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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 53 155 it is the complementary color RGB 83 202 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 53 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 53 155 shade: RGB 177 53 150, RGB 194 71 169, RGB 211 89 188, RGB 228 107 207 and RGB 245 125 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 53 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 53 155 shade: RGB 172 53 155, RGB 155 35 136, RGB 138 17 117, RGB 121 0 98 and RGB 104 0 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 53 155 shade: RGB 172 53 155, RGB 172 53 123, RGB 172 53 91, RGB 172 53 58 and RGB 172 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 53 155 shade: RGB 172 53 155, RGB 157 53 172, RGB 125 53 172, RGB 92 53 172 and RGB 60 53 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 53 155 shade matches the following richer shades: RGB 172 53 155, RGB 190 35 168 and RGB 208 16 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 53 155 shade: RGB 172 53 155, RGB 154 71 142, RGB 135 89 129, RGB 117 107 116 and RGB 99 125 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 53 155 shade: RGB 124 53 172, RGB 156 53 172, RGB 172 53 156, RGB 172 53 124 and RGB 172 53 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 53 155 shade: RGB 109 33 98, RGB 140 43 126, RGB 172 53 155, RGB 198 68 179 and RGB 207 100 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 53 155 shade: RGB 172 53 155, RGB 172 92 53 and RGB 53 172 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 53 155 shade: RGB 172 53 155, RGB 156 172 53 and RGB 53 156 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 53 155 shade: RGB 172 53 155, RGB 172 92 53, RGB 53 172 69 and RGB 53 132 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 53 155 shade: RGB 172 53 155, RGB 172 128 53, RGB 53 172 69 and RGB 53 96 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 10 / 33

HEX #AC359B

RGB 172 53 155

HSL 308.57, 0.53%, 0.44%

LAB 43.78, 59.26, -30.43

 

Complementary color

CMYK 59 / 0 / 50 / 21

HEX #53CA64

RGB 83 202 100

HSL 128.57, 0.53%, 0.56%

LAB 72.89, -54.52, 40.88

 

CMYK 0 / 70 / 15 / 31

HEX #B13596

RGB 177 53 150

HSL 313.06, 0.54%, 0.45%

LAB 44.37, 59.76, -26.43

 

CMYK 0 / 63 / 13 / 24

HEX #C247A9

RGB 194 71 169

HSL 312.2, 0.5%, 0.52%

LAB 50.5, 59.97, -27.99

 

CMYK 0 / 58 / 11 / 17

HEX #D359BC

RGB 211 89 188

HSL 311.31, 0.58%, 0.59%

LAB 56.71, 59.77, -29.2

 

CMYK 0 / 53 / 9 / 11

HEX #E46BCF

RGB 228 107 207

HSL 310.41, 0.69%, 0.66%

LAB 62.94, 59.34, -30.16

 

CMYK 0 / 49 / 8 / 4

HEX #F57DE2

RGB 245 125 226

HSL 309.5, 0.86%, 0.73%

LAB 69.16, 58.76, -30.96

 

CMYK 0 / 69 / 10 / 33

HEX #AC359B

RGB 172 53 155

HSL 308.57, 0.53%, 0.44%

LAB 43.78, 59.26, -30.43

 

CMYK 0 / 77 / 12 / 39

HEX #9B2388

RGB 155 35 136

HSL 309.5, 0.63%, 0.37%

LAB 37.75, 58.41, -28.53

 

CMYK 0 / 88 / 15 / 46

HEX #8A1175

RGB 138 17 117

HSL 310.41, 0.78%, 0.3%

LAB 32.01, 56.45, -25.9

 

CMYK 0 / 100 / 19 / 53

HEX #790062

RGB 121 0 98

HSL 311.4, 1%, 0.24%

LAB 26.58, 53.2, -22.41

 

CMYK 0 / 100 / 24 / 59

HEX #68004F

RGB 104 0 79

HSL 314.42, 1%, 0.2%

LAB 21.97, 47.1, -17.23

 

CMYK 0 / 69 / 10 / 33

HEX #AC359B

RGB 172 53 155

HSL 308.57, 0.53%, 0.44%

LAB 43.78, 59.26, -30.43

 

