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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 138 121 it is the complementary color RGB 83 117 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 138 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 138 121: RGB 177 138 116, RGB 194 156 135, RGB 211 174 154, RGB 228 192 173 and RGB 245 210 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 138 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 138 121: RGB 172 138 121, RGB 155 120 102, RGB 138 102 83, RGB 121 84 64 and RGB 104 66 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 30 / 33

HEX #AC8A79

RGB 172 138 121

HSL 20, 0.24%, 0.57%

LAB 60.18, 10.35, 13.99

 

Complementary color

CMYK 38 / 13 / 0 / 47

HEX #537586

RGB 83 117 134

HSL 200, 0.24%, 0.43%

LAB 47.34, -7.52, -13.17

 

CMYK 0 / 22 / 34 / 31

HEX #B18A74

RGB 177 138 116

HSL 21.64, 0.28%, 0.57%

LAB 60.59, 11.7, 17.47

 

CMYK 0 / 20 / 30 / 24

HEX #C29C87

RGB 194 156 135

HSL 21.36, 0.33%, 0.65%

LAB 67.27, 11.04, 16.34

 

CMYK 0 / 18 / 27 / 17

HEX #D3AE9A

RGB 211 174 154

HSL 21.05, 0.39%, 0.72%

LAB 73.84, 10.47, 15.31

 

CMYK 0 / 16 / 24 / 11

HEX #E4C0AD

RGB 228 192 173

HSL 20.73, 0.5%, 0.79%

LAB 80.3, 9.96, 14.35

 

CMYK 0 / 14 / 22 / 4

HEX #F5D2C0

RGB 245 210 192

HSL 20.38, 0.73%, 0.86%

LAB 86.66, 9.51, 13.44

 

CMYK 0 / 20 / 30 / 33

HEX #AC8A79

RGB 172 138 121

HSL 20, 0.24%, 0.57%

LAB 60.18, 10.35, 13.99

 

CMYK 0 / 23 / 34 / 39

HEX #9B7866

RGB 155 120 102

HSL 20.38, 0.21%, 0.5%

LAB 53.34, 11.02, 15.13

 

CMYK 0 / 26 / 40 / 46

HEX #8A6653

RGB 138 102 83

HSL 20.73, 0.25%, 0.43%

LAB 46.35, 11.81, 16.39

 

CMYK 0 / 31 / 47 / 53

HEX #795440

RGB 121 84 64

HSL 21.05, 0.31%, 0.36%

LAB 39.2, 12.77, 17.82

 

CMYK 0 / 37 / 57 / 59

HEX #68422D

RGB 104 66 45

HSL 21.36, 0.4%, 0.29%

LAB 31.87, 13.96, 19.49

 

CMYK 0 / 20 / 30 / 33

HEX #AC8A79

RGB 172 138 121

HSL 20, 0.24%, 0.57%

LAB 60.18, 10.35, 13.99

 

CMYK 0 / 15 / 30 / 33

HEX #AB9177

RGB 171 145 119

HSL 30, 0.24%, 0.57%

LAB 61.86, 5.77, 17.43

 

CMYK 0 / 10 / 30 / 33

HEX #AB9A77

RGB 171 154 119

HSL 40.38, 0.24%, 0.57%

LAB 64.24, 0.8, 20.68

 

CMYK 0 / 5 / 30 / 33

HEX #ABA277

RGB 171 162 119

HSL 49.62, 0.24%, 0.57%

LAB 66.39, -3.55, 23.59

 

CMYK 0 / 0 / 30 / 33

HEX #ABAB77

RGB 171 171 119

HSL 60, 0.24%, 0.57%

LAB 68.83, -8.36, 26.86

 

CMYK 0 / 20 / 30 / 33

HEX #AC8A79

RGB 172 138 121

HSL 20, 0.24%, 0.57%

LAB 60.18, 10.35, 13.99

 

CMYK 0 / 20 / 30 / 13

HEX #DFB39D

RGB 223 179 157

HSL 20, 0.51%, 0.75%

LAB 76.29, 12.8, 17.28

 

CMYK 0 / 21 / 32 / 93

HEX #130F0D

RGB 19 15 13

HSL 20, 0.19%, 0.06%

LAB 4.6, 1.15, 1.46

 

CMYK 0 / 20 / 30 / 73

HEX #463831

RGB 70 56 49

HSL 20, 0.18%, 0.23%

LAB 24.8, 4.93, 6.7

 

CMYK 0 / 20 / 30 / 53

HEX #796155

RGB 121 97 85

HSL 20, 0.17%, 0.4%

LAB 43.17, 7.76, 10.51

 

CMYK 0 / 20 / 30 / 33

HEX #AC8A79

RGB 172 138 121

HSL 20, 0.24%, 0.57%

LAB 60.18, 10.35, 13.99

 

CMYK 16 / 0 / 30 / 33

HEX #8FAB77

RGB 143 171 119

HSL 92.31, 0.24%, 0.57%

LAB 66.75, -19.21, 23.7

 

CMYK 30 / 29 / 0 / 33

HEX #777AAB

RGB 119 122 171

HSL 236.54, 0.24%, 0.57%

LAB 52.71, 10.45, -26.41

 

CMYK 0 / 20 / 30 / 33

HEX #AC8A79

RGB 172 138 121

HSL 20, 0.24%, 0.57%

LAB 60.18, 10.35, 13.99

 

CMYK 30 / 0 / 20 / 33

HEX #77AB88

RGB 119 171 136

HSL 139.62, 0.24%, 0.57%

LAB 65.61, -24.67, 12.61

 

CMYK 20 / 30 / 0 / 33

HEX #8877AB

RGB 136 119 171

HSL 259.62, 0.24%, 0.57%

LAB 53.35, 17.55, -25.3

 

CMYK 0 / 20 / 30 / 33

HEX #AC8A79

RGB 172 138 121

HSL 20, 0.24%, 0.57%

LAB 60.18, 10.35, 13.99

 

CMYK 16 / 0 / 30 / 33

HEX #8FAB77

RGB 143 171 119

HSL 92.31, 0.24%, 0.57%

LAB 66.75, -19.21, 23.7

 

CMYK 30 / 10 / 0 / 33

HEX #779AAB

RGB 119 154 171

HSL 199.62, 0.24%, 0.57%

LAB 61.63, -7.92, -12.79

 

CMYK 14 / 30 / 0 / 33

HEX #9377AB

RGB 147 119 171

HSL 272.31, 0.24%, 0.57%

LAB 54.38, 21.12, -23.62

 

CMYK 0 / 20 / 30 / 33

HEX #AC8A79

RGB 172 138 121

HSL 20, 0.24%, 0.57%

LAB 60.18, 10.35, 13.99

 

CMYK 26 / 0 / 30 / 33

HEX #7FAB77

RGB 127 171 119

HSL 110.77, 0.24%, 0.57%

LAB 65.73, -25.03, 22.14

 

CMYK 30 / 10 / 0 / 33

HEX #779AAB

RGB 119 154 171

HSL 199.62, 0.24%, 0.57%

LAB 61.63, -7.92, -12.79

 

CMYK 5 / 30 / 0 / 33

HEX #A277AB

RGB 162 119 171

HSL 289.62, 0.24%, 0.57%

LAB 55.9, 26.09, -21.16

 

Description

Color code: RGB 172 138 121 | qconv.com Color code: RGB 172 138 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 138 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 138 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 30 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 30% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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