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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 16 243 it is the complementary color RGB 84 239 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 16 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 171 16 243: RGB 176 16 238, RGB 193 34 255, RGB 210 52 255, RGB 227 70 255 and RGB 244 88 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 16 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 171 16 243: RGB 171 16 243, RGB 154 0 224, RGB 137 0 205, RGB 120 0 186 and RGB 103 0 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 93 / 0 / 5

HEX #AB10F3

RGB 171 16 243

HSL 280.97, 0.9%, 0.51%

LAB 46.31, 83.4, -77.47

 

Complementary color

CMYK 65 / 0 / 95 / 6

HEX #54EF0C

RGB 84 239 12

HSL 100.97, 0.9%, 0.49%

LAB 83.78, -73.11, 79.43

 

CMYK 26 / 93 / 0 / 7

HEX #B010EE

RGB 176 16 238

HSL 283.24, 0.87%, 0.5%

LAB 46.68, 83.11, -74.02

 

CMYK 24 / 87 / 0 / 0

HEX #C122FF

RGB 193 34 255

HSL 283.17, 1%, 0.57%

LAB 51.5, 85.66, -75.58

 

CMYK 18 / 80 / 0 / 0

HEX #D234FF

RGB 210 52 255

HSL 286.7, 1%, 0.6%

LAB 55.46, 84.14, -69.04

 

CMYK 11 / 73 / 0 / 0

HEX #E346FF

RGB 227 70 255

HSL 290.92, 1%, 0.64%

LAB 59.83, 81.89, -61.88

 

CMYK 4 / 65 / 0 / 0

HEX #F458FF

RGB 244 88 255

HSL 296.05, 1%, 0.67%

LAB 64.51, 79.13, -54.26

 

CMYK 30 / 93 / 0 / 5

HEX #AB10F3

RGB 171 16 243

HSL 280.97, 0.9%, 0.51%

LAB 46.31, 83.4, -77.47

 

CMYK 31 / 100 / 0 / 12

HEX #9A00E0

RGB 154 0 224

HSL 281.25, 1%, 0.44%

LAB 41.61, 79.46, -74.48

 

CMYK 33 / 100 / 0 / 20

HEX #8900CD

RGB 137 0 205

HSL 280.1, 1%, 0.4%

LAB 37.35, 73.93, -70.62

 

CMYK 35 / 100 / 0 / 27

HEX #7800BA

RGB 120 0 186

HSL 278.71, 1%, 0.36%

LAB 33, 68.32, -66.7

 

CMYK 38 / 100 / 0 / 35

HEX #6700A7

RGB 103 0 167

HSL 277.01, 1%, 0.33%

LAB 28.57, 62.61, -62.7

 

CMYK 30 / 93 / 0 / 5

HEX #AB10F3

RGB 171 16 243

HSL 280.97, 0.9%, 0.51%

LAB 46.31, 83.4, -77.47

 

CMYK 15 / 93 / 0 / 5

HEX #CD11F2

RGB 205 17 242

HSL 290.13, 0.9%, 0.51%

LAB 51.6, 87.65, -68.07

 

CMYK 0 / 93 / 0 / 5

HEX #F211F2

RGB 242 17 242

HSL 300, 0.9%, 0.51%

LAB 57.74, 93.3, -57.86

 

CMYK 0 / 93 / 15 / 5

HEX #F211CD

RGB 242 17 205

HSL 309.87, 0.9%, 0.51%

LAB 55.77, 88.36, -40.05

 

CMYK 0 / 93 / 31 / 5

HEX #F211A7

RGB 242 17 167

HSL 320, 0.9%, 0.51%

LAB 54.1, 84.03, -20.58

 

CMYK 30 / 93 / 0 / 5

HEX #AB10F3

RGB 171 16 243

HSL 280.97, 0.9%, 0.51%

LAB 46.31, 83.4, -77.47

 

CMYK 31 / 92 / 0 / 85

HEX #1B0327

RGB 27 3 39

HSL 280, 0.86%, 0.08%

LAB 4.02, 17.54, -17.91

 

CMYK 30 / 93 / 0 / 65

HEX #3F065A

RGB 63 6 90

HSL 280.71, 0.88%, 0.19%

LAB 15.09, 39.34, -36.14

 

CMYK 30 / 94 / 0 / 45

HEX #63098D

RGB 99 9 141

HSL 280.91, 0.88%, 0.29%

LAB 26.07, 55.1, -50.89

 

CMYK 30 / 93 / 0 / 25

HEX #870DC0

RGB 135 13 192

HSL 280.89, 0.87%, 0.4%

LAB 36.45, 69.57, -64.5

 

CMYK 30 / 93 / 0 / 5

HEX #AB10F3

RGB 171 16 243

HSL 280.97, 0.9%, 0.51%

LAB 46.31, 83.4, -77.47

 

CMYK 0 / 93 / 81 / 5

HEX #F2112F

RGB 242 17 47

HSL 352, 0.9%, 0.51%

LAB 51.25, 76.31, 46.89

 

CMYK 93 / 0 / 68 / 5

HEX #11F24D

RGB 17 242 77

HSL 136, 0.9%, 0.51%

LAB 84.05, -78.68, 63.45

 

CMYK 30 / 93 / 0 / 5

HEX #AB10F3

RGB 171 16 243

HSL 280.97, 0.9%, 0.51%

LAB 46.31, 83.4, -77.47

 

CMYK 0 / 31 / 93 / 5

HEX #F2A711

RGB 242 167 17

HSL 40, 0.9%, 0.51%

LAB 73.9, 17.55, 75.45

 

CMYK 93 / 0 / 31 / 5

HEX #11F2A7

RGB 17 242 167

HSL 160, 0.9%, 0.51%

LAB 85.21, -64.82, 23

 

CMYK 30 / 93 / 0 / 5

HEX #AB10F3

RGB 171 16 243

HSL 280.97, 0.9%, 0.51%

LAB 46.31, 83.4, -77.47

 

CMYK 0 / 93 / 81 / 5

HEX #F2112F

RGB 242 17 47

HSL 352, 0.9%, 0.51%

LAB 51.25, 76.31, 46.89

 

CMYK 62 / 0 / 93 / 5

HEX #5CF211

RGB 92 242 17

HSL 100, 0.9%, 0.51%

LAB 84.9, -72.28, 79.92

 

CMYK 93 / 0 / 12 / 5

HEX #11F2D4

RGB 17 242 212

HSL 172, 0.9%, 0.51%

LAB 86.19, -54.09, 1.01

 

CMYK 30 / 93 / 0 / 5

HEX #AB10F3

RGB 171 16 243

HSL 280.97, 0.9%, 0.51%

LAB 46.31, 83.4, -77.47

 

CMYK 0 / 77 / 93 / 5

HEX #F23711

RGB 242 55 17

HSL 10.13, 0.9%, 0.51%

LAB 53.65, 68.39, 61.76

 

CMYK 62 / 0 / 93 / 5

HEX #5CF211

RGB 92 242 17

HSL 100, 0.9%, 0.51%

LAB 84.9, -72.28, 79.92

 

CMYK 93 / 15 / 0 / 5

HEX #11CDF2

RGB 17 205 242

HSL 189.87, 0.9%, 0.51%

LAB 76.19, -28.73, -29.92

 

Description

Color code: RGB 171 16 243 | qconv.com Color code: RGB 171 16 243 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 16 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 16 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 93 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 93% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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