CMYK 0 / 69 / 28 / 33

HEX #AC357B

RGB 172 53 123

HSL 324.71, 0.53%, 0.44%

LAB 42.38, 54.71, -13.12

 

CMYK 0 / 69 / 47 / 33

HEX #AC355B

RGB 172 53 91

HSL 340.84, 0.53%, 0.44%

LAB 41.33, 51.14, 5.24

 

CMYK 0 / 69 / 66 / 33

HEX #AC353A

RGB 172 53 58

HSL 357.48, 0.53%, 0.44%

LAB 40.61, 48.6, 24.84

 

CMYK 0 / 69 / 69 / 33

HEX #AC3535

RGB 172 53 53

HSL 0, 0.53%, 0.44%

LAB 40.53, 48.32, 27.79

 

CMYK 0 / 69 / 10 / 33

HEX #AC359B

RGB 172 53 155

HSL 308.57, 0.53%, 0.44%

LAB 43.78, 59.26, -30.43

 

CMYK 9 / 69 / 0 / 33

HEX #9D35AC

RGB 157 53 172

HSL 292.44, 0.53%, 0.44%

LAB 42.3, 58.59, -43.07

 

CMYK 27 / 69 / 0 / 33

HEX #7D35AC

RGB 125 53 172

HSL 276.3, 0.53%, 0.44%

LAB 37.63, 51.5, -50.8

 

CMYK 47 / 69 / 0 / 33

HEX #5C35AC

RGB 92 53 172

HSL 259.66, 0.53%, 0.44%

LAB 33.56, 44.86, -57.6

 

CMYK 65 / 69 / 0 / 33

HEX #3C35AC

RGB 60 53 172

HSL 243.53, 0.53%, 0.44%

LAB 30.61, 39.66, -62.55

 

CMYK 0 / 69 / 10 / 33

HEX #AC359B

RGB 172 53 155

HSL 308.57, 0.53%, 0.44%

LAB 43.78, 59.26, -30.43

 

CMYK 0 / 82 / 12 / 25

HEX #BE23A8

RGB 190 35 168

HSL 308.52, 0.69%, 0.44%

LAB 45.6, 70.71, -35.11

 

CMYK 0 / 92 / 13 / 18

HEX #D010B5

RGB 208 16 181

HSL 308.44, 0.86%, 0.44%

LAB 48.41, 79.18, -38.15

 

CMYK 0 / 69 / 10 / 33

HEX #AC359B

RGB 172 53 155

HSL 308.57, 0.53%, 0.44%

LAB 43.78, 59.26, -30.43

 

CMYK 0 / 54 / 8 / 40

HEX #9A478E

RGB 154 71 142

HSL 308.67, 0.37%, 0.44%

LAB 43.26, 44.26, -23.62

 

CMYK 0 / 34 / 4 / 47

HEX #875981

RGB 135 89 129

HSL 307.83, 0.21%, 0.44%

LAB 44.06, 25.71, -14.73

 

CMYK 0 / 9 / 1 / 54

HEX #756B74

RGB 117 107 116

HSL 306, 0.04%, 0.44%

LAB 46.39, 5.69, -3.59

 

CMYK 21 / 0 / 18 / 51

HEX #637D67

RGB 99 125 103

HSL 129.23, 0.12%, 0.44%

LAB 49.86, -14.1, 8.94

 

CMYK 28 / 69 / 0 / 33

HEX #7C35AC

RGB 124 53 172

HSL 275.8, 0.53%, 0.44%

LAB 37.5, 51.29, -51.03

 

CMYK 9 / 69 / 0 / 33

HEX #9C35AC

RGB 156 53 172

HSL 291.93, 0.53%, 0.44%

LAB 42.14, 58.37, -43.32

 

CMYK 0 / 69 / 9 / 33

HEX #AC359C

RGB 172 53 156

HSL 308.07, 0.53%, 0.44%

LAB 43.82, 59.42, -30.95

 

CMYK 0 / 69 / 28 / 33

HEX #AC357C

RGB 172 53 124

HSL 324.2, 0.53%, 0.44%

LAB 42.42, 54.84, -13.68

 

