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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 58 226 it is the complementary color RGB 85 197 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 58 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 170 58 226: RGB 175 58 221, RGB 192 76 240, RGB 209 94 255, RGB 226 112 255 and RGB 243 130 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 58 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 170 58 226: RGB 170 58 226, RGB 153 40 207, RGB 136 22 188, RGB 119 4 169 and RGB 102 0 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 74 / 0 / 11

HEX #AA3AE2

RGB 170 58 226

HSL 280, 0.74%, 0.56%

LAB 48.34, 69.85, -64.57

 

Complementary color

CMYK 57 / 0 / 85 / 23

HEX #55C51D

RGB 85 197 29

HSL 100, 0.74%, 0.44%

LAB 70.84, -58.56, 65.96

 

CMYK 21 / 74 / 0 / 13

HEX #AF3ADD

RGB 175 58 221

HSL 283.07, 0.71%, 0.55%

LAB 48.71, 69.79, -61.09

 

CMYK 20 / 68 / 0 / 6

HEX #C04CF0

RGB 192 76 240

HSL 282.44, 0.85%, 0.62%

LAB 54.73, 69.99, -62

 

CMYK 18 / 63 / 0 / 0

HEX #D15EFF

RGB 209 94 255

HSL 282.86, 1%, 0.68%

LAB 60.59, 69.01, -60.8

 

CMYK 11 / 56 / 0 / 0

HEX #E270FF

RGB 226 112 255

HSL 287.83, 1%, 0.72%

LAB 65.73, 64.89, -52.48

 

CMYK 5 / 49 / 0 / 0

HEX #F382FF

RGB 243 130 255

HSL 294.24, 1%, 0.75%

LAB 71.04, 60.78, -43.98

 

CMYK 25 / 74 / 0 / 11

HEX #AA3AE2

RGB 170 58 226

HSL 280, 0.74%, 0.56%

LAB 48.34, 69.85, -64.57

 

CMYK 26 / 81 / 0 / 19

HEX #9928CF

RGB 153 40 207

HSL 280.6, 0.68%, 0.48%

LAB 42.45, 69.08, -63.35

 

CMYK 28 / 88 / 0 / 26

HEX #8816BC

RGB 136 22 188

HSL 281.2, 0.79%, 0.41%

LAB 36.82, 67.33, -61.54

 

CMYK 30 / 98 / 0 / 34

HEX #7704A9

RGB 119 4 169

HSL 281.82, 0.95%, 0.34%

LAB 31.52, 64.26, -58.99

 

CMYK 32 / 100 / 0 / 41

HEX #660096

RGB 102 0 150

HSL 280.8, 1%, 0.29%

LAB 26.81, 59.02, -55.23

 

CMYK 25 / 74 / 0 / 11

HEX #AA3AE2

RGB 170 58 226

HSL 280, 0.74%, 0.56%

LAB 48.34, 69.85, -64.57

 

CMYK 12 / 74 / 0 / 12

HEX #C63BE1

RGB 198 59 225

HSL 290.24, 0.73%, 0.56%

LAB 52.48, 74.62, -57.13

 

CMYK 0 / 74 / 0 / 12

HEX #E13BE1

RGB 225 59 225

HSL 300, 0.73%, 0.56%

LAB 56.66, 79.98, -50.21

 

CMYK 0 / 74 / 12 / 12

HEX #E13BC6

RGB 225 59 198

HSL 309.76, 0.73%, 0.56%

LAB 55.29, 75.98, -36.99

 

CMYK 0 / 74 / 24 / 12

HEX #E13BAA

RGB 225 59 170

HSL 319.88, 0.73%, 0.56%

LAB 54.07, 72.28, -22.65

 

CMYK 25 / 74 / 0 / 11

HEX #AA3AE2

RGB 170 58 226

HSL 280, 0.74%, 0.56%

LAB 48.34, 69.85, -64.57

 

CMYK 23 / 73 / 0 / 91

HEX #110616

RGB 17 6 22

HSL 281.25, 0.57%, 0.05%

LAB 2.78, 6.1, -6.59

 

CMYK 25 / 74 / 0 / 71

HEX #371349

RGB 55 19 73

HSL 280, 0.59%, 0.18%

LAB 14.17, 28.17, -26.09

 

CMYK 25 / 74 / 0 / 51

HEX #5D207C

RGB 93 32 124

HSL 279.78, 0.59%, 0.31%

LAB 26.2, 43.16, -40.05

 

CMYK 25 / 74 / 0 / 31

HEX #842DAF

RGB 132 45 175

HSL 280.15, 0.59%, 0.43%

LAB 37.62, 57.02, -52.56

 

CMYK 25 / 74 / 0 / 11

HEX #AA3AE2

RGB 170 58 226

HSL 280, 0.74%, 0.56%

LAB 48.34, 69.85, -64.57

 

CMYK 0 / 74 / 64 / 12

HEX #E13B51

RGB 225 59 81

HSL 352.05, 0.73%, 0.56%

LAB 51.53, 64.21, 26.82

 

CMYK 74 / 0 / 54 / 12

HEX #3BE168

RGB 59 225 104

HSL 136.27, 0.73%, 0.56%

LAB 79.49, -66.57, 46.89

 

CMYK 25 / 74 / 0 / 11

HEX #AA3AE2

RGB 170 58 226

HSL 280, 0.74%, 0.56%

LAB 48.34, 69.85, -64.57

 

CMYK 0 / 24 / 74 / 12

HEX #E1AA3B

RGB 225 170 59

HSL 40.12, 0.73%, 0.56%

LAB 72.94, 9.81, 61.92

 

CMYK 74 / 0 / 24 / 12

HEX #3BE1AA

RGB 59 225 170

HSL 160.12, 0.73%, 0.56%

LAB 80.56, -54.5, 15.05

 

CMYK 25 / 74 / 0 / 11

HEX #AA3AE2

RGB 170 58 226

HSL 280, 0.74%, 0.56%

LAB 48.34, 69.85, -64.57

 

CMYK 0 / 74 / 64 / 12

HEX #E13B51

RGB 225 59 81

HSL 352.05, 0.73%, 0.56%

LAB 51.53, 64.21, 26.82

 

CMYK 49 / 0 / 74 / 12

HEX #73E13B

RGB 115 225 59

HSL 99.76, 0.73%, 0.56%

LAB 80.63, -58.88, 66.97

 

CMYK 74 / 0 / 10 / 12

HEX #3BE1CB

RGB 59 225 203

HSL 172.05, 0.73%, 0.56%

LAB 81.34, -46.43, -1.28

 

CMYK 25 / 74 / 0 / 11

HEX #AA3AE2

RGB 170 58 226

HSL 280, 0.74%, 0.56%

LAB 48.34, 69.85, -64.57

 

CMYK 0 / 61 / 74 / 12

HEX #E1573B

RGB 225 87 59

HSL 10.12, 0.73%, 0.56%

LAB 55.22, 52.26, 43.65

 

CMYK 49 / 0 / 74 / 12

HEX #73E13B

RGB 115 225 59

HSL 99.76, 0.73%, 0.56%

LAB 80.63, -58.88, 66.97

 

CMYK 74 / 12 / 0 / 12

HEX #3BC6E1

RGB 59 198 225

HSL 189.76, 0.73%, 0.56%

LAB 74.03, -27.69, -24.02

 

Description

Color code: RGB 170 58 226 | qconv.com Color code: RGB 170 58 226 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 58 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 58 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 74 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 74% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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