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Color name
CMYK 0 / 63 / 13 / 24

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 63 / 13 / 24 it is the complementary color CMYK 67 / 0 / 53 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 63 / 13 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 63 / 13 / 24 shade: CMYK 0 / 64 / 18 / 22, CMYK 0 / 58 / 15 / 15, CMYK 0 / 54 / 13 / 9, CMYK 0 / 50 / 12 / 2 and CMYK 0 / 44 / 6 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 63 / 13 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 63 / 13 / 24 shade: CMYK 0 / 63 / 13 / 24, CMYK 0 / 69 / 15 / 31, CMYK 0 / 78 / 18 / 37, CMYK 0 / 87 / 22 / 44 and CMYK 0 / 100 / 26 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 63 / 13 / 24 shade: CMYK 0 / 63 / 13 / 24, CMYK 0 / 63 / 30 / 24, CMYK 0 / 63 / 47 / 24 and CMYK 0 / 63 / 63 / 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 63 / 13 / 24 shade: CMYK 0 / 63 / 13 / 24, CMYK 4 / 63 / 0 / 24, CMYK 21 / 63 / 0 / 24, CMYK 38 / 63 / 0 / 24 and CMYK 55 / 63 / 0 / 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 63 / 13 / 24 shade matches the following richer shades: CMYK 0 / 63 / 13 / 24, CMYK 0 / 76 / 15 / 16, CMYK 0 / 87 / 18 / 9 and CMYK 0 / 96 / 20 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 63 / 13 / 24 shade: CMYK 0 / 63 / 13 / 24, CMYK 0 / 47 / 9 / 32, CMYK 0 / 28 / 6 / 40, CMYK 0 / 3 / 1 / 47 and CMYK 24 / 0 / 19 / 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 63 / 13 / 24 shade: CMYK 21 / 63 / 0 / 24, CMYK 4 / 63 / 0 / 24, CMYK 0 / 63 / 12 / 24, CMYK 0 / 63 / 30 / 24 and CMYK 0 / 63 / 46 / 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 63 / 13 / 24 shade: CMYK 0 / 67 / 14 / 46, CMYK 0 / 67 / 13 / 35, CMYK 0 / 63 / 13 / 24, CMYK 0 / 50 / 10 / 20 and CMYK 0 / 38 / 8 / 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 63 / 13 / 24 shade: CMYK 0 / 63 / 13 / 24, CMYK 0 / 38 / 63 / 24 and CMYK 63 / 0 / 12 / 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 63 / 13 / 24 shade: CMYK 0 / 63 / 13 / 24, CMYK 12 / 0 / 63 / 24 and CMYK 63 / 12 / 0 / 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 63 / 13 / 24 shade: CMYK 0 / 63 / 13 / 24, CMYK 0 / 38 / 63 / 24, CMYK 63 / 0 / 51 / 24 and CMYK 63 / 25 / 0 / 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 63 / 13 / 24 shade: CMYK 0 / 63 / 13 / 24, CMYK 0 / 19 / 63 / 24, CMYK 63 / 0 / 51 / 24 and CMYK 63 / 44 / 0 / 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 13 / 24

HEX #C248A9

RGB 194 72 169

HSL 312.3, 0.5%, 0.52%

LAB 50.65, 59.56, -27.76

 

Complementary color

CMYK 67 / 0 / 53 / 28

HEX #3DB756

RGB 61 183 86

HSL 132.3, 0.5%, 0.48%

LAB 66.16, -54.1, 39.34

 

CMYK 0 / 64 / 18 / 22

HEX #C748A4

RGB 199 72 164

HSL 316.54, 0.53%, 0.53%

LAB 51.22, 60.16, -23.87

 

CMYK 0 / 58 / 15 / 15

HEX #D85AB7

RGB 216 90 183

HSL 315.71, 0.62%, 0.6%

LAB 57.4, 59.96, -25.2

 

CMYK 0 / 54 / 13 / 9

HEX #E96CCA

RGB 233 108 202

HSL 314.88, 0.74%, 0.67%

LAB 63.6, 59.52, -26.27

 

CMYK 0 / 50 / 12 / 2

HEX #FA7EDD

RGB 250 126 221

HSL 314.03, 0.93%, 0.74%

LAB 69.8, 58.94, -27.16

 

CMYK 0 / 44 / 6 / 0

HEX #FF90F0

RGB 255 144 240

HSL 308.11, 1%, 0.78%

LAB 74.51, 54.74, -30.3

 

CMYK 0 / 63 / 13 / 24

HEX #C248A9

RGB 194 72 169

HSL 312.3, 0.5%, 0.52%

LAB 50.65, 59.56, -27.76

 

