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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 91 20 it is the complementary color RGB 83 164 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 91 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 91 20: RGB 177 91 15, RGB 194 109 34, RGB 211 127 53, RGB 228 145 72 and RGB 245 163 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 91 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 91 20: RGB 172 91 20, RGB 155 73 1, RGB 138 55 0, RGB 121 37 0 and RGB 104 19 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 88 / 33

HEX #AC5B14

RGB 172 91 20

HSL 28.03, 0.79%, 0.38%

LAB 47.37, 28.55, 50.88

 

Complementary color

CMYK 65 / 30 / 0 / 8

HEX #53A4EB

RGB 83 164 235

HSL 208.03, 0.79%, 0.62%

LAB 65.27, -3.05, -42.99

 

CMYK 0 / 49 / 92 / 31

HEX #B15B0F

RGB 177 91 15

HSL 28.15, 0.84%, 0.38%

LAB 48.09, 30.56, 53.28

 

CMYK 0 / 44 / 82 / 24

HEX #C26D22

RGB 194 109 34

HSL 28.13, 0.7%, 0.45%

LAB 54.58, 28.5, 53.13

 

CMYK 0 / 40 / 75 / 17

HEX #D37F35

RGB 211 127 53

HSL 28.1, 0.64%, 0.52%

LAB 61.03, 26.67, 52.05

 

CMYK 0 / 36 / 68 / 11

HEX #E49148

RGB 228 145 72

HSL 28.08, 0.74%, 0.59%

LAB 67.44, 25.06, 50.62

 

CMYK 0 / 33 / 63 / 4

HEX #F5A35B

RGB 245 163 91

HSL 28.05, 0.89%, 0.66%

LAB 73.78, 23.63, 49.1

 

CMYK 0 / 47 / 88 / 33

HEX #AC5B14

RGB 172 91 20

HSL 28.03, 0.79%, 0.38%

LAB 47.37, 28.55, 50.88

 

CMYK 0 / 53 / 99 / 39

HEX #9B4901

RGB 155 73 1

HSL 28.05, 0.99%, 0.31%

LAB 40.79, 30.73, 50.45

 

CMYK 0 / 60 / 100 / 46

HEX #8A3700

RGB 138 55 0

HSL 23.91, 1%, 0.27%

LAB 34.26, 33.11, 45.55

 

CMYK 0 / 69 / 100 / 53

HEX #792500

RGB 121 37 0

HSL 18.35, 1%, 0.24%

LAB 27.81, 35.16, 39.52

 

CMYK 0 / 82 / 100 / 59

HEX #681300

RGB 104 19 0

HSL 10.96, 1%, 0.2%

LAB 21.61, 36.32, 32.33

 

CMYK 0 / 47 / 88 / 33

HEX #AC5B14

RGB 172 91 20

HSL 28.03, 0.79%, 0.38%

LAB 47.37, 28.55, 50.88

 

CMYK 0 / 32 / 88 / 32

HEX #AD7514

RGB 173 117 20

HSL 38.04, 0.79%, 0.38%

LAB 53.66, 14.54, 55.96

 

CMYK 0 / 18 / 88 / 32

HEX #AD8E14

RGB 173 142 20

HSL 47.84, 0.79%, 0.38%

LAB 60.14, 0.62, 61.14

 

CMYK 0 / 3 / 88 / 32

HEX #ADA814

RGB 173 168 20

HSL 58.04, 0.79%, 0.38%

LAB 67.23, -13.25, 66.81

 

CMYK 12 / 0 / 88 / 32

HEX #99AD14

RGB 153 173 20

HSL 67.84, 0.79%, 0.38%

LAB 67.06, -24.5, 66.01

 

CMYK 0 / 47 / 88 / 33

HEX #AC5B14

RGB 172 91 20

HSL 28.03, 0.79%, 0.38%

LAB 47.37, 28.55, 50.88

 

CMYK 0 / 47 / 88 / 13

HEX #DF761A

RGB 223 118 26

HSL 28.02, 0.79%, 0.49%

LAB 60.53, 35.51, 62.47

 

CMYK 0 / 47 / 89 / 93

HEX #130A02

RGB 19 10 2

HSL 28.24, 0.81%, 0.04%

LAB 3.25, 1.88, 4.08

 

CMYK 0 / 47 / 89 / 73

HEX #462508

RGB 70 37 8

HSL 28.06, 0.79%, 0.15%

LAB 18.55, 13.04, 23.84

 

CMYK 0 / 47 / 88 / 53

HEX #79400E

RGB 121 64 14

HSL 28.04, 0.79%, 0.26%

LAB 33.49, 21.14, 38.49

 

CMYK 0 / 47 / 88 / 33

HEX #AC5B14

RGB 172 91 20

HSL 28.03, 0.79%, 0.38%

LAB 47.37, 28.55, 50.88

 

CMYK 59 / 0 / 88 / 32

HEX #47AD14

RGB 71 173 20

HSL 100, 0.79%, 0.38%

LAB 62.74, -54.04, 60.65

 

CMYK 83 / 88 / 0 / 32

HEX #1E14AD

RGB 30 20 173

HSL 243.92, 0.79%, 0.38%

LAB 22.98, 54.08, -75.83

 

CMYK 0 / 47 / 88 / 33

HEX #AC5B14

RGB 172 91 20

HSL 28.03, 0.79%, 0.38%

LAB 47.37, 28.55, 50.88

 

CMYK 88 / 0 / 47 / 32

HEX #14AD5B

RGB 20 173 91

HSL 147.84, 0.79%, 0.38%

LAB 62.33, -55.26, 31.9

 

CMYK 47 / 88 / 0 / 32

HEX #5B14AD

RGB 91 20 173

HSL 267.84, 0.79%, 0.38%

LAB 28.75, 58.69, -66.09

 

CMYK 0 / 47 / 88 / 33

HEX #AC5B14

RGB 172 91 20

HSL 28.03, 0.79%, 0.38%

LAB 47.37, 28.55, 50.88

 

CMYK 59 / 0 / 88 / 32

HEX #47AD14

RGB 71 173 20

HSL 100, 0.79%, 0.38%

LAB 62.74, -54.04, 60.65

 

CMYK 88 / 41 / 0 / 32

HEX #1466AD

RGB 20 102 173

HSL 207.84, 0.79%, 0.38%

LAB 42.26, 3.71, -44.35

 

CMYK 29 / 88 / 0 / 32

HEX #7A14AD

RGB 122 20 173

HSL 280, 0.79%, 0.38%

LAB 33.25, 62.73, -58.53

 

CMYK 0 / 47 / 88 / 33

HEX #AC5B14

RGB 172 91 20

HSL 28.03, 0.79%, 0.38%

LAB 47.37, 28.55, 50.88

 

CMYK 86 / 0 / 88 / 32

HEX #19AD14

RGB 25 173 20

HSL 118.04, 0.79%, 0.38%

LAB 61.78, -62.25, 59.44

 

CMYK 88 / 41 / 0 / 32

HEX #1466AD

RGB 20 102 173

HSL 207.84, 0.79%, 0.38%

LAB 42.26, 3.71, -44.35

 

CMYK 3 / 88 / 0 / 32

HEX #A814AD

RGB 168 20 173

HSL 298.04, 0.79%, 0.38%

LAB 40.96, 70.24, -45.69

 

Description

Color code: RGB 172 91 20 | qconv.com Color code: RGB 172 91 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 91 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 91 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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