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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 226 160 it is the complementary color RGB 83 29 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 226 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 226 160: RGB 177 226 155, RGB 194 244 174, RGB 211 255 193, RGB 228 255 212 and RGB 245 255 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 226 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 226 160: RGB 172 226 160, RGB 155 208 141, RGB 138 190 122, RGB 121 172 103 and RGB 104 154 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 29 / 11

HEX #ACE2A0

RGB 172 226 160

HSL 109.09, 0.53%, 0.76%

LAB 84.84, -29.56, 26.82

 

Complementary color

CMYK 13 / 69 / 0 / 63

HEX #531D5F

RGB 83 29 95

HSL 289.09, 0.53%, 0.24%

LAB 22.1, 35.65, -27.99

 

CMYK 22 / 0 / 31 / 11

HEX #B1E29B

RGB 177 226 155

HSL 101.41, 0.55%, 0.75%

LAB 85.05, -28.62, 29.72

 

CMYK 20 / 0 / 29 / 4

HEX #C2F4AE

RGB 194 244 174

HSL 102.86, 0.76%, 0.82%

LAB 91.34, -28.47, 28.68

 

CMYK 17 / 0 / 24 / 0

HEX #D3FFC1

RGB 211 255 193

HSL 102.58, 1%, 0.88%

LAB 95.67, -25.02, 25.12

 

CMYK 11 / 0 / 17 / 0

HEX #E4FFD4

RGB 228 255 212

HSL 97.67, 1%, 0.92%

LAB 97.13, -16.27, 17.65

 

CMYK 4 / 0 / 9 / 0

HEX #F5FFE7

RGB 245 255 231

HSL 85, 1%, 0.95%

LAB 98.71, -7.41, 10.33

 

CMYK 24 / 0 / 29 / 11

HEX #ACE2A0

RGB 172 226 160

HSL 109.09, 0.53%, 0.76%

LAB 84.84, -29.56, 26.82

 

CMYK 25 / 0 / 32 / 18

HEX #9BD08D

RGB 155 208 141

HSL 107.46, 0.42%, 0.68%

LAB 78.46, -29.75, 27.89

 

CMYK 27 / 0 / 36 / 25

HEX #8ABE7A

RGB 138 190 122

HSL 105.88, 0.34%, 0.61%

LAB 71.98, -29.94, 29.02

 

CMYK 30 / 0 / 40 / 33

HEX #79AC67

RGB 121 172 103

HSL 104.35, 0.29%, 0.54%

LAB 65.4, -30.12, 30.21

 

CMYK 32 / 0 / 45 / 40

HEX #689A54

RGB 104 154 84

HSL 102.86, 0.29%, 0.47%

LAB 58.69, -30.28, 31.45

 

CMYK 24 / 0 / 29 / 11

HEX #ACE2A0

RGB 172 226 160

HSL 109.09, 0.53%, 0.76%

LAB 84.84, -29.56, 26.82

 

CMYK 28 / 0 / 29 / 11

HEX #A2E2A1

RGB 162 226 161

HSL 119.08, 0.53%, 0.76%

LAB 84.3, -32.7, 25.48

 

CMYK 29 / 0 / 24 / 11

HEX #A1E2AB

RGB 161 226 171

HSL 129.23, 0.53%, 0.76%

LAB 84.44, -31.33, 20.47

 

CMYK 29 / 0 / 20 / 11

HEX #A1E2B5

RGB 161 226 181

HSL 138.46, 0.53%, 0.76%

LAB 84.64, -29.54, 15.53

 

CMYK 29 / 0 / 15 / 11

HEX #A1E2C0

RGB 161 226 192

HSL 148.62, 0.53%, 0.76%

LAB 84.88, -27.45, 10.1

 

CMYK 24 / 0 / 29 / 11

HEX #ACE2A0

RGB 172 226 160

HSL 109.09, 0.53%, 0.76%

LAB 84.84, -29.56, 26.82

 

CMYK 23 / 0 / 27 / 91

HEX #111610

RGB 17 22 16

HSL 110, 0.16%, 0.07%

LAB 6.6, -3.38, 2.81

 

CMYK 23 / 0 / 29 / 71

HEX #384934

RGB 56 73 52

HSL 108.57, 0.17%, 0.25%

LAB 29.04, -11.49, 10.43

 

CMYK 24 / 0 / 29 / 51

HEX #5E7C58

RGB 94 124 88

HSL 110, 0.17%, 0.42%

LAB 48.88, -18.25, 16.26

 

CMYK 24 / 0 / 29 / 31

HEX #85AF7C

RGB 133 175 124

HSL 109.41, 0.24%, 0.59%

LAB 67.35, -24.07, 21.7

 

CMYK 24 / 0 / 29 / 11

HEX #ACE2A0

RGB 172 226 160

HSL 109.09, 0.53%, 0.76%

LAB 84.84, -29.56, 26.82

 

CMYK 29 / 0 / 0 / 11

HEX #A1E1E2

RGB 161 225 226

HSL 180.92, 0.53%, 0.76%

LAB 85.46, -19.8, -6.99

 

CMYK 0 / 29 / 12 / 11

HEX #E2A1C7

RGB 226 161 199

HSL 324.92, 0.53%, 0.76%

LAB 73.4, 29.82, -9.83

 

CMYK 24 / 0 / 29 / 11

HEX #ACE2A0

RGB 172 226 160

HSL 109.09, 0.53%, 0.76%

LAB 84.84, -29.56, 26.82

 

CMYK 29 / 23 / 0 / 11

HEX #A1ADE2

RGB 161 173 226

HSL 228.92, 0.53%, 0.76%

LAB 71.52, 7.67, -28.02

 

CMYK 0 / 29 / 23 / 11

HEX #E2A1AD

RGB 226 161 173

HSL 348.92, 0.53%, 0.76%

LAB 72.68, 25.79, 3.44

 

CMYK 24 / 0 / 29 / 11

HEX #ACE2A0

RGB 172 226 160

HSL 109.09, 0.53%, 0.76%

LAB 84.84, -29.56, 26.82

 

CMYK 29 / 0 / 0 / 11

HEX #A1E1E2

RGB 161 225 226

HSL 180.92, 0.53%, 0.76%

LAB 85.46, -19.8, -6.99

 

CMYK 5 / 29 / 0 / 11

HEX #D6A1E2

RGB 214 161 226

HSL 288.92, 0.53%, 0.76%

LAB 73.07, 30.7, -25.25

 

CMYK 0 / 28 / 29 / 11

HEX #E2A2A1

RGB 226 162 161

HSL 0.92, 0.53%, 0.76%

LAB 72.62, 23.58, 9.97

 

CMYK 24 / 0 / 29 / 11

HEX #ACE2A0

RGB 172 226 160

HSL 109.09, 0.53%, 0.76%

LAB 84.84, -29.56, 26.82

 

CMYK 29 / 9 / 0 / 11

HEX #A1CDE2

RGB 161 205 226

HSL 199.38, 0.53%, 0.76%

LAB 80.03, -9.6, -15.1

 

CMYK 5 / 29 / 0 / 11

HEX #D6A1E2

RGB 214 161 226

HSL 288.92, 0.53%, 0.76%

LAB 73.07, 30.7, -25.25

 

CMYK 0 / 20 / 29 / 11

HEX #E2B5A1

RGB 226 181 161

HSL 18.46, 0.53%, 0.76%

LAB 77.15, 13.4, 16.36

 

Description

Color code: RGB 172 226 160 | qconv.com Color code: RGB 172 226 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 226 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 226 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 29 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 29% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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