CMYK 0 / 69 / 47 / 33

HEX #AC355C

RGB 172 53 92

HSL 340.34, 0.53%, 0.44%

LAB 41.36, 51.24, 4.65

 

CMYK 0 / 70 / 10 / 57

HEX #6D2162

RGB 109 33 98

HSL 308.68, 0.54%, 0.28%

LAB 27.35, 41.49, -21.37

 

CMYK 0 / 69 / 10 / 45

HEX #8C2B7E

RGB 140 43 126

HSL 308.66, 0.53%, 0.36%

LAB 35.62, 50.37, -25.87

 

CMYK 0 / 69 / 10 / 33

HEX #AC359B

RGB 172 53 155

HSL 308.57, 0.53%, 0.44%

LAB 43.78, 59.26, -30.43

 

CMYK 0 / 66 / 10 / 22

HEX #C644B3

RGB 198 68 179

HSL 308.77, 0.53%, 0.52%

LAB 51.15, 63.74, -32.79

 

CMYK 0 / 52 / 7 / 19

HEX #CF64C0

RGB 207 100 192

HSL 308.41, 0.53%, 0.6%

LAB 58.21, 54.2, -29.2

 

CMYK 0 / 69 / 10 / 33

HEX #AC359B

RGB 172 53 155

HSL 308.57, 0.53%, 0.44%

LAB 43.78, 59.26, -30.43

 

CMYK 0 / 47 / 69 / 33

HEX #AC5C35

RGB 172 92 53

HSL 19.66, 0.53%, 0.44%

LAB 47.86, 29.33, 36.36

 

CMYK 69 / 0 / 19 / 33

HEX #35AC8C

RGB 53 172 140

HSL 163.87, 0.53%, 0.44%

LAB 63.47, -40.5, 7

 

CMYK 0 / 69 / 10 / 33

HEX #AC359B

RGB 172 53 155

HSL 308.57, 0.53%, 0.44%

LAB 43.78, 59.26, -30.43

 

CMYK 9 / 0 / 69 / 33

HEX #9CAC35

RGB 156 172 53

HSL 68.07, 0.53%, 0.44%

LAB 67.15, -21.39, 56.42

 

CMYK 69 / 9 / 0 / 33

HEX #359CAC

RGB 53 156 172

HSL 188.07, 0.53%, 0.44%

LAB 59.45, -23.87, -16.93

 

CMYK 0 / 69 / 10 / 33

HEX #AC359B

RGB 172 53 155

HSL 308.57, 0.53%, 0.44%

LAB 43.78, 59.26, -30.43

 

CMYK 0 / 47 / 69 / 33

HEX #AC5C35

RGB 172 92 53

HSL 19.66, 0.53%, 0.44%

LAB 47.86, 29.33, 36.36

 

CMYK 69 / 0 / 60 / 33

HEX #35AC45

RGB 53 172 69

HSL 128.07, 0.53%, 0.44%

LAB 62.25, -53.94, 42.78

 

CMYK 69 / 23 / 0 / 33

HEX #3584AC

RGB 53 132 172

HSL 200.17, 0.53%, 0.44%

LAB 52.11, -10.93, -28.2

 

CMYK 0 / 69 / 10 / 33

HEX #AC359B

RGB 172 53 155

HSL 308.57, 0.53%, 0.44%

LAB 43.78, 59.26, -30.43

 

CMYK 0 / 26 / 69 / 33

HEX #AC8035

RGB 172 128 53

HSL 37.82, 0.53%, 0.44%

LAB 56.55, 9.23, 45.92

 

CMYK 69 / 0 / 60 / 33

HEX #35AC45

RGB 53 172 69

HSL 128.07, 0.53%, 0.44%

LAB 62.25, -53.94, 42.78

 

CMYK 69 / 44 / 0 / 33

HEX #3560AC

RGB 53 96 172

HSL 218.32, 0.53%, 0.44%

LAB 41.38, 10.95, -45.12

 

Description

Color code: RGB 172 53 155 | qconv.com Color code: RGB 172 53 155 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 53 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 53 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 10 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 10% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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