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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 144 28 it is the complementary color RGB 83 111 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 144 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 144 28: RGB 177 144 23, RGB 194 162 42, RGB 211 180 61, RGB 228 198 80 and RGB 245 216 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 144 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 144 28: RGB 172 144 28, RGB 155 126 9, RGB 138 108 0, RGB 121 90 0 and RGB 104 72 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 84 / 33

HEX #AC901C

RGB 172 144 28

HSL 48.33, 0.72%, 0.39%

LAB 60.61, -0.72, 59.4

 

Complementary color

CMYK 63 / 51 / 0 / 11

HEX #536FE3

RGB 83 111 227

HSL 228.33, 0.72%, 0.61%

LAB 50.4, 25.91, -62.21

 

CMYK 0 / 19 / 87 / 31

HEX #B19017

RGB 177 144 23

HSL 47.14, 0.77%, 0.39%

LAB 61.09, 1.41, 61.36

 

CMYK 0 / 16 / 78 / 24

HEX #C2A22A

RGB 194 162 42

HSL 47.37, 0.64%, 0.46%

LAB 67.63, -0.12, 62.03

 

CMYK 0 / 15 / 71 / 17

HEX #D3B43D

RGB 211 180 61

HSL 47.6, 0.63%, 0.53%

LAB 74.08, -1.4, 61.79

 

CMYK 0 / 13 / 65 / 11

HEX #E4C650

RGB 228 198 80

HSL 47.84, 0.73%, 0.6%

LAB 80.44, -2.5, 61.06

 

CMYK 0 / 12 / 60 / 4

HEX #F5D863

RGB 245 216 99

HSL 48.08, 0.88%, 0.67%

LAB 86.71, -3.43, 60.08

 

CMYK 0 / 16 / 84 / 33

HEX #AC901C

RGB 172 144 28

HSL 48.33, 0.72%, 0.39%

LAB 60.61, -0.72, 59.4

 

CMYK 0 / 19 / 94 / 39

HEX #9B7E09

RGB 155 126 9

HSL 48.08, 0.89%, 0.32%

LAB 53.93, 0.98, 57.72

 

CMYK 0 / 22 / 100 / 46

HEX #8A6C00

RGB 138 108 0

HSL 46.96, 1%, 0.27%

LAB 47.14, 3.01, 53.76

 

CMYK 0 / 26 / 100 / 53

HEX #795A00

RGB 121 90 0

HSL 44.63, 1%, 0.24%

LAB 40.21, 5.32, 48.05

 

CMYK 0 / 31 / 100 / 59

HEX #684800

RGB 104 72 0

HSL 41.54, 1%, 0.2%

LAB 33.09, 7.78, 42.2

 

CMYK 0 / 16 / 84 / 33

HEX #AC901C

RGB 172 144 28

HSL 48.33, 0.72%, 0.39%

LAB 60.61, -0.72, 59.4

 

CMYK 0 / 3 / 84 / 33

HEX #ABA61B

RGB 171 166 27

HSL 57.92, 0.73%, 0.39%

LAB 66.53, -12.93, 64.63

 

CMYK 12 / 0 / 84 / 33

HEX #97AB1B

RGB 151 171 27

HSL 68.33, 0.73%, 0.39%

LAB 66.35, -24.18, 63.85

 

CMYK 25 / 0 / 84 / 33

HEX #80AB1B

RGB 128 171 27

HSL 77.92, 0.73%, 0.39%

LAB 64.8, -33.73, 61.9

 

CMYK 39 / 0 / 84 / 33

HEX #68AB1B

RGB 104 171 27

HSL 87.92, 0.73%, 0.39%

LAB 63.47, -42.82, 60.22

 

CMYK 0 / 16 / 84 / 33

HEX #AC901C

RGB 172 144 28

HSL 48.33, 0.72%, 0.39%

LAB 60.61, -0.72, 59.4

 

CMYK 0 / 16 / 84 / 13

HEX #DFBB24

RGB 223 187 36

HSL 48.45, 0.75%, 0.51%

LAB 76.89, -0.8, 72.96

 

CMYK 0 / 16 / 84 / 93

HEX #131003

RGB 19 16 3

HSL 48.75, 0.73%, 0.04%

LAB 4.66, -0.81, 5.73

 

CMYK 0 / 16 / 84 / 73

HEX #463B0B

RGB 70 59 11

HSL 48.81, 0.73%, 0.16%

LAB 25.12, -1.17, 29.61

 

CMYK 0 / 17 / 83 / 53

HEX #796514

RGB 121 101 20

HSL 48.12, 0.72%, 0.28%

LAB 43.39, -0.62, 44.92

 

CMYK 0 / 16 / 84 / 33

HEX #AC901C

RGB 172 144 28

HSL 48.33, 0.72%, 0.39%

LAB 60.61, -0.72, 59.4

 

CMYK 84 / 0 / 84 / 33

HEX #1BAB1B

RGB 27 171 27

HSL 120, 0.73%, 0.39%

LAB 61.17, -61.14, 57.29

 

CMYK 50 / 84 / 0 / 33

HEX #551BAB

RGB 85 27 171

HSL 264.17, 0.73%, 0.39%

LAB 28.53, 55.3, -65.28

 

CMYK 0 / 16 / 84 / 33

HEX #AC901C

RGB 172 144 28

HSL 48.33, 0.72%, 0.39%

LAB 60.61, -0.72, 59.4

 

CMYK 84 / 0 / 17 / 33

HEX #1BAB8E

RGB 27 171 142

HSL 167.92, 0.73%, 0.39%

LAB 62.77, -42.64, 4.83

 

CMYK 17 / 84 / 0 / 33

HEX #8E1BAB

RGB 142 27 171

HSL 287.92, 0.73%, 0.39%

LAB 36.88, 63.88, -51.29

 

CMYK 0 / 16 / 84 / 33

HEX #AC901C

RGB 172 144 28

HSL 48.33, 0.72%, 0.39%

LAB 60.61, -0.72, 59.4

 

CMYK 84 / 0 / 84 / 33

HEX #1BAB1B

RGB 27 171 27

HSL 120, 0.73%, 0.39%

LAB 61.17, -61.14, 57.29

 

CMYK 84 / 67 / 0 / 33

HEX #1B38AB

RGB 27 56 171

HSL 227.92, 0.73%, 0.39%

LAB 29.42, 33.95, -63.97

 

CMYK 0 / 84 / 0 / 33

HEX #AB1BAB

RGB 171 27 171

HSL 300, 0.73%, 0.39%

LAB 41.82, 69.16, -43.11

 

CMYK 0 / 16 / 84 / 33

HEX #AC901C

RGB 172 144 28

HSL 48.33, 0.72%, 0.39%

LAB 60.61, -0.72, 59.4

 

CMYK 84 / 0 / 59 / 33

HEX #1BAB46

RGB 27 171 70

HSL 137.92, 0.73%, 0.39%

LAB 61.48, -57.21, 41.31

 

CMYK 84 / 67 / 0 / 33

HEX #1B38AB

RGB 27 56 171

HSL 227.92, 0.73%, 0.39%

LAB 29.42, 33.95, -63.97

 

CMYK 0 / 84 / 25 / 33

HEX #AB1B80

RGB 171 27 128

HSL 317.92, 0.73%, 0.39%

LAB 39.58, 63.09, -20.52

 

Description

Color code: RGB 172 144 28 | qconv.com Color code: RGB 172 144 28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 144 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 144 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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