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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 6 / 4 / 0 / 44 it is the complementary color CMYK 0 / 2 / 7 / 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 6 / 4 / 0 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 6 / 4 / 0 / 44: CMYK 0 / 1 / 1 / 45, CMYK 1 / 1 / 0 / 38, CMYK 2 / 2 / 0 / 31, CMYK 3 / 2 / 0 / 24 and CMYK 3 / 2 / 0 / 16

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 6 / 4 / 0 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 6 / 4 / 0 / 44: CMYK 6 / 4 / 0 / 44, CMYK 6 / 4 / 0 / 51, CMYK 5 / 4 / 0 / 59, CMYK 3 / 3 / 0 / 66 and CMYK 1 / 3 / 0 / 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 4 / 0 / 44

HEX #86898F

RGB 134 137 143

HSL 220, 0.04%, 0.54%

LAB 57.02, 0.12, -3.59

 

Complementary color

CMYK 0 / 2 / 7 / 53

HEX #797670

RGB 121 118 112

HSL 40, 0.04%, 0.46%

LAB 49.73, -0.01, 3.7

 

CMYK 0 / 1 / 1 / 45

HEX #8B898A

RGB 139 137 138

HSL 330, 0.01%, 0.54%

LAB 57.28, 0.94, -0.28

 

CMYK 1 / 1 / 0 / 38

HEX #9C9B9D

RGB 156 155 157

HSL 270, 0.01%, 0.61%

LAB 64.12, 0.75, -0.92

 

CMYK 2 / 2 / 0 / 31

HEX #ADADB0

RGB 173 173 176

HSL 240, 0.02%, 0.68%

LAB 70.81, 0.57, -1.54

 

CMYK 3 / 2 / 0 / 24

HEX #BEBFC3

RGB 190 191 195

HSL 228, 0.04%, 0.75%

LAB 77.37, 0.41, -2.14

 

CMYK 3 / 2 / 0 / 16

HEX #CFD1D6

RGB 207 209 214

HSL 222.86, 0.08%, 0.83%

LAB 83.82, 0.25, -2.72

 

CMYK 6 / 4 / 0 / 44

HEX #86898F

RGB 134 137 143

HSL 220, 0.04%, 0.54%

LAB 57.02, 0.12, -3.59

 

CMYK 6 / 4 / 0 / 51

HEX #75777C

RGB 117 119 124

HSL 222.86, 0.03%, 0.47%

LAB 50.01, 0.29, -3.01

 

CMYK 5 / 4 / 0 / 59

HEX #646569

RGB 100 101 105

HSL 228, 0.02%, 0.4%

LAB 42.82, 0.46, -2.39

 

CMYK 3 / 3 / 0 / 66

HEX #535356

RGB 83 83 86

HSL 240, 0.02%, 0.33%

LAB 35.4, 0.66, -1.75

 

CMYK 1 / 3 / 0 / 74

HEX #424143

RGB 66 65 67

HSL 270, 0.02%, 0.26%

LAB 27.69, 0.87, -1.07

 

CMYK 6 / 4 / 0 / 44

HEX #86898F

RGB 134 137 143

HSL 220, 0.04%, 0.54%

LAB 57.02, 0.12, -3.59

 

CMYK 6 / 6 / 0 / 44

HEX #85868E

RGB 133 134 142

HSL 233.33, 0.04%, 0.54%

LAB 56.08, 1.26, -4.42

 

CMYK 6 / 6 / 0 / 44

HEX #85858E

RGB 133 133 142

HSL 240, 0.04%, 0.54%

LAB 55.8, 1.83, -4.82

 

CMYK 6 / 6 / 0 / 44

HEX #86858E

RGB 134 133 142

HSL 246.67, 0.04%, 0.54%

LAB 55.88, 2.19, -4.69

 

CMYK 4 / 6 / 0 / 44

HEX #88858E

RGB 136 133 142

HSL 260, 0.04%, 0.54%

LAB 56.05, 2.92, -4.43

 

