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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 132 137 it is the complementary color RGB 83 123 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 132 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 132 137: RGB 177 132 132, RGB 194 150 151, RGB 211 168 170, RGB 228 186 189 and RGB 245 204 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 132 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 132 137: RGB 172 132 137, RGB 155 114 118, RGB 138 96 99, RGB 121 78 80 and RGB 104 60 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 20 / 33

HEX #AC8489

RGB 172 132 137

HSL 352.5, 0.19%, 0.6%

LAB 59.05, 16.12, 3.24

 

Complementary color

CMYK 33 / 0 / 4 / 52

HEX #537B76

RGB 83 123 118

HSL 172.5, 0.19%, 0.4%

LAB 48.65, -15.12, -1.74

 

CMYK 0 / 25 / 25 / 31

HEX #B18484

RGB 177 132 132

HSL 0, 0.22%, 0.61%

LAB 59.45, 17.28, 6.75

 

CMYK 0 / 23 / 22 / 24

HEX #C29697

RGB 194 150 151

HSL 358.64, 0.27%, 0.67%

LAB 66.15, 16.63, 5.83

 

CMYK 0 / 20 / 19 / 17

HEX #D3A8AA

RGB 211 168 170

HSL 357.21, 0.33%, 0.74%

LAB 72.73, 16.05, 4.97

 

CMYK 0 / 18 / 17 / 11

HEX #E4BABD

RGB 228 186 189

HSL 355.71, 0.44%, 0.81%

LAB 79.21, 15.52, 4.18

 

CMYK 0 / 17 / 15 / 4

HEX #F5CCD0

RGB 245 204 208

HSL 354.15, 0.67%, 0.88%

LAB 85.58, 15.04, 3.42

 

CMYK 0 / 23 / 20 / 33

HEX #AC8489

RGB 172 132 137

HSL 352.5, 0.19%, 0.6%

LAB 59.05, 16.12, 3.24

 

CMYK 0 / 26 / 24 / 39

HEX #9B7276

RGB 155 114 118

HSL 354.15, 0.17%, 0.53%

LAB 52.19, 16.78, 4.14

 

CMYK 0 / 30 / 28 / 46

HEX #8A6063

RGB 138 96 99

HSL 355.71, 0.18%, 0.46%

LAB 45.18, 17.55, 5.15

 

CMYK 0 / 36 / 34 / 53

HEX #794E50

RGB 121 78 80

HSL 357.21, 0.22%, 0.39%

LAB 38.01, 18.44, 6.31

 

CMYK 0 / 42 / 41 / 59

HEX #683C3D

RGB 104 60 61

HSL 358.64, 0.27%, 0.32%

LAB 30.67, 19.48, 7.71

 

CMYK 0 / 23 / 20 / 33

HEX #AC8489

RGB 172 132 137

HSL 352.5, 0.19%, 0.6%

LAB 59.05, 16.12, 3.24

 

CMYK 0 / 22 / 23 / 33

HEX #AC8685

RGB 172 134 133

HSL 1.54, 0.19%, 0.6%

LAB 59.45, 14.36, 6.11

 

CMYK 0 / 18 / 23 / 33

HEX #AC8D85

RGB 172 141 133

HSL 12.31, 0.19%, 0.6%

LAB 61.23, 10.43, 8.66

 

CMYK 0 / 15 / 23 / 33

HEX #AC9385

RGB 172 147 133

HSL 21.54, 0.19%, 0.6%

LAB 62.79, 7.08, 10.86

 

CMYK 0 / 10 / 23 / 33

HEX #AC9A85

RGB 172 154 133

HSL 32.31, 0.19%, 0.6%

LAB 64.62, 3.2, 13.45

 

CMYK 0 / 23 / 20 / 33

HEX #AC8489

RGB 172 132 137

HSL 352.5, 0.19%, 0.6%

LAB 59.05, 16.12, 3.24

 

CMYK 0 / 23 / 20 / 13

HEX #DFABB2

RGB 223 171 178

HSL 351.92, 0.45%, 0.77%

LAB 74.84, 20.06, 3.78

 

CMYK 0 / 21 / 21 / 93

HEX #130F0F

RGB 19 15 15

HSL 0, 0.12%, 0.07%

LAB 4.65, 1.5, 0.53

 

CMYK 0 / 23 / 20 / 73

HEX #463638

RGB 70 54 56

HSL 352.5, 0.13%, 0.24%

LAB 24.4, 7.51, 1.47

 

CMYK 0 / 23 / 21 / 53

HEX #795D60

RGB 121 93 96

HSL 353.57, 0.13%, 0.42%

LAB 42.37, 11.92, 2.68

 

CMYK 0 / 23 / 20 / 33

HEX #AC8489

RGB 172 132 137

HSL 352.5, 0.19%, 0.6%

LAB 59.05, 16.12, 3.24

 

CMYK 2 / 0 / 23 / 33

HEX #A9AC85

RGB 169 172 133

HSL 64.62, 0.19%, 0.6%

LAB 69.21, -7.71, 19.76

 

CMYK 23 / 10 / 0 / 33

HEX #859AAC

RGB 133 154 172

HSL 207.69, 0.19%, 0.6%

LAB 62.57, -3.33, -11.85

 

CMYK 0 / 23 / 20 / 33

HEX #AC8489

RGB 172 132 137

HSL 352.5, 0.19%, 0.6%

LAB 59.05, 16.12, 3.24

 

CMYK 20 / 0 / 23 / 33

HEX #8AAC85

RGB 138 172 133

HSL 112.31, 0.19%, 0.6%

LAB 66.98, -19.25, 16.33

 

CMYK 23 / 20 / 0 / 33

HEX #858AAC

RGB 133 138 172

HSL 232.31, 0.19%, 0.6%

LAB 58.17, 5.73, -18.5

 

CMYK 0 / 23 / 20 / 33

HEX #AC8489

RGB 172 132 137

HSL 352.5, 0.19%, 0.6%

LAB 59.05, 16.12, 3.24

 

CMYK 2 / 0 / 23 / 33

HEX #A9AC85

RGB 169 172 133

HSL 64.62, 0.19%, 0.6%

LAB 69.21, -7.71, 19.76

 

CMYK 23 / 0 / 3 / 33

HEX #85ACA7

RGB 133 172 167

HSL 172.31, 0.19%, 0.6%

LAB 67.49, -14.21, -1.76

 

CMYK 21 / 23 / 0 / 33

HEX #8885AC

RGB 136 133 172

HSL 244.62, 0.19%, 0.6%

LAB 57.06, 9.59, -20.17

 

CMYK 0 / 23 / 20 / 33

HEX #AC8489

RGB 172 132 137

HSL 352.5, 0.19%, 0.6%

LAB 59.05, 16.12, 3.24

 

CMYK 8 / 0 / 23 / 33

HEX #9EAC85

RGB 158 172 133

HSL 81.54, 0.19%, 0.6%

LAB 68.36, -11.91, 18.47

 

CMYK 23 / 0 / 3 / 33

HEX #85ACA7

RGB 133 172 167

HSL 172.31, 0.19%, 0.6%

LAB 67.49, -14.21, -1.76

 

CMYK 15 / 23 / 0 / 33

HEX #9385AC

RGB 147 133 172

HSL 261.54, 0.19%, 0.6%

LAB 58, 13.22, -18.67

 

Description

Color code: RGB 172 132 137 | qconv.com Color code: RGB 172 132 137 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 132 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 132 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 20 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 20% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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