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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 145 103 it is the complementary color RGB 83 110 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 145 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 145 103 shade: RGB 177 145 98, RGB 194 163 117, RGB 211 181 136, RGB 228 199 155 and RGB 245 217 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 145 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 145 103 shade: RGB 172 145 103, RGB 155 127 84, RGB 138 109 65, RGB 121 91 46 and RGB 104 73 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 145 103 shade: RGB 172 145 104, RGB 172 127 104, RGB 172 108 104 and RGB 172 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 145 103 shade: RGB 172 145 104, RGB 172 163 104, RGB 162 172 104, RGB 143 172 104 and RGB 125 172 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 145 103 shade matches the following richer shades: RGB 172 145 104, RGB 191 149 85, RGB 210 153 66, RGB 229 157 47 and RGB 248 162 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 145 103 shade: RGB 172 145 104, RGB 153 141 123, RGB 134 137 142, RGB 115 133 161 and RGB 96 129 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 145 103 shade: RGB 172 108 104, RGB 172 126 104, RGB 172 145 104, RGB 172 163 104 and RGB 163 172 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 145 103 shade: RGB 124 103 68, RGB 151 124 83, RGB 172 145 104, RGB 186 164 130 and RGB 201 184 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 145 103 shade: RGB 172 145 103, RGB 117 172 104 and RGB 117 104 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 145 103 shade: RGB 172 145 103, RGB 104 172 145 and RGB 145 104 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 145 103 shade: RGB 172 145 103, RGB 117 172 104, RGB 104 131 172 and RGB 158 104 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 145 103 shade: RGB 172 145 103, RGB 104 172 110, RGB 104 131 172 and RGB 172 104 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 40 / 33

HEX #AC9167

RGB 172 145 103

HSL 36.52, 0.29%, 0.54%

LAB 61.65, 4.14, 26.06

 

Complementary color

CMYK 45 / 28 / 0 / 40

HEX #536E98

RGB 83 110 152

HSL 216.52, 0.29%, 0.46%

LAB 45.99, 1.88, -25.92

 

CMYK 0 / 18 / 45 / 31

HEX #B19162

RGB 177 145 98

HSL 35.7, 0.34%, 0.54%

LAB 62.07, 5.68, 29.43

 

CMYK 0 / 16 / 40 / 24

HEX #C2A375

RGB 194 163 117

HSL 35.84, 0.39%, 0.61%

LAB 68.71, 4.99, 28.14

 

CMYK 0 / 14 / 36 / 17

HEX #D3B588

RGB 211 181 136

HSL 36, 0.46%, 0.68%

LAB 75.25, 4.4, 26.94

 

CMYK 0 / 13 / 32 / 11

HEX #E4C79B

RGB 228 199 155

HSL 36.16, 0.57%, 0.75%

LAB 81.68, 3.88, 25.82

 

CMYK 0 / 11 / 29 / 4

HEX #F5D9AE

RGB 245 217 174

HSL 36.34, 0.78%, 0.82%

LAB 88.01, 3.43, 24.76

 

CMYK 0 / 16 / 40 / 33

HEX #AC9167

RGB 172 145 103

HSL 36.52, 0.29%, 0.54%

LAB 61.65, 4.14, 26.06

 

CMYK 0 / 18 / 46 / 39

HEX #9B7F54

RGB 155 127 84

HSL 36.34, 0.3%, 0.47%

LAB 54.85, 4.85, 27.38

 

CMYK 0 / 21 / 53 / 46

HEX #8A6D41

RGB 138 109 65

HSL 36.16, 0.36%, 0.4%

LAB 47.91, 5.72, 28.8

 

CMYK 0 / 25 / 62 / 53

HEX #795B2E

RGB 121 91 46

HSL 36, 0.45%, 0.33%

LAB 40.81, 6.8, 30.3

 

CMYK 0 / 30 / 74 / 59

HEX #68491B

RGB 104 73 27

HSL 35.84, 0.59%, 0.26%

LAB 33.54, 8.22, 31.75

 

CMYK 0 / 16 / 40 / 33

HEX #AC9168

RGB 172 145 104

HSL 36.18, 0.29%, 0.54%

LAB 61.67, 4.26, 25.53

 

