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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 51 213 it is the complementary color RGB 85 204 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 51 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 170 51 213: RGB 175 51 208, RGB 192 69 227, RGB 209 87 246, RGB 226 105 255 and RGB 243 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 51 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 170 51 213: RGB 170 51 213, RGB 153 33 194, RGB 136 15 175, RGB 119 0 156 and RGB 102 0 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 76 / 0 / 16

HEX #AA33D5

RGB 170 51 213

HSL 284.07, 0.66%, 0.52%

LAB 46.6, 69.73, -59.96

 

Complementary color

CMYK 58 / 0 / 79 / 20

HEX #55CC2A

RGB 85 204 42

HSL 104.07, 0.66%, 0.48%

LAB 73.08, -60.4, 64.65

 

CMYK 16 / 75 / 0 / 18

HEX #AF33D0

RGB 175 51 208

HSL 287.39, 0.63%, 0.51%

LAB 47.02, 69.73, -56.37

 

CMYK 15 / 70 / 0 / 11

HEX #C045E3

RGB 192 69 227

HSL 286.71, 0.74%, 0.58%

LAB 52.96, 70.24, -57.53

 

CMYK 15 / 65 / 0 / 4

HEX #D157F6

RGB 209 87 246

HSL 286.04, 0.9%, 0.65%

LAB 59, 70.25, -58.36

 

CMYK 11 / 59 / 0 / 0

HEX #E269FF

RGB 226 105 255

HSL 288.4, 1%, 0.71%

LAB 64.56, 68.07, -54.34

 

CMYK 5 / 52 / 0 / 0

HEX #F37BFF

RGB 243 123 255

HSL 294.55, 1%, 0.74%

LAB 69.78, 64.1, -45.95

 

CMYK 20 / 76 / 0 / 16

HEX #AA33D5

RGB 170 51 213

HSL 284.07, 0.66%, 0.52%

LAB 46.6, 69.73, -59.96

 

CMYK 21 / 83 / 0 / 24

HEX #9921C2

RGB 153 33 194

HSL 284.72, 0.71%, 0.45%

LAB 40.82, 68.52, -58.43

 

CMYK 22 / 91 / 0 / 31

HEX #880FAF

RGB 136 15 175

HSL 285.38, 0.84%, 0.37%

LAB 35.34, 66.16, -56.23

 

CMYK 24 / 100 / 0 / 39

HEX #77009C

RGB 119 0 156

HSL 285.77, 1%, 0.31%

LAB 30.21, 62.39, -53.24

 

CMYK 26 / 100 / 0 / 46

HEX #660089

RGB 102 0 137

HSL 284.67, 1%, 0.27%

LAB 25.66, 56.45, -49.05

 

CMYK 20 / 76 / 0 / 16

HEX #AA33D5

RGB 170 51 213

HSL 284.07, 0.66%, 0.52%

LAB 46.6, 69.73, -59.96

 

CMYK 8 / 76 / 0 / 16

HEX #C533D5

RGB 197 51 213

HSL 294.07, 0.66%, 0.52%

LAB 50.74, 74.84, -53.09

 

CMYK 0 / 76 / 5 / 16

HEX #D533CA

RGB 213 51 202

HSL 304.07, 0.66%, 0.52%

LAB 52.71, 76.3, -43.5

 

CMYK 0 / 76 / 18 / 16

HEX #D533AF

RGB 213 51 175

HSL 314.07, 0.66%, 0.52%

LAB 51.39, 72.49, -29.89

 

CMYK 0 / 76 / 31 / 16

HEX #D53394

RGB 213 51 148

HSL 324.07, 0.66%, 0.52%

LAB 50.28, 69.15, -15.62

 

CMYK 20 / 76 / 0 / 16

HEX #AA33D5

RGB 170 51 213

HSL 284.07, 0.66%, 0.52%

LAB 46.6, 69.73, -59.96

 

CMYK 22 / 78 / 0 / 96

HEX #070209

RGB 7 2 9

HSL 282.86, 0.64%, 0.02%

LAB 0.98, 2.28, -2.19

 

CMYK 20 / 77 / 0 / 76

HEX #300E3C

RGB 48 14 60

HSL 284.35, 0.62%, 0.15%

LAB 11.05, 25.7, -22.01

 

CMYK 20 / 76 / 0 / 56

HEX #591B6F

RGB 89 27 111

HSL 284.29, 0.61%, 0.27%

LAB 23.85, 41.54, -35.56

 

CMYK 20 / 76 / 0 / 36

HEX #8127A2

RGB 129 39 162

HSL 283.9, 0.61%, 0.39%

LAB 35.45, 56.01, -48.3

 

CMYK 20 / 76 / 0 / 16

HEX #AA33D5

RGB 170 51 213

HSL 284.07, 0.66%, 0.52%

LAB 46.6, 69.73, -59.96

 

CMYK 0 / 76 / 71 / 16

HEX #D5333E

RGB 213 51 62

HSL 355.93, 0.66%, 0.52%

LAB 48.09, 62.28, 33.31

 

CMYK 76 / 0 / 51 / 16

HEX #33D569

RGB 51 213 105

HSL 140, 0.66%, 0.52%

LAB 75.65, -63.48, 41.69

 

CMYK 20 / 76 / 0 / 16

HEX #AA33D5

RGB 170 51 213

HSL 284.07, 0.66%, 0.52%

LAB 46.6, 69.73, -59.96

 

CMYK 0 / 20 / 76 / 16

HEX #D5AA33

RGB 213 170 51

HSL 44.07, 0.66%, 0.52%

LAB 71.65, 4.3, 63.28

 

CMYK 76 / 0 / 20 / 16

HEX #33D5AA

RGB 51 213 170

HSL 164.07, 0.66%, 0.52%

LAB 76.8, -50.65, 9.7

 

CMYK 20 / 76 / 0 / 16

HEX #AA33D5

RGB 170 51 213

HSL 284.07, 0.66%, 0.52%

LAB 46.6, 69.73, -59.96

 

CMYK 0 / 76 / 71 / 16

HEX #D5333E

RGB 213 51 62

HSL 355.93, 0.66%, 0.52%

LAB 48.09, 62.28, 33.31

 

CMYK 56 / 0 / 76 / 16

HEX #5ED533

RGB 94 213 51

HSL 104.07, 0.66%, 0.52%

LAB 76.2, -60.76, 64.99

 

CMYK 76 / 0 / 5 / 16

HEX #33D5CA

RGB 51 213 202

HSL 175.93, 0.66%, 0.52%

LAB 77.61, -42.34, -6.25

 

CMYK 20 / 76 / 0 / 16

HEX #AA33D5

RGB 170 51 213

HSL 284.07, 0.66%, 0.52%

LAB 46.6, 69.73, -59.96

 

CMYK 0 / 58 / 76 / 16

HEX #D55933

RGB 213 89 51

HSL 14.07, 0.66%, 0.52%

LAB 53.52, 46.74, 45.4

 

CMYK 56 / 0 / 76 / 16

HEX #5ED533

RGB 94 213 51

HSL 104.07, 0.66%, 0.52%

LAB 76.2, -60.76, 64.99

 

CMYK 76 / 18 / 0 / 16

HEX #33AFD5

RGB 51 175 213

HSL 194.07, 0.66%, 0.52%

LAB 66.65, -20.78, -28.81

 

Description

Color code: RGB 170 51 213 | qconv.com Color code: RGB 170 51 213 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 51 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 51 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 76 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 76% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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