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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 43 138 it is the complementary color RGB 85 212 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 43 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 170 43 138: RGB 175 43 133, RGB 192 61 152, RGB 209 79 171, RGB 226 97 190 and RGB 243 115 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 43 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 170 43 138: RGB 170 43 138, RGB 153 25 119, RGB 136 7 100, RGB 119 0 81 and RGB 102 0 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 19 / 33

HEX #AA2B8A

RGB 170 43 138

HSL 315.12, 0.6%, 0.42%

LAB 41.39, 59.77, -23.88

 

Complementary color

CMYK 60 / 0 / 45 / 17

HEX #55D475

RGB 85 212 117

HSL 135.12, 0.6%, 0.58%

LAB 76.25, -55.33, 36.7

 

CMYK 0 / 75 / 24 / 31

HEX #AF2B85

RGB 175 43 133

HSL 319.09, 0.61%, 0.43%

LAB 42.05, 60.33, -19.72

 

CMYK 0 / 68 / 21 / 25

HEX #C03D98

RGB 192 61 152

HSL 318.32, 0.52%, 0.5%

LAB 48.02, 60.94, -21.78

 

CMYK 0 / 62 / 18 / 18

HEX #D14FAB

RGB 209 79 171

HSL 317.54, 0.59%, 0.56%

LAB 54.12, 60.99, -23.38

 

CMYK 0 / 57 / 16 / 11

HEX #E261BE

RGB 226 97 190

HSL 316.74, 0.69%, 0.63%

LAB 60.28, 60.71, -24.65

 

CMYK 0 / 53 / 14 / 5

HEX #F373D1

RGB 243 115 209

HSL 315.94, 0.84%, 0.7%

LAB 66.46, 60.22, -25.69

 

CMYK 0 / 75 / 19 / 33

HEX #AA2B8A

RGB 170 43 138

HSL 315.12, 0.6%, 0.42%

LAB 41.39, 59.77, -23.88

 

CMYK 0 / 84 / 22 / 40

HEX #991977

RGB 153 25 119

HSL 315.94, 0.72%, 0.35%

LAB 35.6, 58.29, -21.34

 

CMYK 0 / 95 / 26 / 47

HEX #880764

RGB 136 7 100

HSL 316.74, 0.9%, 0.28%

LAB 30.17, 55.45, -17.89

 

CMYK 0 / 100 / 32 / 53

HEX #770051

RGB 119 0 81

HSL 319.16, 1%, 0.23%

LAB 25.31, 50.62, -13.16

 

CMYK 0 / 100 / 39 / 60

HEX #66003E

RGB 102 0 62

HSL 323.53, 1%, 0.2%

LAB 20.72, 44.59, -7.51

 

CMYK 0 / 75 / 19 / 33

HEX #AA2B8A

RGB 170 43 138

HSL 315.12, 0.6%, 0.42%

LAB 41.39, 59.77, -23.88

 

CMYK 0 / 75 / 32 / 33

HEX #AB2A75

RGB 171 42 117

HSL 325.12, 0.61%, 0.42%

LAB 40.57, 57.63, -12.17

 

CMYK 0 / 75 / 44 / 33

HEX #AB2A60

RGB 171 42 96

HSL 334.88, 0.61%, 0.42%

LAB 39.85, 55.35, -0.08

 

CMYK 0 / 75 / 57 / 33

HEX #AB2A4A

RGB 171 42 74

HSL 345.12, 0.61%, 0.42%

LAB 39.26, 53.46, 13.03

 

CMYK 0 / 75 / 69 / 33

HEX #AB2A35

RGB 171 42 53

HSL 354.88, 0.61%, 0.42%

LAB 38.85, 52.12, 25.7

 

CMYK 0 / 75 / 19 / 33

HEX #AA2B8A

RGB 170 43 138

HSL 315.12, 0.6%, 0.42%

LAB 41.39, 59.77, -23.88

 

CMYK 0 / 75 / 19 / 13

HEX #DD38B3

RGB 221 56 179

HSL 315.27, 0.71%, 0.54%

LAB 53.44, 73.39, -28.93

 

CMYK 0 / 76 / 18 / 93

HEX #11040E

RGB 17 4 14

HSL 313.85, 0.62%, 0.04%

LAB 2.15, 5.24, -2.63

 

CMYK 0 / 75 / 19 / 73

HEX #441137

RGB 68 17 55

HSL 315.29, 0.6%, 0.17%

LAB 14.98, 29.13, -11.99

 

CMYK 0 / 75 / 18 / 53

HEX #771E61

RGB 119 30 97

HSL 314.83, 0.6%, 0.29%

LAB 28.68, 45.26, -18.52

 

CMYK 0 / 75 / 19 / 33

HEX #AA2B8A

RGB 170 43 138

HSL 315.12, 0.6%, 0.42%

LAB 41.39, 59.77, -23.88

 

CMYK 0 / 42 / 75 / 33

HEX #AB642A

RGB 171 100 42

HSL 26.98, 0.61%, 0.42%

LAB 49.42, 23.93, 43.62

 

CMYK 75 / 0 / 11 / 33

HEX #2AAB98

RGB 42 171 152

HSL 171.16, 0.61%, 0.42%

LAB 63.25, -38.43, -0.03

 

CMYK 0 / 75 / 19 / 33

HEX #AA2B8A

RGB 170 43 138

HSL 315.12, 0.6%, 0.42%

LAB 41.39, 59.77, -23.88

 

CMYK 19 / 0 / 75 / 33

HEX #8BAB2A

RGB 139 171 42

HSL 74.88, 0.61%, 0.42%

LAB 65.58, -28.61, 58.47

 

CMYK 75 / 19 / 0 / 33

HEX #2A8BAB

RGB 42 139 171

HSL 194.88, 0.61%, 0.42%

LAB 53.92, -16.72, -24.84

 

CMYK 0 / 75 / 19 / 33

HEX #AA2B8A

RGB 170 43 138

HSL 315.12, 0.6%, 0.42%

LAB 41.39, 59.77, -23.88

 

CMYK 0 / 42 / 75 / 33

HEX #AB642A

RGB 171 100 42

HSL 26.98, 0.61%, 0.42%

LAB 49.42, 23.93, 43.62

 

CMYK 75 / 0 / 57 / 33

HEX #2AAB4A

RGB 42 171 74

HSL 134.88, 0.61%, 0.42%

LAB 61.75, -54.79, 39.77

 

CMYK 75 / 34 / 0 / 33

HEX #2A71AB

RGB 42 113 171

HSL 206.98, 0.61%, 0.42%

LAB 45.96, -1.71, -37.26

 

CMYK 0 / 75 / 19 / 33

HEX #AA2B8A

RGB 170 43 138

HSL 315.12, 0.6%, 0.42%

LAB 41.39, 59.77, -23.88

 

CMYK 0 / 19 / 75 / 33

HEX #AB8B2A

RGB 171 139 42

HSL 45.12, 0.61%, 0.42%

LAB 59.24, 2.1, 53.35

 

CMYK 75 / 0 / 57 / 33

HEX #2AAB4A

RGB 42 171 74

HSL 134.88, 0.61%, 0.42%

LAB 61.75, -54.79, 39.77

 

CMYK 75 / 57 / 0 / 33

HEX #2A4AAB

RGB 42 74 171

HSL 225.12, 0.61%, 0.42%

LAB 34.66, 23.47, -55.38

 

Description

Color code: RGB 170 43 138 | qconv.com Color code: RGB 170 43 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 43 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 43 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 19 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 19% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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