CMYK 0 / 26 / 40 / 33

HEX #AC7F68

RGB 172 127 104

HSL 20.29, 0.29%, 0.54%

LAB 57.03, 14.33, 19.31

 

CMYK 0 / 37 / 40 / 33

HEX #AC6C68

RGB 172 108 104

HSL 3.53, 0.29%, 0.54%

LAB 52.39, 25.03, 12.95

 

CMYK 0 / 40 / 40 / 33

HEX #AC6868

RGB 172 104 104

HSL 0, 0.29%, 0.54%

LAB 51.46, 27.26, 11.65

 

CMYK 0 / 16 / 40 / 33

HEX #AC9168

RGB 172 145 104

HSL 36.18, 0.29%, 0.54%

LAB 61.67, 4.26, 25.53

 

CMYK 0 / 5 / 40 / 33

HEX #ACA368

RGB 172 163 104

HSL 52.06, 0.29%, 0.54%

LAB 66.49, -5.54, 31.82

 

CMYK 6 / 0 / 40 / 33

HEX #A2AC68

RGB 162 172 104

HSL 68.82, 0.29%, 0.54%

LAB 68.16, -14.36, 33.78

 

CMYK 17 / 0 / 40 / 33

HEX #8FAC68

RGB 143 172 104

HSL 85.59, 0.29%, 0.54%

LAB 66.78, -21.85, 31.74

 

CMYK 27 / 0 / 40 / 33

HEX #7DAC68

RGB 125 172 104

HSL 101.47, 0.29%, 0.54%

LAB 65.64, -28.55, 30.05

 

CMYK 0 / 16 / 40 / 33

HEX #AC9168

RGB 172 145 104

HSL 36.18, 0.29%, 0.54%

LAB 61.67, 4.26, 25.53

 

CMYK 0 / 22 / 55 / 25

HEX #BF9555

RGB 191 149 85

HSL 36.23, 0.45%, 0.54%

LAB 64.34, 8.18, 39.48

 

CMYK 0 / 27 / 69 / 18

HEX #D29942

RGB 210 153 66

HSL 36.25, 0.62%, 0.54%

LAB 67.18, 12.84, 52.53

 

CMYK 0 / 31 / 79 / 10

HEX #E59D2F

RGB 229 157 47

HSL 36.26, 0.78%, 0.54%

LAB 70.16, 17.98, 63.98

 

CMYK 0 / 35 / 89 / 3

HEX #F8A21C

RGB 248 162 28

HSL 36.55, 0.94%, 0.54%

LAB 73.47, 22.88, 73.3

 

CMYK 0 / 16 / 40 / 33

HEX #AC9168

RGB 172 145 104

HSL 36.18, 0.29%, 0.54%

LAB 61.67, 4.26, 25.53

 

CMYK 0 / 8 / 20 / 40

HEX #998D7B

RGB 153 141 123

HSL 36, 0.13%, 0.54%

LAB 59.21, 1.39, 11.22

 

CMYK 6 / 4 / 0 / 44

HEX #86898E

RGB 134 137 142

HSL 217.5, 0.03%, 0.54%

LAB 56.99, -0.08, -3.06

 

CMYK 29 / 17 / 0 / 37

HEX #7385A1

RGB 115 133 161

HSL 216.52, 0.2%, 0.54%

LAB 55.07, 0.17, -17.04

 

CMYK 47 / 28 / 0 / 29

HEX #6081B4

RGB 96 129 180

HSL 216.43, 0.36%, 0.54%

LAB 53.47, 2.39, -30.53

 

CMYK 0 / 37 / 40 / 33

HEX #AC6C68

RGB 172 108 104

HSL 3.53, 0.29%, 0.54%

LAB 52.39, 25.03, 12.95

 

