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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 8 124 it is the complementary color RGB 83 247 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 8 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 8 124: RGB 177 8 119, RGB 194 26 138, RGB 211 44 157, RGB 228 62 176 and RGB 245 80 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 8 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 8 124: RGB 172 8 124, RGB 155 0 105, RGB 138 0 86, RGB 121 0 67 and RGB 104 0 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 28 / 33

HEX #AC087C

RGB 172 8 124

HSL 317.56, 0.91%, 0.35%

LAB 38.55, 65.88, -19.61

 

Complementary color

CMYK 66 / 0 / 47 / 3

HEX #53F783

RGB 83 247 131

HSL 137.56, 0.91%, 0.65%

LAB 87, -66.39, 43.47

 

CMYK 0 / 95 / 33 / 31

HEX #B10877

RGB 177 8 119

HSL 320.59, 0.91%, 0.36%

LAB 39.33, 66.38, -15.2

 

CMYK 0 / 87 / 29 / 24

HEX #C21A8A

RGB 194 26 138

HSL 320, 0.76%, 0.43%

LAB 44.29, 69.62, -19.03

 

CMYK 0 / 79 / 26 / 17

HEX #D32C9D

RGB 211 44 157

HSL 319.4, 0.65%, 0.5%

LAB 49.6, 71.66, -22.06

 

CMYK 0 / 73 / 23 / 11

HEX #E43EB0

RGB 228 62 176

HSL 318.8, 0.75%, 0.57%

LAB 55.15, 72.81, -24.45

 

CMYK 0 / 67 / 20 / 4

HEX #F550C3

RGB 245 80 195

HSL 318.18, 0.89%, 0.64%

LAB 60.86, 73.34, -26.37

 

CMYK 0 / 95 / 28 / 33

HEX #AC087C

RGB 172 8 124

HSL 317.56, 0.91%, 0.35%

LAB 38.55, 65.88, -19.61

 

CMYK 0 / 100 / 32 / 39

HEX #9B0069

RGB 155 0 105

HSL 319.35, 1%, 0.3%

LAB 33.96, 61.12, -14.95

 

CMYK 0 / 100 / 38 / 46

HEX #8A0056

RGB 138 0 86

HSL 322.61, 1%, 0.27%

LAB 29.6, 55.39, -9.57

 

CMYK 0 / 100 / 45 / 53

HEX #790043

RGB 121 0 67

HSL 326.78, 1%, 0.24%

LAB 25.17, 49.58, -3.85

 

CMYK 0 / 100 / 54 / 59

HEX #680030

RGB 104 0 48

HSL 332.31, 1%, 0.2%

LAB 20.66, 43.72, 2.29

 

CMYK 0 / 95 / 28 / 33

HEX #AC087C

RGB 172 8 124

HSL 317.56, 0.91%, 0.35%

LAB 38.55, 65.88, -19.61

 

CMYK 0 / 95 / 43 / 33

HEX #AA0861

RGB 170 8 97

HSL 327.04, 0.91%, 0.35%

LAB 37.08, 62.63, -4.81

 

CMYK 0 / 95 / 59 / 33

HEX #AA0846

RGB 170 8 70

HSL 337.04, 0.91%, 0.35%

LAB 36.29, 60.5, 11.49

 

CMYK 0 / 95 / 75 / 33

HEX #AA082B

RGB 170 8 43

HSL 347.04, 0.91%, 0.35%

LAB 35.78, 59.08, 28.2

 

CMYK 0 / 95 / 91 / 33

HEX #AA0810

RGB 170 8 16

HSL 357.04, 0.91%, 0.35%

LAB 35.51, 58.33, 43.14

 

CMYK 0 / 95 / 28 / 33

HEX #AC087C

RGB 172 8 124

HSL 317.56, 0.91%, 0.35%

LAB 38.55, 65.88, -19.61

 

CMYK 0 / 96 / 28 / 13

HEX #DF0AA1

RGB 223 10 161

HSL 317.46, 0.91%, 0.46%

LAB 50.07, 80.2, -23.53

 

CMYK 0 / 95 / 26 / 93

HEX #13010E

RGB 19 1 14

HSL 316.67, 0.9%, 0.04%

LAB 1.73, 7.22, -3.21

 

CMYK 0 / 96 / 29 / 73

HEX #460332

RGB 70 3 50

HSL 317.91, 0.92%, 0.14%

LAB 13.21, 34.41, -11.1

 

CMYK 0 / 95 / 28 / 53

HEX #790657

RGB 121 6 87

HSL 317.74, 0.91%, 0.25%

LAB 26.4, 50.66, -15.45

 

CMYK 0 / 95 / 28 / 33

HEX #AC087C

RGB 172 8 124

HSL 317.56, 0.91%, 0.35%

LAB 38.55, 65.88, -19.61

 

CMYK 0 / 49 / 95 / 33

HEX #AA5608

RGB 170 86 8

HSL 28.89, 0.91%, 0.35%

LAB 45.93, 30.19, 53.01

 

CMYK 95 / 0 / 11 / 33

HEX #08AA97

RGB 8 170 151

HSL 172.96, 0.91%, 0.35%

LAB 62.54, -40.83, -0.56

 

CMYK 0 / 95 / 28 / 33

HEX #AC087C

RGB 172 8 124

HSL 317.56, 0.91%, 0.35%

LAB 38.55, 65.88, -19.61

 

CMYK 27 / 0 / 95 / 33

HEX #7CAA08

RGB 124 170 8

HSL 77.04, 0.91%, 0.35%

LAB 64.2, -35.35, 64.75

 

CMYK 95 / 27 / 0 / 33

HEX #087CAA

RGB 8 124 170

HSL 197.04, 0.91%, 0.35%

LAB 48.72, -11.42, -32.38

 

CMYK 0 / 95 / 28 / 33

HEX #AC087C

RGB 172 8 124

HSL 317.56, 0.91%, 0.35%

LAB 38.55, 65.88, -19.61

 

CMYK 0 / 49 / 95 / 33

HEX #AA5608

RGB 170 86 8

HSL 28.89, 0.91%, 0.35%

LAB 45.93, 30.19, 53.01

 

CMYK 95 / 0 / 68 / 33

HEX #08AA36

RGB 8 170 54

HSL 137.04, 0.91%, 0.35%

LAB 60.84, -60.17, 47.67

 

CMYK 95 / 46 / 0 / 33

HEX #085BAA

RGB 8 91 170

HSL 209.26, 0.91%, 0.35%

LAB 38.61, 8.97, -48.43

 

CMYK 0 / 95 / 28 / 33

HEX #AC087C

RGB 172 8 124

HSL 317.56, 0.91%, 0.35%

LAB 38.55, 65.88, -19.61

 

CMYK 0 / 21 / 95 / 33

HEX #AA8708

RGB 170 135 8

HSL 47.04, 0.91%, 0.35%

LAB 57.93, 2.89, 61.58

 

CMYK 95 / 0 / 68 / 33

HEX #08AA36

RGB 8 170 54

HSL 137.04, 0.91%, 0.35%

LAB 60.84, -60.17, 47.67

 

CMYK 95 / 75 / 0 / 33

HEX #082BAA

RGB 8 43 170

HSL 227.04, 0.91%, 0.35%

LAB 25.81, 40.9, -69.34

 

Description

Color code: RGB 172 8 124 | qconv.com Color code: RGB 172 8 124 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 8 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 8 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 28 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 28% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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