11

 

CMYK 12 / 64 / 0 / 33

HEX #983EAC

RGB 152 62 172

HSL 289.09, 0.47%, 0.46%

LAB 42.91, 53.61, -42.13

 

CMYK 0 / 11 / 64 / 32

HEX #AD9A3F

RGB 173 154 63

HSL 49.64, 0.47%, 0.46%

LAB 63.63, -4.01, 48.96

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 64 / 52 / 0 / 33

HEX #3E52AC

RGB 62 82 172

HSL 229.09, 0.47%, 0.46%

LAB 37.91, 21.56, -50.66

 

CMYK 0 / 64 / 1 / 33

HEX #AC3EAA

RGB 172 62 170

HSL 301.09, 0.47%, 0.46%

LAB 45.8, 58.18, -36.19

 

CMYK 0 / 11 / 64 / 32

HEX #AD9A3F

RGB 173 154 63

HSL 49.64, 0.47%, 0.46%

LAB 63.63, -4.01, 48.96

 

CMYK 64 / 0 / 44 / 33

HEX #3EAC61

RGB 62 172 97

HSL 139.09, 0.47%, 0.46%

LAB 62.84, -47.99, 29.57

 

CMYK 64 / 52 / 0 / 33

HEX #3E52AC

RGB 62 82 172

HSL 229.09, 0.47%, 0.46%

LAB 37.91, 21.56, -50.66

 

CMYK 0 / 64 / 20 / 33

HEX #AC3E89

RGB 172 62 137

HSL 319.09, 0.47%, 0.46%

LAB 44.26, 52.95, -18.8

 

Description

Color code: RGB 173 154 63 | qconv.com Color code: RGB 173 154 63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 154 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 154 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 64 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 64% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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