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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 127 153 it is the complementary color RGB 82 128 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 127 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 173 127 153: RGB 178 127 148, RGB 195 145 167, RGB 212 163 186, RGB 229 181 205 and RGB 246 199 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 127 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 173 127 153: RGB 173 127 153, RGB 156 109 134, RGB 139 91 115, RGB 122 73 96 and RGB 105 55 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 12 / 32

HEX #AD7F99

RGB 173 127 153

HSL 326.09, 0.22%, 0.59%

LAB 58.38, 21.98, -6.93

 

Complementary color

CMYK 36 / 0 / 20 / 50

HEX #528066

RGB 82 128 102

HSL 146.09, 0.22%, 0.41%

LAB 49.73, -21.81, 9.2

 

CMYK 0 / 29 / 17 / 30

HEX #B27F94

RGB 178 127 148

HSL 335.29, 0.25%, 0.6%

LAB 58.77, 22.97, -3.41

 

CMYK 0 / 26 / 14 / 24

HEX #C391A7

RGB 195 145 167

HSL 333.6, 0.29%, 0.67%

LAB 65.47, 22.3, -4.14

 

CMYK 0 / 23 / 12 / 17

HEX #D4A3BA

RGB 212 163 186

HSL 331.84, 0.36%, 0.74%

LAB 72.05, 21.69, -4.82

 

CMYK 0 / 21 / 10 / 10

HEX #E5B5CD

RGB 229 181 205

HSL 330, 0.48%, 0.8%

LAB 78.53, 21.13, -5.46

 

CMYK 0 / 19 / 9 / 4

HEX #F6C7E0

RGB 246 199 224

HSL 328.09, 0.72%, 0.87%

LAB 84.91, 20.61, -6.07

 

CMYK 0 / 27 / 12 / 32

HEX #AD7F99

RGB 173 127 153

HSL 326.09, 0.22%, 0.59%

LAB 58.38, 21.98, -6.93

 

CMYK 0 / 30 / 14 / 39

HEX #9C6D86

RGB 156 109 134

HSL 328.09, 0.19%, 0.52%

LAB 51.53, 22.68, -6.25

 

CMYK 0 / 35 / 17 / 45

HEX #8B5B73

RGB 139 91 115

HSL 330, 0.21%, 0.45%

LAB 44.53, 23.45, -5.48

 

CMYK 0 / 40 / 21 / 52

HEX #7A4960

RGB 122 73 96

HSL 331.84, 0.25%, 0.38%

LAB 37.38, 24.3, -4.61

 

CMYK 0 / 48 / 27 / 59

HEX #69374D

RGB 105 55 77

HSL 333.6, 0.31%, 0.31%

LAB 30.09, 25.22, -3.54

 

CMYK 0 / 27 / 12 / 32

HEX #AD7F99

RGB 173 127 153

HSL 326.09, 0.22%, 0.59%

LAB 58.38, 21.98, -6.93

 

CMYK 0 / 27 / 16 / 32

HEX #AD7F91

RGB 173 127 145

HSL 336.52, 0.22%, 0.59%

LAB 58.14, 20.62, -2.68

 

CMYK 0 / 27 / 20 / 32

HEX #AD7F8A

RGB 173 127 138

HSL 345.65, 0.22%, 0.59%

LAB 57.94, 19.48, 1.07

 

CMYK 0 / 27 / 25 / 32

HEX #AD7F82

RGB 173 127 130

HSL 356.09, 0.22%, 0.59%

LAB 57.73, 18.25, 5.38

 

CMYK 0 / 24 / 27 / 32

HEX #AD847F

RGB 173 132 127

HSL 6.52, 0.22%, 0.59%

LAB 58.9, 14.98, 8.78

 

CMYK 0 / 27 / 12 / 32

HEX #AD7F99

RGB 173 127 153

HSL 326.09, 0.22%, 0.59%

LAB 58.38, 21.98, -6.93

 

CMYK 0 / 27 / 12 / 12

HEX #E0A4C6

RGB 224 164 198

HSL 326, 0.49%, 0.76%

LAB 73.85, 27.35, -8.63

 

CMYK 0 / 25 / 10 / 92

HEX #140F12

RGB 20 15 18

HSL 324, 0.14%, 0.07%

LAB 4.82, 2.49, -0.91

 

CMYK 0 / 27 / 11 / 72

HEX #47343F

RGB 71 52 63

HSL 325.26, 0.15%, 0.24%

LAB 24.18, 10.66, -3.55

 

CMYK 0 / 26 / 11 / 52

HEX #7A5A6C

RGB 122 90 108

HSL 326.25, 0.15%, 0.42%

LAB 42.05, 16.26, -5.12

 

CMYK 0 / 27 / 12 / 32

HEX #AD7F99

RGB 173 127 153

HSL 326.09, 0.22%, 0.59%

LAB 58.38, 21.98, -6.93

 

CMYK 0 / 10 / 27 / 32

HEX #AD9C7F

RGB 173 156 127

HSL 37.83, 0.22%, 0.59%

LAB 65.12, 1.62, 17.48

 

CMYK 27 / 1 / 0 / 32

HEX #7FABAD

RGB 127 171 173

HSL 182.61, 0.22%, 0.59%

LAB 67.02, -14.19, -5.82

 

CMYK 0 / 27 / 12 / 32

HEX #AD7F99

RGB 173 127 153

HSL 326.09, 0.22%, 0.59%

LAB 58.38, 21.98, -6.93

 

CMYK 12 / 0 / 27 / 32

HEX #99AD7F

RGB 153 173 127

HSL 86.09, 0.22%, 0.59%

LAB 68.16, -15.25, 21.4

 

CMYK 27 / 12 / 0 / 32

HEX #7F99AD

RGB 127 153 173

HSL 206.09, 0.22%, 0.59%

LAB 61.92, -4.43, -13.43

 

CMYK 0 / 27 / 12 / 32

HEX #AD7F99

RGB 173 127 153

HSL 326.09, 0.22%, 0.59%

LAB 58.38, 21.98, -6.93

 

CMYK 0 / 10 / 27 / 32

HEX #AD9C7F

RGB 173 156 127

HSL 37.83, 0.22%, 0.59%

LAB 65.12, 1.62, 17.48

 

CMYK 27 / 0 / 15 / 32

HEX #7FAD93

RGB 127 173 147

HSL 146.09, 0.22%, 0.59%

LAB 66.9, -20.89, 8.43

 

CMYK 27 / 17 / 0 / 32

HEX #7F90AD

RGB 127 144 173

HSL 217.83, 0.22%, 0.59%

LAB 59.41, 0.64, -17.23

 

CMYK 0 / 27 / 12 / 32

HEX #AD7F99

RGB 173 127 153

HSL 326.09, 0.22%, 0.59%

LAB 58.38, 21.98, -6.93

 

CMYK 0 / 2 / 27 / 32

HEX #ADAA7F

RGB 173 170 127

HSL 56.09, 0.22%, 0.59%

LAB 68.87, -5.95, 22.62

 

CMYK 27 / 0 / 15 / 32

HEX #7FAD93

RGB 127 173 147

HSL 146.09, 0.22%, 0.59%

LAB 66.9, -20.89, 8.43

 

CMYK 27 / 25 / 0 / 32

HEX #7F82AD

RGB 127 130 173

HSL 236.09, 0.22%, 0.59%

LAB 55.58, 8.72, -23.09

 

Description

Color code: RGB 173 127 153 | qconv.com Color code: RGB 173 127 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 127 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 127 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 12 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 12% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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