CMYK 6 / 4 / 0 / 44

HEX #86898F

RGB 134 137 143

HSL 220, 0.04%, 0.54%

LAB 57.02, 0.12, -3.59

 

CMYK 6 / 4 / 0 / 24

HEX #B6BAC2

RGB 182 186 194

HSL 220, 0.09%, 0.74%

LAB 75.43, 0.15, -4.53

 

CMYK 6 / 4 / 0 / 4

HEX #E6EBF5

RGB 230 235 245

HSL 220, 0.43%, 0.93%

LAB 92.94, 0.19, -5.42

 

CMYK 7 / 5 / 0 / 84

HEX #262729

RGB 38 39 41

HSL 220, 0.04%, 0.15%

LAB 15.61, 0.05, -1.48

 

CMYK 7 / 4 / 0 / 64

HEX #56585C

RGB 86 88 92

HSL 220, 0.03%, 0.35%

LAB 37.35, 0.09, -2.59

 

CMYK 6 / 4 / 0 / 44

HEX #86898F

RGB 134 137 143

HSL 220, 0.04%, 0.54%

LAB 57.02, 0.12, -3.59

 

CMYK 1 / 6 / 0 / 44

HEX #8D858E

RGB 141 133 142

HSL 293.33, 0.04%, 0.54%

LAB 56.48, 4.74, -3.75

 

CMYK 2 / 0 / 6 / 44

HEX #8B8E85

RGB 139 142 133

HSL 80, 0.04%, 0.54%

LAB 58.54, -2.83, 4.4

 

CMYK 6 / 4 / 0 / 44

HEX #86898F

RGB 134 137 143

HSL 220, 0.04%, 0.54%

LAB 57.02, 0.12, -3.59

 

CMYK 0 / 6 / 4 / 44

HEX #8E8588

RGB 142 133 136

HSL 340, 0.04%, 0.54%

LAB 56.39, 3.94, -0.4

 

CMYK 4 / 0 / 6 / 44

HEX #888E85

RGB 136 142 133

HSL 100, 0.04%, 0.54%

LAB 58.3, -3.95, 4.03

 

CMYK 6 / 4 / 0 / 44

HEX #86898F

RGB 134 137 143

HSL 220, 0.04%, 0.54%

LAB 57.02, 0.12, -3.59

 

CMYK 1 / 6 / 0 / 44

HEX #8D858E

RGB 141 133 142

HSL 293.33, 0.04%, 0.54%

LAB 56.48, 4.74, -3.75

 

CMYK 0 / 2 / 6 / 44

HEX #8E8B85

RGB 142 139 133

HSL 40, 0.04%, 0.54%

LAB 57.95, -0.02, 3.59

 

CMYK 6 / 0 / 6 / 44

HEX #868E85

RGB 134 142 133

HSL 113.33, 0.04%, 0.54%

LAB 58.14, -4.69, 3.78

 

CMYK 6 / 4 / 0 / 44

HEX #86898F

RGB 134 137 143

HSL 220, 0.04%, 0.54%

LAB 57.02, 0.12, -3.59

 

CMYK 0 / 6 / 1 / 44

HEX #8E858C

RGB 142 133 140

HSL 313.33, 0.04%, 0.54%

LAB 56.51, 4.72, -2.54

 

CMYK 0 / 2 / 6 / 44

HEX #8E8B85

RGB 142 139 133

HSL 40, 0.04%, 0.54%

LAB 57.95, -0.02, 3.59

 

CMYK 6 / 0 / 6 / 44

HEX #858E86

RGB 133 142 134

HSL 126.67, 0.04%, 0.54%

LAB 58.09, -4.86, 3.12

 

Description

Color code: CMYK 6 / 4 / 0 / 44 | qconv.com Color code: CMYK 6 / 4 / 0 / 44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 137 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 137 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 4 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 4% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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