CMYK 0 / 69 / 15 / 31

HEX #B13696

RGB 177 54 150

HSL 313.17, 0.53%, 0.45%

LAB 44.5, 59.39, -26.23

 

CMYK 0 / 78 / 18 / 37

HEX #A02483

RGB 160 36 131

HSL 314.03, 0.63%, 0.38%

LAB 38.51, 58.56, -24.2

 

CMYK 0 / 87 / 22 / 44

HEX #8F1270

RGB 143 18 112

HSL 314.88, 0.78%, 0.32%

LAB 32.79, 56.66, -21.42

 

CMYK 0 / 100 / 26 / 51

HEX #7E005D

RGB 126 0 93

HSL 315.71, 1%, 0.25%

LAB 27.37, 53.59, -17.83

 

CMYK 0 / 63 / 13 / 24

HEX #C147A8

RGB 193 71 168

HSL 312.3, 0.5%, 0.52%

LAB 50.3, 59.55, -27.72

 

CMYK 0 / 63 / 30 / 24

HEX #C14787

RGB 193 71 135

HSL 328.52, 0.5%, 0.52%

LAB 49, 54.96, -10.09

 

CMYK 0 / 63 / 47 / 24

HEX #C14766

RGB 193 71 102

HSL 344.75, 0.5%, 0.52%

LAB 48.01, 51.32, 8.44

 

CMYK 0 / 63 / 63 / 24

HEX #C14747

RGB 193 71 71

HSL 0, 0.5%, 0.52%

LAB 47.36, 48.86, 26.29

 

CMYK 0 / 63 / 13 / 24

HEX #C147A8

RGB 193 71 168

HSL 312.3, 0.5%, 0.52%

LAB 50.3, 59.55, -27.72

 

CMYK 4 / 63 / 0 / 24

HEX #B947C1

RGB 185 71 193

HSL 296.07, 0.5%, 0.52%

LAB 50.3, 61.65, -42.4

 

CMYK 21 / 63 / 0 / 24

HEX #9847C1

RGB 152 71 193

HSL 279.84, 0.5%, 0.52%

LAB 45.68, 53.77, -50.03

 

CMYK 38 / 63 / 0 / 24

HEX #7747C1

RGB 119 71 193

HSL 263.61, 0.5%, 0.52%

LAB 41.66, 46.31, -56.72

 

CMYK 55 / 63 / 0 / 24

HEX #5647C1

RGB 86 71 193

HSL 247.38, 0.5%, 0.52%

LAB 38.44, 39.79, -62.09

 

CMYK 0 / 63 / 13 / 24

HEX #C147A8

RGB 193 71 168

HSL 312.3, 0.5%, 0.52%

LAB 50.3, 59.55, -27.72

 

CMYK 0 / 76 / 15 / 16

HEX #D533B4

RGB 213 51 180

HSL 312.22, 0.66%, 0.52%

LAB 51.62, 73.16, -32.45

 

CMYK 0 / 87 / 18 / 9

HEX #E91FC0

RGB 233 31 192

HSL 312.18, 0.82%, 0.52%

LAB 54.14, 83.3, -35.23

 

CMYK 0 / 96 / 20 / 1

HEX #FD0BCB

RGB 253 11 203

HSL 312.4, 0.98%, 0.52%

LAB 57.5, 90.59, -36.06

 

CMYK 0 / 63 / 13 / 24

HEX #C147A8

RGB 193 71 168

HSL 312.3, 0.5%, 0.52%

LAB 50.3, 59.55, -27.72

 

CMYK 0 / 47 / 9 / 32

HEX #AD5B9D

RGB 173 91 157

HSL 311.71, 0.33%, 0.52%

LAB 50.45, 42.49, -21.25

 

CMYK 0 / 28 / 6 / 40

HEX #9A6F91

RGB 154 111 145

HSL 312.56, 0.18%, 0.52%

LAB 52.16, 22.79, -11.8

 

CMYK 0 / 3 / 1 / 47

HEX #868285

RGB 134 130 133

HSL 315, 0.02%, 0.52%

LAB 54.79, 2.09, -1.09

 

CMYK 24 / 0 / 19 / 41

HEX #729679

RGB 114 150 121

HSL 131.67, 0.15%, 0.52%

LAB 58.76, -18.56, 11.3

 

CMYK 21 / 63 / 0 / 24

HEX #9947C1

RGB 153 71 193

HSL 280.33, 0.5%, 0.52%

LAB 45.81, 54, -49.81

 

