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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 125 191 it is the complementary color RGB 84 130 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 125 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 171 125 191: RGB 176 125 186, RGB 193 143 205, RGB 210 161 224, RGB 227 179 243 and RGB 244 197 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 125 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 171 125 191: RGB 171 125 191, RGB 154 107 172, RGB 137 89 153, RGB 120 71 134 and RGB 103 53 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 35 / 0 / 25

HEX #AB7DBF

RGB 171 125 191

HSL 281.82, 0.34%, 0.62%

LAB 59.05, 29.79, -27.68

 

Complementary color

CMYK 35 / 0 / 51 / 49

HEX #548240

RGB 84 130 64

HSL 101.82, 0.34%, 0.38%

LAB 49.76, -28.75, 30.66

 

CMYK 5 / 33 / 0 / 27

HEX #B07DBA

RGB 176 125 186

HSL 290.16, 0.31%, 0.61%

LAB 59.38, 30.37, -24.28

 

CMYK 6 / 30 / 0 / 20

HEX #C18FCD

RGB 193 143 205

HSL 288.39, 0.38%, 0.68%

LAB 66.05, 29.67, -24.6

 

CMYK 6 / 28 / 0 / 12

HEX #D2A1E0

RGB 210 161 224

HSL 286.67, 0.5%, 0.75%

LAB 72.61, 29.03, -24.9

 

CMYK 7 / 26 / 0 / 5

HEX #E3B3F3

RGB 227 179 243

HSL 285, 0.73%, 0.83%

LAB 79.07, 28.43, -25.2

 

CMYK 4 / 23 / 0 / 0

HEX #F4C5FF

RGB 244 197 255

HSL 288.62, 1%, 0.89%

LAB 85.19, 26.53, -22.15

 

CMYK 10 / 35 / 0 / 25

HEX #AB7DBF

RGB 171 125 191

HSL 281.82, 0.34%, 0.62%

LAB 59.05, 29.79, -27.68

 

CMYK 10 / 38 / 0 / 33

HEX #9A6BAC

RGB 154 107 172

HSL 283.38, 0.28%, 0.55%

LAB 52.25, 30.54, -27.45

 

CMYK 10 / 42 / 0 / 40

HEX #895999

RGB 137 89 153

HSL 285, 0.26%, 0.47%

LAB 45.31, 31.34, -27.2

 

CMYK 10 / 47 / 0 / 47

HEX #784786

RGB 120 71 134

HSL 286.67, 0.31%, 0.4%

LAB 38.24, 32.17, -26.92

 

CMYK 10 / 54 / 0 / 55

HEX #673573

RGB 103 53 115

HSL 288.39, 0.37%, 0.33%

LAB 31.04, 32.99, -26.56

 

CMYK 10 / 35 / 0 / 25

HEX #AB7DBF

RGB 171 125 191

HSL 281.82, 0.34%, 0.62%

LAB 59.05, 29.79, -27.68

 

CMYK 5 / 35 / 0 / 25

HEX #B57DBF

RGB 181 125 191

HSL 290.91, 0.34%, 0.62%

LAB 60.12, 32.98, -25.95

 

CMYK 0 / 35 / 1 / 25

HEX #BF7DBD

RGB 191 125 189

HSL 301.82, 0.34%, 0.62%

LAB 61.15, 35.82, -23.13

 

CMYK 0 / 35 / 7 / 25

HEX #BF7DB2

RGB 191 125 178

HSL 311.82, 0.34%, 0.62%

LAB 60.74, 33.81, -17.5

 

CMYK 0 / 35 / 13 / 25

HEX #BF7DA7

RGB 191 125 167

HSL 321.82, 0.34%, 0.62%

LAB 60.37, 31.9, -11.79

 

CMYK 10 / 35 / 0 / 25

HEX #AB7DBF

RGB 171 125 191

HSL 281.82, 0.34%, 0.62%

LAB 59.05, 29.79, -27.68

 

CMYK 10 / 35 / 0 / 5

HEX #D99EF2

RGB 217 158 242

HSL 282.14, 0.76%, 0.78%

LAB 73.3, 36.43, -33.61

 

CMYK 11 / 34 / 0 / 85

HEX #221926

RGB 34 25 38

HSL 281.54, 0.21%, 0.12%

LAB 10.37, 7.62, -7.2

 

CMYK 10 / 35 / 0 / 65

HEX #503A59

RGB 80 58 89

HSL 282.58, 0.21%, 0.29%

LAB 27.99, 16.16, -14.86

 

CMYK 11 / 34 / 0 / 45

HEX #7D5C8C

RGB 125 92 140

HSL 281.25, 0.21%, 0.45%

LAB 44.1, 22.76, -21.4

 

CMYK 10 / 35 / 0 / 25

HEX #AB7DBF

RGB 171 125 191

HSL 281.82, 0.34%, 0.62%

LAB 59.05, 29.79, -27.68

 

CMYK 0 / 35 / 31 / 25

HEX #BF7D84

RGB 191 125 132

HSL 353.64, 0.34%, 0.62%

LAB 59.35, 26.58, 6.83

 

CMYK 35 / 0 / 25 / 25

HEX #7DBF8F

RGB 125 191 143

HSL 136.36, 0.34%, 0.62%

LAB 71.96, -31.15, 17.71

 

CMYK 10 / 35 / 0 / 25

HEX #AB7DBF

RGB 171 125 191

HSL 281.82, 0.34%, 0.62%

LAB 59.05, 29.79, -27.68

 

CMYK 0 / 11 / 35 / 25

HEX #BFAA7D

RGB 191 170 125

HSL 40.91, 0.34%, 0.62%

LAB 70.39, 0.95, 26.01

 

CMYK 35 / 0 / 11 / 25

HEX #7DBFAA

RGB 125 191 170

HSL 160.91, 0.34%, 0.62%

LAB 72.58, -25.67, 3.95

 

CMYK 10 / 35 / 0 / 25

HEX #AB7DBF

RGB 171 125 191

HSL 281.82, 0.34%, 0.62%

LAB 59.05, 29.79, -27.68

 

CMYK 0 / 35 / 31 / 25

HEX #BF7D84

RGB 191 125 132

HSL 353.64, 0.34%, 0.62%

LAB 59.35, 26.58, 6.83

 

CMYK 24 / 0 / 35 / 25

HEX #92BF7D

RGB 146 191 125

HSL 100.91, 0.34%, 0.62%

LAB 72.8, -27.15, 28.61

 

CMYK 35 / 0 / 4 / 25

HEX #7DBFB7

RGB 125 191 183

HSL 172.73, 0.34%, 0.62%

LAB 72.92, -22.73, -2.64

 

CMYK 10 / 35 / 0 / 25

HEX #AB7DBF

RGB 171 125 191

HSL 281.82, 0.34%, 0.62%

LAB 59.05, 29.79, -27.68

 

CMYK 0 / 28 / 35 / 25

HEX #BF897D

RGB 191 137 125

HSL 10.91, 0.34%, 0.62%

LAB 62.04, 19.02, 14.62

 

CMYK 24 / 0 / 35 / 25

HEX #92BF7D

RGB 146 191 125

HSL 100.91, 0.34%, 0.62%

LAB 72.8, -27.15, 28.61

 

CMYK 35 / 7 / 0 / 25

HEX #7DB2BF

RGB 125 178 191

HSL 191.82, 0.34%, 0.62%

LAB 69.44, -14.11, -12.18

 

Description

Color code: RGB 171 125 191 | qconv.com Color code: RGB 171 125 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 125 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 125 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 35 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 35% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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