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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 198 164 it is the complementary color RGB 83 57 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 198 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 198 164: RGB 177 198 159, RGB 194 216 178, RGB 211 234 197, RGB 228 252 216 and RGB 245 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 198 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 198 164: RGB 172 198 164, RGB 155 180 145, RGB 138 162 126, RGB 121 144 107 and RGB 104 126 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 17 / 22

HEX #ACC6A4

RGB 172 198 164

HSL 105.88, 0.23%, 0.71%

LAB 77.18, -15.14, 14.14

 

Complementary color

CMYK 9 / 37 / 0 / 64

HEX #53395B

RGB 83 57 91

HSL 285.88, 0.23%, 0.29%

LAB 28.17, 18.38, -15.85

 

CMYK 11 / 0 / 20 / 22

HEX #B1C69F

RGB 177 198 159

HSL 92.31, 0.25%, 0.7%

LAB 77.42, -14.19, 17.2

 

CMYK 10 / 0 / 18 / 15

HEX #C2D8B2

RGB 194 216 178

HSL 94.74, 0.33%, 0.77%

LAB 83.86, -14.18, 16.3

 

CMYK 10 / 0 / 16 / 8

HEX #D3EAC5

RGB 211 234 197

HSL 97.3, 0.47%, 0.85%

LAB 90.2, -14.16, 15.44

 

CMYK 10 / 0 / 14 / 1

HEX #E4FCD8

RGB 228 252 216

HSL 100, 0.86%, 0.92%

LAB 96.44, -14.15, 14.63

 

CMYK 4 / 0 / 8 / 0

HEX #F5FFEB

RGB 245 255 235

HSL 90, 1%, 0.96%

LAB 98.8, -6.75, 8.41

 

CMYK 13 / 0 / 17 / 22

HEX #ACC6A4

RGB 172 198 164

HSL 105.88, 0.23%, 0.71%

LAB 77.18, -15.14, 14.14

 

CMYK 14 / 0 / 19 / 29

HEX #9BB491

RGB 155 180 145

HSL 102.86, 0.19%, 0.64%

LAB 70.63, -15.21, 15.04

 

CMYK 15 / 0 / 22 / 36

HEX #8AA27E

RGB 138 162 126

HSL 100, 0.16%, 0.56%

LAB 63.96, -15.29, 16

 

CMYK 16 / 0 / 26 / 44

HEX #79906B

RGB 121 144 107

HSL 97.3, 0.15%, 0.49%

LAB 57.15, -15.37, 17.03

 

CMYK 17 / 0 / 30 / 51

HEX #687E58

RGB 104 126 88

HSL 94.74, 0.18%, 0.42%

LAB 50.18, -15.47, 18.13

 

CMYK 13 / 0 / 17 / 22

HEX #ACC6A4

RGB 172 198 164

HSL 105.88, 0.23%, 0.71%

LAB 77.18, -15.14, 14.14

 

CMYK 16 / 0 / 17 / 22

HEX #A6C6A4

RGB 166 198 164

HSL 116.47, 0.23%, 0.71%

LAB 76.79, -17.23, 13.52

 

CMYK 17 / 0 / 16 / 22

HEX #A4C6A6

RGB 164 198 166

HSL 123.53, 0.23%, 0.71%

LAB 76.7, -17.56, 12.31

 

CMYK 17 / 0 / 13 / 22

HEX #A4C6AC

RGB 164 198 172

HSL 134.12, 0.23%, 0.71%

LAB 76.84, -16.47, 9.28

 

CMYK 17 / 0 / 10 / 22

HEX #A4C6B2

RGB 164 198 178

HSL 144.71, 0.23%, 0.71%

LAB 76.98, -15.33, 6.25

 

CMYK 13 / 0 / 17 / 22

HEX #ACC6A4

RGB 172 198 164

HSL 105.88, 0.23%, 0.71%

LAB 77.18, -15.14, 14.14

 

CMYK 13 / 0 / 17 / 2

HEX #D8F9CE

RGB 216 249 206

HSL 106.05, 0.78%, 0.89%

LAB 94.66, -18.37, 17.12

 

CMYK 13 / 0 / 18 / 82

HEX #272D25

RGB 39 45 37

HSL 105, 0.1%, 0.16%

LAB 17.65, -4.55, 4.3

 

CMYK 14 / 0 / 17 / 62

HEX #536050

RGB 83 96 80

HSL 108.75, 0.09%, 0.35%

LAB 39.21, -8.44, 7.48

 

CMYK 13 / 0 / 17 / 42

HEX #80937A

RGB 128 147 122

HSL 105.6, 0.1%, 0.53%

LAB 58.85, -11.72, 10.99

 

CMYK 13 / 0 / 17 / 22

HEX #ACC6A4

RGB 172 198 164

HSL 105.88, 0.23%, 0.71%

LAB 77.18, -15.14, 14.14

 

CMYK 17 / 0 / 1 / 22

HEX #A4C6C4

RGB 164 198 196

HSL 176.47, 0.23%, 0.71%

LAB 77.44, -11.71, -2.79

 

CMYK 0 / 17 / 6 / 22

HEX #C6A4BA

RGB 198 164 186

HSL 321.18, 0.23%, 0.71%

LAB 70.94, 16.18, -6.62

 

CMYK 13 / 0 / 17 / 22

HEX #ACC6A4

RGB 172 198 164

HSL 105.88, 0.23%, 0.71%

LAB 77.18, -15.14, 14.14

 

CMYK 17 / 13 / 0 / 22

HEX #A4ACC6

RGB 164 172 198

HSL 225.88, 0.23%, 0.71%

LAB 70.51, 2.61, -14.19

 

CMYK 0 / 17 / 13 / 22

HEX #C6A4AC

RGB 198 164 172

HSL 345.88, 0.23%, 0.71%

LAB 70.55, 13.76, 0.55

 

CMYK 13 / 0 / 17 / 22

HEX #ACC6A4

RGB 172 198 164

HSL 105.88, 0.23%, 0.71%

LAB 77.18, -15.14, 14.14

 

CMYK 17 / 0 / 1 / 22

HEX #A4C6C4

RGB 164 198 196

HSL 176.47, 0.23%, 0.71%

LAB 77.44, -11.71, -2.79

 

CMYK 5 / 17 / 0 / 22

HEX #BDA4C6

RGB 189 164 198

HSL 284.12, 0.23%, 0.71%

LAB 70.49, 15.32, -14.01

 

CMYK 0 / 17 / 17 / 22

HEX #C6A4A5

RGB 198 164 165

HSL 358.24, 0.23%, 0.71%

LAB 70.37, 12.62, 4.16

 

CMYK 13 / 0 / 17 / 22

HEX #ACC6A4

RGB 172 198 164

HSL 105.88, 0.23%, 0.71%

LAB 77.18, -15.14, 14.14

 

CMYK 17 / 5 / 0 / 22

HEX #A4BDC6

RGB 164 189 198

HSL 195.88, 0.23%, 0.71%

LAB 75.05, -6.57, -7.39

 

CMYK 5 / 17 / 0 / 22

HEX #BDA4C6

RGB 189 164 198

HSL 284.12, 0.23%, 0.71%

LAB 70.49, 15.32, -14.01

 

CMYK 0 / 13 / 17 / 22

HEX #C6ACA4

RGB 198 172 164

HSL 14.12, 0.23%, 0.71%

LAB 72.36, 8.11, 7.57

 

Description

Color code: RGB 172 198 164 | qconv.com Color code: RGB 172 198 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 198 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 198 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 17 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 17% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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