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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 36 31 it is the complementary color RGB 85 219 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 36 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 170 36 31: RGB 175 36 26, RGB 192 54 45, RGB 209 72 64, RGB 226 90 83 and RGB 243 108 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 36 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 170 36 31: RGB 170 36 31, RGB 153 18 12, RGB 136 0 0, RGB 119 0 0 and RGB 102 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 82 / 33

HEX #AA241F

RGB 170 36 31

HSL 2.16, 0.69%, 0.39%

LAB 37.67, 52.85, 37.35

 

Complementary color

CMYK 62 / 2 / 0 / 12

HEX #55DBE0

RGB 85 219 224

HSL 182.16, 0.69%, 0.61%

LAB 80.73, -34.48, -13.3

 

CMYK 0 / 79 / 85 / 31

HEX #AF241A

RGB 175 36 26

HSL 4.03, 0.74%, 0.39%

LAB 38.64, 54.24, 41.26

 

CMYK 0 / 72 / 77 / 25

HEX #C0362D

RGB 192 54 45

HSL 3.67, 0.62%, 0.46%

LAB 44.28, 54.12, 37.72

 

CMYK 0 / 66 / 69 / 18

HEX #D14840

RGB 209 72 64

HSL 3.31, 0.61%, 0.54%

LAB 50.17, 53.46, 34.44

 

CMYK 0 / 60 / 63 / 11

HEX #E25A53

RGB 226 90 83

HSL 2.94, 0.71%, 0.61%

LAB 56.19, 52.52, 31.58

 

CMYK 0 / 56 / 58 / 5

HEX #F36C66

RGB 243 108 102

HSL 2.55, 0.85%, 0.68%

LAB 62.29, 51.45, 29.12

 

CMYK 0 / 79 / 82 / 33

HEX #AA241F

RGB 170 36 31

HSL 2.16, 0.69%, 0.39%

LAB 37.67, 52.85, 37.35

 

CMYK 0 / 88 / 92 / 40

HEX #99120C

RGB 153 18 12

HSL 2.55, 0.85%, 0.32%

LAB 32.33, 52.05, 40.94

 

CMYK 0 / 100 / 100 / 47

HEX #880000

RGB 136 0 0

HSL 0, 1%, 0.27%

LAB 27.39, 50.21, 40.43

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 79 / 82 / 33

HEX #AA241F

RGB 170 36 31

HSL 2.16, 0.69%, 0.39%

LAB 37.67, 52.85, 37.35

 

CMYK 0 / 65 / 82 / 34

HEX #A83A1E

RGB 168 58 30

HSL 12.17, 0.7%, 0.39%

LAB 40.32, 43.82, 40.3

 

CMYK 0 / 52 / 82 / 34

HEX #A8511E

RGB 168 81 30

HSL 22.17, 0.7%, 0.39%

LAB 44.66, 32.53, 44.39

 

CMYK 0 / 38 / 82 / 34

HEX #A8681E

RGB 168 104 30

HSL 32.17, 0.7%, 0.39%

LAB 49.88, 19.89, 49.16

 

CMYK 0 / 25 / 82 / 34

HEX #A87E1E

RGB 168 126 30

HSL 41.74, 0.7%, 0.39%

LAB 55.42, 7.49, 54.11

 

CMYK 0 / 79 / 82 / 33

HEX #AA241F

RGB 170 36 31

HSL 2.16, 0.69%, 0.39%

LAB 37.67, 52.85, 37.35

 

CMYK 0 / 79 / 82 / 13

HEX #DD2F28

RGB 221 47 40

HSL 2.32, 0.73%, 0.51%

LAB 48.96, 65, 46.92

 

CMYK 0 / 76 / 82 / 93

HEX #110403

RGB 17 4 3

HSL 4.29, 0.7%, 0.04%

LAB 1.92, 3.64, 1.71

 

CMYK 0 / 79 / 82 / 73

HEX #440E0C

RGB 68 14 12

HSL 2.14, 0.7%, 0.16%

LAB 13.04, 25.61, 15.15

 

CMYK 0 / 79 / 82 / 53

HEX #771916

RGB 119 25 22

HSL 1.86, 0.69%, 0.28%

LAB 25.79, 39.91, 27.12

 

CMYK 0 / 79 / 82 / 33

HEX #AA241F

RGB 170 36 31

HSL 2.16, 0.69%, 0.39%

LAB 37.67, 52.85, 37.35

 

CMYK 19 / 0 / 82 / 34

HEX #88A81E

RGB 136 168 30

HSL 73.91, 0.7%, 0.39%

LAB 64.43, -28.95, 61

 

CMYK 82 / 52 / 0 / 34

HEX #1E51A8

RGB 30 81 168

HSL 217.83, 0.7%, 0.39%

LAB 35.96, 16.29, -51.5

 

CMYK 0 / 79 / 82 / 33

HEX #AA241F

RGB 170 36 31

HSL 2.16, 0.69%, 0.39%

LAB 37.67, 52.85, 37.35

 

CMYK 82 / 0 / 79 / 34

HEX #1EA823

RGB 30 168 35

HSL 122.17, 0.7%, 0.39%

LAB 60.25, -59.42, 54.15

 

CMYK 79 / 82 / 0 / 34

HEX #231EA8

RGB 35 30 168

HSL 242.17, 0.7%, 0.39%

LAB 24.04, 48.57, -71.04

 

CMYK 0 / 79 / 82 / 33

HEX #AA241F

RGB 170 36 31

HSL 2.16, 0.69%, 0.39%

LAB 37.67, 52.85, 37.35

 

CMYK 19 / 0 / 82 / 34

HEX #88A81E

RGB 136 168 30

HSL 73.91, 0.7%, 0.39%

LAB 64.43, -28.95, 61

 

CMYK 82 / 3 / 0 / 34

HEX #1EA3A8

RGB 30 163 168

HSL 182.17, 0.7%, 0.39%

LAB 61.04, -31.26, -12.3

 

CMYK 63 / 82 / 0 / 34

HEX #3E1EA8

RGB 62 30 168

HSL 253.91, 0.7%, 0.39%

LAB 26.1, 50.74, -67.57

 

CMYK 0 / 79 / 82 / 33

HEX #AA241F

RGB 170 36 31

HSL 2.16, 0.69%, 0.39%

LAB 37.67, 52.85, 37.35

 

CMYK 44 / 0 / 82 / 34

HEX #5EA81E

RGB 94 168 30

HSL 92.17, 0.7%, 0.39%

LAB 62.07, -44.89, 57.99

 

CMYK 82 / 3 / 0 / 34

HEX #1EA3A8

RGB 30 163 168

HSL 182.17, 0.7%, 0.39%

LAB 61.04, -31.26, -12.3

 

CMYK 38 / 82 / 0 / 34

HEX #681EA8

RGB 104 30 168

HSL 272.17, 0.7%, 0.39%

LAB 31.11, 56.13, -59.14

 

Description

Color code: RGB 170 36 31 | qconv.com Color code: RGB 170 36 31 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 36 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 36 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 82 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 82% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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