CMYK 4 / 63 / 0 / 24

HEX #B947C1

RGB 185 71 193

HSL 296.07, 0.5%, 0.52%

LAB 50.3, 61.65, -42.4

 

CMYK 0 / 63 / 12 / 24

HEX #C147A9

RGB 193 71 169

HSL 311.8, 0.5%, 0.52%

LAB 50.34, 59.71, -28.24

 

CMYK 0 / 63 / 30 / 24

HEX #C14788

RGB 193 71 136

HSL 328.03, 0.5%, 0.52%

LAB 49.03, 55.08, -10.64

 

CMYK 0 / 63 / 46 / 24

HEX #C14768

RGB 193 71 104

HSL 343.77, 0.5%, 0.52%

LAB 48.06, 51.51, 7.3

 

CMYK 0 / 67 / 14 / 46

HEX #892D76

RGB 137 45 118

HSL 312.39, 0.51%, 0.36%

LAB 35.01, 47.45, -21.85

 

CMYK 0 / 67 / 13 / 35

HEX #A73791

RGB 167 55 145

HSL 311.79, 0.5%, 0.44%

LAB 42.75, 55.67, -26.06

 

CMYK 0 / 63 / 13 / 24

HEX #C147A8

RGB 193 71 168

HSL 312.3, 0.5%, 0.52%

LAB 50.3, 59.55, -27.72

 

CMYK 0 / 50 / 10 / 20

HEX #CC66B7

RGB 204 102 183

HSL 312.35, 0.5%, 0.6%

LAB 57.81, 50.85, -24.7

 

CMYK 0 / 38 / 8 / 16

HEX #D685C5

RGB 214 133 197

HSL 312.59, 0.5%, 0.68%

LAB 65.83, 40.42, -20.26

 

CMYK 0 / 63 / 13 / 24

HEX #C248A9

RGB 194 72 169

HSL 312.3, 0.5%, 0.52%

LAB 50.65, 59.56, -27.76

 

CMYK 0 / 38 / 63 / 24

HEX #C17847

RGB 193 120 71

HSL 24.1, 0.5%, 0.52%

LAB 57.29, 23.93, 38.43

 

CMYK 63 / 0 / 12 / 24

HEX #47C1A9

RGB 71 193 169

HSL 168.2, 0.5%, 0.52%

LAB 71.11, -39.52, 2.11

 

CMYK 0 / 63 / 13 / 24

HEX #C248A9

RGB 194 72 169

HSL 312.3, 0.5%, 0.52%

LAB 50.65, 59.56, -27.76

 

CMYK 12 / 0 / 63 / 24

HEX #A9C147

RGB 169 193 71

HSL 71.8, 0.5%, 0.52%

LAB 74.21, -25.17, 56.77

 

CMYK 63 / 12 / 0 / 24

HEX #47A9C1

RGB 71 169 193

HSL 191.8, 0.5%, 0.52%

LAB 64.62, -21.2, -20.81

 

CMYK 0 / 63 / 13 / 24

HEX #C248A9

RGB 194 72 169

HSL 312.3, 0.5%, 0.52%

LAB 50.65, 59.56, -27.76

 

CMYK 0 / 38 / 63 / 24

HEX #C17847

RGB 193 120 71

HSL 24.1, 0.5%, 0.52%

LAB 57.29, 23.93, 38.43

 

CMYK 63 / 0 / 51 / 24

HEX #47C15F

RGB 71 193 95

HSL 131.8, 0.5%, 0.52%

LAB 69.69, -54.48, 39.3

 

CMYK 63 / 25 / 0 / 24

HEX #4790C1

RGB 71 144 193

HSL 204.1, 0.5%, 0.52%

LAB 57.21, -7.64, -32.22

 

CMYK 0 / 63 / 13 / 24

HEX #C248A9

RGB 194 72 169

HSL 312.3, 0.5%, 0.52%

LAB 50.65, 59.56, -27.76

 

CMYK 0 / 19 / 63 / 24

HEX #C19D47

RGB 193 157 71

HSL 42.3, 0.5%, 0.52%

LAB 66.45, 3.64, 48.9

 

CMYK 63 / 0 / 51 / 24

HEX #47C15F

RGB 71 193 95

HSL 131.8, 0.5%, 0.52%

LAB 69.69, -54.48, 39.3

 

CMYK 63 / 44 / 0 / 24

HEX #476CC1

RGB 71 108 193

HSL 221.8, 0.5%, 0.52%

LAB 46.86, 13.96, -48.54

 

Description

Color code: CMYK 0 / 63 / 13 / 24 | qconv.com Color code: CMYK 0 / 63 / 13 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 72 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 72 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 13 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 13% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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