CMYK 0 / 27 / 40 / 33

HEX #AC7E68

RGB 172 126 104

HSL 19.41, 0.29%, 0.54%

LAB 56.77, 14.89, 18.97

RGB 172 126 104

CMYK 0 / 16 / 40 / 33

HEX #AC9168

RGB 172 145 104

HSL 36.18, 0.29%, 0.54%

LAB 61.67, 4.26, 25.53

RGB 172 145 104

CMYK 0 / 5 / 40 / 33

HEX #ACA368

RGB 172 163 104

HSL 52.06, 0.29%, 0.54%

LAB 66.49, -5.54, 31.82

RGB 172 163 104

CMYK 5 / 0 / 40 / 33

HEX #A3AC68

RGB 163 172 104

HSL 67.94, 0.29%, 0.54%

LAB 68.23, -13.96, 33.9

RGB 163 172 104

CMYK 0 / 17 / 45 / 51

HEX #7C6744

RGB 124 103 68

HSL 37.5, 0.29%, 0.38%

LAB 44.81, 3.25, 22.85

 

CMYK 0 / 18 / 45 / 41

HEX #977C53

RGB 151 124 83

HSL 36.18, 0.29%, 0.46%

LAB 53.62, 4.71, 26.27

 

CMYK 0 / 16 / 40 / 33

HEX #AC9168

RGB 172 145 104

HSL 36.18, 0.29%, 0.54%

LAB 61.67, 4.26, 25.53

 

CMYK 0 / 12 / 30 / 27

HEX #BAA482

RGB 186 164 130

HSL 36.43, 0.29%, 0.62%

LAB 68.46, 2.84, 20.61

 

CMYK 0 / 8 / 22 / 21

HEX #C9B89D

RGB 201 184 157

HSL 36.82, 0.29%, 0.7%

LAB 75.53, 1.72, 15.92

 

CMYK 0 / 16 / 40 / 33

HEX #AC9167

RGB 172 145 103

HSL 36.52, 0.29%, 0.54%

LAB 61.65, 4.14, 26.06

 

CMYK 32 / 0 / 40 / 33

HEX #75AC68

RGB 117 172 104

HSL 108.53, 0.29%, 0.54%

LAB 65.19, -31.37, 29.37

 

CMYK 32 / 40 / 0 / 33

HEX #7568AC

RGB 117 104 172

HSL 251.47, 0.29%, 0.54%

LAB 47.83, 20.93, -34.61

 

CMYK 0 / 16 / 40 / 33

HEX #AC9167

RGB 172 145 103

HSL 36.52, 0.29%, 0.54%

LAB 61.65, 4.14, 26.06

 

CMYK 40 / 0 / 16 / 33

HEX #68AC91

RGB 104 172 145

HSL 156.18, 0.29%, 0.54%

LAB 65.35, -27.87, 7.15

 

CMYK 16 / 40 / 0 / 33

HEX #9168AC

RGB 145 104 172

HSL 276.18, 0.29%, 0.54%

LAB 50.57, 29.42, -30.13

 

CMYK 0 / 16 / 40 / 33

HEX #AC9167

RGB 172 145 103

HSL 36.52, 0.29%, 0.54%

LAB 61.65, 4.14, 26.06

 

CMYK 32 / 0 / 40 / 33

HEX #75AC68

RGB 117 172 104

HSL 108.53, 0.29%, 0.54%

LAB 65.19, -31.37, 29.37

 

CMYK 40 / 24 / 0 / 33

HEX #6883AC

RGB 104 131 172

HSL 216.18, 0.29%, 0.54%

LAB 54.19, 1.02, -24.78

 

CMYK 8 / 40 / 0 / 33

HEX #9E68AC

RGB 158 104 172

HSL 287.65, 0.29%, 0.54%

LAB 52, 33.51, -27.78

 

CMYK 0 / 16 / 40 / 33

HEX #AC9167

RGB 172 145 103

HSL 36.52, 0.29%, 0.54%

LAB 61.65, 4.14, 26.06

 

CMYK 40 / 0 / 36 / 33

HEX #68AC6E

RGB 104 172 110

HSL 125.29, 0.29%, 0.54%

LAB 64.62, -34.69, 25.31

 

CMYK 40 / 24 / 0 / 33

HEX #6883AC

RGB 104 131 172

HSL 216.18, 0.29%, 0.54%

LAB 54.19, 1.02, -24.78

 

CMYK 0 / 40 / 4 / 33

HEX #AC68A5

RGB 172 104 165

HSL 306.18, 0.29%, 0.54%

LAB 53.37, 36.64, -21.46

 

Description

Color code: RGB 172 145 103 | qconv.com Color code: RGB 172 145 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 145 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 145 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 40 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 40% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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