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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 165 43 it is the complementary color RGB 83 90 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 165 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 165 43: RGB 177 165 38, RGB 194 183 57, RGB 211 201 76, RGB 228 219 95 and RGB 245 237 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 165 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 165 43: RGB 172 165 43, RGB 155 147 24, RGB 138 129 5, RGB 121 111 0 and RGB 104 93 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 75 / 33

HEX #ACA52B

RGB 172 165 43

HSL 56.74, 0.6%, 0.42%

LAB 66.41, -11.39, 59.82

 

Complementary color

CMYK 61 / 58 / 0 / 17

HEX #535AD4

RGB 83 90 212

HSL 236.74, 0.6%, 0.58%

LAB 44.1, 33.87, -63.89

 

CMYK 0 / 7 / 79 / 31

HEX #B1A526

RGB 177 165 38

HSL 54.82, 0.65%, 0.42%

LAB 66.82, -9.39, 62.01

 

CMYK 0 / 6 / 71 / 24

HEX #C2B739

RGB 194 183 57

HSL 55.18, 0.55%, 0.49%

LAB 73.31, -10.49, 62.04

 

CMYK 0 / 5 / 64 / 17

HEX #D3C94C

RGB 211 201 76

HSL 55.56, 0.61%, 0.56%

LAB 79.7, -11.41, 61.5

 

CMYK 0 / 4 / 58 / 11

HEX #E4DB5F

RGB 228 219 95

HSL 55.94, 0.71%, 0.63%

LAB 86, -12.18, 60.64

 

CMYK 0 / 3 / 53 / 4

HEX #F5ED72

RGB 245 237 114

HSL 56.34, 0.87%, 0.7%

LAB 92.22, -12.83, 59.63

 

CMYK 0 / 4 / 75 / 33

HEX #ACA52B

RGB 172 165 43

HSL 56.74, 0.6%, 0.42%

LAB 66.41, -11.39, 59.82

 

CMYK 0 / 5 / 85 / 39

HEX #9B9318

RGB 155 147 24

HSL 56.34, 0.73%, 0.35%

LAB 59.8, -10.19, 59.17

 

CMYK 0 / 7 / 96 / 46

HEX #8A8105

RGB 138 129 5

HSL 55.94, 0.93%, 0.28%

LAB 53.07, -8.71, 57.05

 

CMYK 0 / 8 / 100 / 53

HEX #796F00

RGB 121 111 0

HSL 55.04, 1%, 0.24%

LAB 46.22, -6.88, 52.29

 

CMYK 0 / 11 / 100 / 59

HEX #685D00

RGB 104 93 0

HSL 53.65, 1%, 0.2%

LAB 39.19, -4.86, 46.46

 

CMYK 0 / 4 / 75 / 33

HEX #ACA52B

RGB 172 165 43

HSL 56.74, 0.6%, 0.42%

LAB 66.41, -11.39, 59.82

 

CMYK 8 / 0 / 75 / 33

HEX #9EAB2A

RGB 158 171 42

HSL 66.05, 0.61%, 0.42%

LAB 66.95, -20.61, 60.25

 

CMYK 20 / 0 / 75 / 33

HEX #89AB2A

RGB 137 171 42

HSL 75.81, 0.61%, 0.42%

LAB 65.44, -29.43, 58.3

 

CMYK 33 / 0 / 75 / 33

HEX #73AB2A

RGB 115 171 42

HSL 86.05, 0.61%, 0.42%

LAB 64.11, -38.07, 56.56

 

CMYK 45 / 0 / 75 / 33

HEX #5EAB2A

RGB 94 171 42

HSL 95.81, 0.61%, 0.42%

LAB 63.07, -45.44, 55.19

 

CMYK 0 / 4 / 75 / 33

HEX #ACA52B

RGB 172 165 43

HSL 56.74, 0.6%, 0.42%

LAB 66.41, -11.39, 59.82

 

CMYK 0 / 4 / 75 / 13

HEX #DFD638

RGB 223 214 56

HSL 56.77, 0.72%, 0.55%

LAB 84, -13.9, 73.43

 

CMYK 0 / 5 / 74 / 93

HEX #131205

RGB 19 18 5

HSL 55.71, 0.58%, 0.05%

LAB 5.26, -1.68, 5.79

 

CMYK 0 / 4 / 74 / 73

HEX #464312

RGB 70 67 18

HSL 56.54, 0.59%, 0.17%

LAB 27.74, -5.75, 28.98

 

CMYK 0 / 4 / 75 / 53

HEX #79741E

RGB 121 116 30

HSL 56.7, 0.6%, 0.3%

LAB 47.82, -8.73, 45.33

 

CMYK 0 / 4 / 75 / 33

HEX #ACA52B

RGB 172 165 43

HSL 56.74, 0.6%, 0.42%

LAB 66.41, -11.39, 59.82

 

CMYK 75 / 0 / 65 / 33

HEX #2AAB3B

RGB 42 171 59

HSL 127.91, 0.61%, 0.42%

LAB 61.6, -56.64, 46.49

 

CMYK 35 / 75 / 0 / 33

HEX #6F2AAB

RGB 111 42 171

HSL 272.09, 0.61%, 0.42%

LAB 33.93, 53.37, -56.3

 

CMYK 0 / 4 / 75 / 33

HEX #ACA52B

RGB 172 165 43

HSL 56.74, 0.6%, 0.42%

LAB 66.41, -11.39, 59.82

 

CMYK 75 / 0 / 5 / 33

HEX #2AABA2

RGB 42 171 162

HSL 175.81, 0.61%, 0.42%

LAB 63.53, -35.62, -5.21

 

CMYK 5 / 75 / 0 / 33

HEX #A22AAB

RGB 162 42 171

HSL 295.81, 0.61%, 0.42%

LAB 41.65, 63.43, -43.46

 

CMYK 0 / 4 / 75 / 33

HEX #ACA52B

RGB 172 165 43

HSL 56.74, 0.6%, 0.42%

LAB 66.41, -11.39, 59.82

 

CMYK 75 / 0 / 65 / 33

HEX #2AAB3B

RGB 42 171 59

HSL 127.91, 0.61%, 0.42%

LAB 61.6, -56.64, 46.49

 

CMYK 75 / 70 / 0 / 33

HEX #2A33AB

RGB 42 51 171

HSL 235.81, 0.61%, 0.42%

LAB 28.9, 38.41, -64.8

 

CMYK 0 / 75 / 10 / 33

HEX #AB2A9A

RGB 171 42 154

HSL 307.91, 0.61%, 0.42%

LAB 42.23, 62.64, -32.27

 

CMYK 0 / 4 / 75 / 33

HEX #ACA52B

RGB 172 165 43

HSL 56.74, 0.6%, 0.42%

LAB 66.41, -11.39, 59.82

 

CMYK 75 / 0 / 43 / 33

HEX #2AAB62

RGB 42 171 98

HSL 146.05, 0.61%, 0.42%

LAB 62.08, -50.92, 27.98

 

CMYK 75 / 70 / 0 / 33

HEX #2A33AB

RGB 42 51 171

HSL 235.81, 0.61%, 0.42%

LAB 28.9, 38.41, -64.8

 

CMYK 0 / 75 / 33 / 33

HEX #AB2A73

RGB 171 42 115

HSL 326.05, 0.61%, 0.42%

LAB 40.49, 57.4, -11.04

 

Description

Color code: RGB 172 165 43 | qconv.com Color code: RGB 172 165 43 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 165 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 165 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 75 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 75% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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