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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 171 73 it is the complementary color RGB 84 84 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 171 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 171 171 73: RGB 176 171 68, RGB 193 189 87, RGB 210 207 106, RGB 227 225 125 and RGB 244 243 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 171 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 171 171 73: RGB 171 171 73, RGB 154 153 54, RGB 137 135 35, RGB 120 117 16 and RGB 103 99 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 57 / 33

HEX #ABAB49

RGB 171 171 73

HSL 60, 0.4%, 0.48%

LAB 68.22, -13.14, 49.38

 

Complementary color

CMYK 54 / 54 / 0 / 29

HEX #5454B6

RGB 84 84 182

HSL 240, 0.4%, 0.52%

LAB 40.58, 27.94, -52.19

 

CMYK 0 / 3 / 61 / 31

HEX #B0AB44

RGB 176 171 68

HSL 57.22, 0.44%, 0.48%

LAB 68.59, -11.37, 52.17

 

CMYK 0 / 2 / 55 / 24

HEX #C1BD57

RGB 193 189 87

HSL 57.74, 0.46%, 0.55%

LAB 75.09, -12.06, 51.17

 

CMYK 0 / 1 / 50 / 18

HEX #D2CF6A

RGB 210 207 106

HSL 58.27, 0.54%, 0.62%

LAB 81.49, -12.63, 50.06

 

CMYK 0 / 1 / 45 / 11

HEX #E3E17D

RGB 227 225 125

HSL 58.82, 0.65%, 0.69%

LAB 87.81, -13.1, 48.91

 

CMYK 0 / 0 / 41 / 4

HEX #F4F390

RGB 244 243 144

HSL 59.4, 0.82%, 0.76%

LAB 94.03, -13.49, 47.75

 

CMYK 0 / 0 / 57 / 33

HEX #ABAB49

RGB 171 171 73

HSL 60, 0.4%, 0.48%

LAB 68.22, -13.14, 49.38

 

CMYK 0 / 1 / 65 / 40

HEX #9A9936

RGB 154 153 54

HSL 59.4, 0.48%, 0.41%

LAB 61.58, -12.43, 50.25

 

CMYK 0 / 1 / 74 / 46

HEX #898723

RGB 137 135 35

HSL 58.82, 0.59%, 0.34%

LAB 54.83, -11.51, 50.66

 

CMYK 0 / 3 / 87 / 53

HEX #787510

RGB 120 117 16

HSL 58.27, 0.76%, 0.27%

LAB 47.95, -10.32, 50.01

 

CMYK 0 / 4 / 100 / 60

HEX #676300

RGB 103 99 0

HSL 57.67, 1%, 0.2%

LAB 40.91, -8.82, 47.65

 

CMYK 0 / 0 / 57 / 33

HEX #ABAB49

RGB 171 171 73

HSL 60, 0.4%, 0.48%

LAB 68.22, -13.14, 49.38

 

CMYK 9 / 0 / 57 / 33

HEX #9BAB49

RGB 155 171 73

HSL 69.8, 0.4%, 0.48%

LAB 66.96, -19.88, 47.62

 

CMYK 19 / 0 / 57 / 33

HEX #8AAB49

RGB 138 171 73

HSL 80.2, 0.4%, 0.48%

LAB 65.76, -26.8, 45.94

 

CMYK 29 / 0 / 57 / 33

HEX #7AAB49

RGB 122 171 73

HSL 90, 0.4%, 0.48%

LAB 64.76, -32.99, 44.53

 

CMYK 38 / 0 / 57 / 33

HEX #6AAB49

RGB 106 171 73

HSL 99.8, 0.4%, 0.48%

LAB 63.89, -38.73, 43.3

 

CMYK 0 / 0 / 57 / 33

HEX #ABAB49

RGB 171 171 73

HSL 60, 0.4%, 0.48%

LAB 68.22, -13.14, 49.38

 

CMYK 0 / 0 / 57 / 13

HEX #DEDE5F

RGB 222 222 95

HSL 60, 0.66%, 0.62%

LAB 86.3, -16.11, 60.85

 

CMYK 0 / 0 / 56 / 93

HEX #121208

RGB 18 18 8

HSL 60, 0.38%, 0.05%

LAB 5.23, -1.66, 4.51

 

CMYK 0 / 0 / 58 / 73

HEX #45451D

RGB 69 69 29

HSL 60, 0.41%, 0.19%

LAB 28.41, -6.54, 23.86

 

CMYK 0 / 0 / 58 / 53

HEX #787833

RGB 120 120 51

HSL 60, 0.4%, 0.34%

LAB 49.09, -9.99, 37.19

 

CMYK 0 / 0 / 57 / 33

HEX #ABAB49

RGB 171 171 73

HSL 60, 0.4%, 0.48%

LAB 68.22, -13.14, 49.38

 

CMYK 57 / 0 / 46 / 33

HEX #49AB5D

RGB 73 171 93

HSL 132.24, 0.4%, 0.48%

LAB 62.79, -45.79, 31.67

 

CMYK 23 / 57 / 0 / 33

HEX #8449AB

RGB 132 73 171

HSL 276.12, 0.4%, 0.48%

LAB 42.17, 42.89, -42.88

 

CMYK 0 / 0 / 57 / 33

HEX #ABAB49

RGB 171 171 73

HSL 60, 0.4%, 0.48%

LAB 68.22, -13.14, 49.38

 

CMYK 57 / 0 / 0 / 33

HEX #49ABAB

RGB 73 171 171

HSL 180, 0.4%, 0.48%

LAB 64.55, -28.29, -8.64

 

CMYK 0 / 57 / 0 / 33

HEX #AB49AB

RGB 171 73 171

HSL 300, 0.4%, 0.48%

LAB 47.45, 53.28, -34.19

 

CMYK 0 / 0 / 57 / 33

HEX #ABAB49

RGB 171 171 73

HSL 60, 0.4%, 0.48%

LAB 68.22, -13.14, 49.38

 

CMYK 57 / 0 / 46 / 33

HEX #49AB5D

RGB 73 171 93

HSL 132.24, 0.4%, 0.48%

LAB 62.79, -45.79, 31.67

 

CMYK 57 / 57 / 0 / 33

HEX #4949AB

RGB 73 73 171

HSL 240, 0.4%, 0.48%

LAB 36.22, 29.06, -52.77

 

CMYK 0 / 57 / 12 / 33

HEX #AB4997

RGB 171 73 151

HSL 312.24, 0.4%, 0.48%

LAB 46.52, 49.85, -23.77

 

CMYK 0 / 0 / 57 / 33

HEX #ABAB49

RGB 171 171 73

HSL 60, 0.4%, 0.48%

LAB 68.22, -13.14, 49.38

 

CMYK 57 / 0 / 29 / 33

HEX #49AB7A

RGB 73 171 122

HSL 150, 0.4%, 0.48%

LAB 63.3, -40.39, 16.79

 

CMYK 57 / 57 / 0 / 33

HEX #4949AB

RGB 73 73 171

HSL 240, 0.4%, 0.48%

LAB 36.22, 29.06, -52.77

 

CMYK 0 / 57 / 29 / 33

HEX #AB497A

RGB 171 73 122

HSL 330, 0.4%, 0.48%

LAB 45.4, 45.53, -7.98

 

Description

Color code: RGB 171 171 73 | qconv.com Color code: RGB 171 171 73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 171 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 171 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 57 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 57% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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