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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 221 64 it is the complementary color RGB 84 34 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 221 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 171 221 64: RGB 176 221 59, RGB 193 239 78, RGB 210 255 97, RGB 227 255 116 and RGB 244 255 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 221 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 171 221 64: RGB 171 221 64, RGB 154 203 45, RGB 137 185 26, RGB 120 167 7 and RGB 103 149 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 71 / 13

HEX #ABDD40

RGB 171 221 64

HSL 79.11, 0.7%, 0.56%

LAB 82.24, -37.9, 67.77

 

Complementary color

CMYK 56 / 82 / 0 / 25

HEX #5422BF

RGB 84 34 191

HSL 259.11, 0.7%, 0.44%

LAB 31.33, 57.74, -72.58

 

CMYK 20 / 0 / 73 / 13

HEX #B0DD3B

RGB 176 221 59

HSL 76.67, 0.7%, 0.55%

LAB 82.52, -36.25, 69.85

 

CMYK 19 / 0 / 67 / 6

HEX #C1EF4E

RGB 193 239 78

HSL 77.14, 0.83%, 0.62%

LAB 88.74, -36.76, 69.7

 

CMYK 18 / 0 / 62 / 0

HEX #D2FF61

RGB 210 255 97

HSL 77.09, 1%, 0.69%

LAB 94.35, -36.27, 68.57

 

CMYK 11 / 0 / 55 / 0

HEX #E3FF74

RGB 227 255 116

HSL 72.09, 1%, 0.73%

LAB 95.63, -28.35, 62.31

 

CMYK 4 / 0 / 47 / 0

HEX #F4FF87

RGB 244 255 135

HSL 65.5, 1%, 0.76%

LAB 97.03, -20.18, 55.69

 

CMYK 23 / 0 / 71 / 13

HEX #ABDD40

RGB 171 221 64

HSL 79.11, 0.7%, 0.56%

LAB 82.24, -37.9, 67.77

 

CMYK 24 / 0 / 78 / 20

HEX #9ACB2D

RGB 154 203 45

HSL 78.61, 0.64%, 0.49%

LAB 75.93, -37.33, 67.56

 

CMYK 26 / 0 / 86 / 27

HEX #89B91A

RGB 137 185 26

HSL 78.11, 0.75%, 0.41%

LAB 69.53, -36.58, 66.42

 

CMYK 28 / 0 / 96 / 35

HEX #78A707

RGB 120 167 7

HSL 77.63, 0.92%, 0.34%

LAB 63.05, -35.59, 63.87

 

CMYK 31 / 0 / 100 / 42

HEX #679500

RGB 103 149 0

HSL 78.52, 1%, 0.29%

LAB 56.46, -34.32, 59.33

 

CMYK 23 / 0 / 71 / 13

HEX #ABDD40

RGB 171 221 64

HSL 79.11, 0.7%, 0.56%

LAB 82.24, -37.9, 67.77

 

CMYK 34 / 0 / 71 / 13

HEX #91DD40

RGB 145 221 64

HSL 89.04, 0.7%, 0.56%

LAB 80.8, -47.4, 65.85

 

CMYK 46 / 0 / 71 / 13

HEX #77DD40

RGB 119 221 64

HSL 98.98, 0.7%, 0.56%

LAB 79.62, -55.85, 64.28

 

CMYK 58 / 0 / 71 / 13

HEX #5DDD40

RGB 93 221 64

HSL 108.92, 0.7%, 0.56%

LAB 78.7, -62.93, 63.05

 

CMYK 70 / 0 / 71 / 13

HEX #42DD40

RGB 66 221 64

HSL 119.24, 0.7%, 0.56%

LAB 78.02, -68.53, 62.13

 

CMYK 23 / 0 / 71 / 13

HEX #ABDD40

RGB 171 221 64

HSL 79.11, 0.7%, 0.56%

LAB 82.24, -37.9, 67.77

 

CMYK 24 / 0 / 71 / 93

HEX #0D1105

RGB 13 17 5

HSL 80, 0.55%, 0.04%

LAB 4.49, -3.23, 4.62

 

CMYK 22 / 0 / 71 / 73

HEX #354414

RGB 53 68 20

HSL 78.75, 0.55%, 0.17%

LAB 26.57, -14.61, 26.29

 

CMYK 23 / 0 / 71 / 53

HEX #5C7722

RGB 92 119 34

HSL 79.06, 0.56%, 0.3%

LAB 46.42, -23.22, 41.56

 

CMYK 22 / 0 / 71 / 33

HEX #84AA31

RGB 132 170 49

HSL 78.84, 0.55%, 0.43%

LAB 64.86, -30.58, 55.11

 

CMYK 23 / 0 / 71 / 13

HEX #ABDD40

RGB 171 221 64

HSL 79.11, 0.7%, 0.56%

LAB 82.24, -37.9, 67.77

 

CMYK 71 / 0 / 34 / 13

HEX #40DD91

RGB 64 221 145

HSL 150.96, 0.7%, 0.56%

LAB 78.95, -57.57, 25.89

 

CMYK 6 / 71 / 0 / 13

HEX #D040DD

RGB 208 64 221

HSL 295.03, 0.7%, 0.56%

LAB 54.34, 74.28, -51.79

 

CMYK 23 / 0 / 71 / 13

HEX #ABDD40

RGB 171 221 64

HSL 79.11, 0.7%, 0.56%

LAB 82.24, -37.9, 67.77

 

CMYK 71 / 23 / 0 / 13

HEX #40ABDD

RGB 64 171 221

HSL 199.11, 0.7%, 0.56%

LAB 66.09, -14.42, -34.06

 

CMYK 0 / 71 / 23 / 13

HEX #DD40AB

RGB 221 64 171

HSL 319.11, 0.7%, 0.56%

LAB 54, 69.81, -23.39

 

CMYK 23 / 0 / 71 / 13

HEX #ABDD40

RGB 171 221 64

HSL 79.11, 0.7%, 0.56%

LAB 82.24, -37.9, 67.77

 

CMYK 71 / 0 / 34 / 13

HEX #40DD91

RGB 64 221 145

HSL 150.96, 0.7%, 0.56%

LAB 78.95, -57.57, 25.89

 

CMYK 48 / 71 / 0 / 13

HEX #7240DD

RGB 114 64 221

HSL 259.11, 0.7%, 0.56%

LAB 41.95, 56.41, -72.43

 

CMYK 0 / 71 / 37 / 13

HEX #DD408C

RGB 221 64 140

HSL 330.96, 0.7%, 0.56%

LAB 52.88, 66.17, -6.8

 

CMYK 23 / 0 / 71 / 13

HEX #ABDD40

RGB 171 221 64

HSL 79.11, 0.7%, 0.56%

LAB 82.24, -37.9, 67.77

 

CMYK 71 / 0 / 13 / 13

HEX #40DDC0

RGB 64 221 192

HSL 168.92, 0.7%, 0.56%

LAB 79.96, -46.94, 2.56

 

CMYK 48 / 71 / 0 / 13

HEX #7240DD

RGB 114 64 221

HSL 259.11, 0.7%, 0.56%

LAB 41.95, 56.41, -72.43

 

CMYK 0 / 71 / 58 / 13

HEX #DD405D

RGB 221 64 93

HSL 348.92, 0.7%, 0.56%

LAB 51.64, 62.07, 19.66

 

Description

Color code: RGB 171 221 64 | qconv.com Color code: RGB 171 221 64 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 221 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 221 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 71% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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