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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 123 170 it is the complementary color RGB 85 132 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 123 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 170 123 170: RGB 175 123 165, RGB 192 141 184, RGB 209 159 203, RGB 226 177 222 and RGB 243 195 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 123 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 170 123 170: RGB 170 123 170, RGB 153 105 151, RGB 136 87 132, RGB 119 69 113 and RGB 102 51 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 0 / 33

HEX #AA7BAA

RGB 170 123 170

HSL 300, 0.22%, 0.57%

LAB 57.67, 26.32, -17.81

 

Complementary color

CMYK 36 / 0 / 36 / 48

HEX #558455

RGB 85 132 85

HSL 120, 0.22%, 0.43%

LAB 50.79, -26.14, 20.46

 

CMYK 0 / 30 / 6 / 31

HEX #AF7BA5

RGB 175 123 165

HSL 311.54, 0.25%, 0.58%

LAB 58.03, 27.1, -14.33

 

CMYK 0 / 27 / 4 / 25

HEX #C08DB8

RGB 192 141 184

HSL 309.41, 0.29%, 0.65%

LAB 64.74, 26.42, -14.84

 

CMYK 0 / 24 / 3 / 18

HEX #D19FCB

RGB 209 159 203

HSL 307.2, 0.35%, 0.72%

LAB 71.33, 25.8, -15.32

 

CMYK 0 / 22 / 2 / 11

HEX #E2B1DE

RGB 226 177 222

HSL 304.9, 0.46%, 0.79%

LAB 77.81, 25.22, -15.78

 

CMYK 0 / 20 / 1 / 5

HEX #F3C3F1

RGB 243 195 241

HSL 302.5, 0.67%, 0.86%

LAB 84.19, 24.68, -16.22

 

CMYK 0 / 28 / 0 / 33

HEX #AA7BAA

RGB 170 123 170

HSL 300, 0.22%, 0.57%

LAB 57.67, 26.32, -17.81

 

CMYK 0 / 31 / 1 / 40

HEX #996997

RGB 153 105 151

HSL 302.5, 0.19%, 0.51%

LAB 50.82, 27.04, -17.38

 

CMYK 0 / 36 / 3 / 47

HEX #885784

RGB 136 87 132

HSL 304.9, 0.22%, 0.44%

LAB 43.82, 27.81, -16.9

 

CMYK 0 / 42 / 5 / 53

HEX #774571

RGB 119 69 113

HSL 307.2, 0.27%, 0.37%

LAB 36.69, 28.63, -16.35

 

CMYK 0 / 50 / 8 / 60

HEX #66335E

RGB 102 51 94

HSL 309.41, 0.33%, 0.3%

LAB 29.41, 29.45, -15.66

 

CMYK 0 / 28 / 0 / 33

HEX #AA7BAA

RGB 170 123 170

HSL 300, 0.22%, 0.57%

LAB 57.67, 26.32, -17.81

 

CMYK 0 / 28 / 5 / 34

HEX #A979A1

RGB 169 121 161

HSL 310, 0.22%, 0.57%

LAB 56.77, 25.39, -14.01

 

CMYK 0 / 28 / 9 / 34

HEX #A97999

RGB 169 121 153

HSL 320, 0.22%, 0.57%

LAB 56.5, 23.93, -9.79

 

CMYK 0 / 28 / 14 / 34

HEX #A97991

RGB 169 121 145

HSL 330, 0.22%, 0.57%

LAB 56.24, 22.53, -5.53

 

CMYK 0 / 28 / 19 / 34

HEX #A97989

RGB 169 121 137

HSL 340, 0.22%, 0.57%

LAB 56, 21.2, -1.23

 

CMYK 0 / 28 / 0 / 33

HEX #AA7BAA

RGB 170 123 170

HSL 300, 0.22%, 0.57%

LAB 57.67, 26.32, -17.81

 

CMYK 0 / 28 / 0 / 13

HEX #DDA0DD

RGB 221 160 221

HSL 300, 0.47%, 0.75%

LAB 73.37, 32.54, -22

 

CMYK 0 / 29 / 0 / 93

HEX #110C11

RGB 17 12 17

HSL 300, 0.17%, 0.06%

LAB 3.82, 2.55, -1.82

 

CMYK 0 / 28 / 0 / 73

HEX #443144

RGB 68 49 68

HSL 300, 0.16%, 0.23%

LAB 23.15, 12.49, -8.5

 

CMYK 0 / 28 / 0 / 53

HEX #775677

RGB 119 86 119

HSL 300, 0.16%, 0.4%

LAB 41.07, 19.72, -13.36

 

CMYK 0 / 28 / 0 / 33

HEX #AA7BAA

RGB 170 123 170

HSL 300, 0.22%, 0.57%

LAB 57.67, 26.32, -17.81

 

CMYK 0 / 23 / 28 / 34

HEX #A98279

RGB 169 130 121

HSL 11.25, 0.22%, 0.57%

LAB 57.83, 13.66, 10.65

 

CMYK 28 / 0 / 11 / 34

HEX #79A996

RGB 121 169 150

HSL 156.25, 0.22%, 0.57%

LAB 65.47, -20.15, 4.66

 

CMYK 0 / 28 / 0 / 33

HEX #AA7BAA

RGB 170 123 170

HSL 300, 0.22%, 0.57%

LAB 57.67, 26.32, -17.81

 

CMYK 0 / 0 / 28 / 34

HEX #A9A979

RGB 169 169 121

HSL 60, 0.22%, 0.57%

LAB 68.16, -7.82, 24.85

 

CMYK 28 / 0 / 0 / 34

HEX #79A9A9

RGB 121 169 169

HSL 180, 0.22%, 0.57%

LAB 65.99, -15.87, -5.16

 

CMYK 0 / 28 / 0 / 33

HEX #AA7BAA

RGB 170 123 170

HSL 300, 0.22%, 0.57%

LAB 57.67, 26.32, -17.81

 

CMYK 0 / 23 / 28 / 34

HEX #A98279

RGB 169 130 121

HSL 11.25, 0.22%, 0.57%

LAB 57.83, 13.66, 10.65

 

CMYK 28 / 0 / 28 / 34

HEX #79A979

RGB 121 169 121

HSL 120, 0.22%, 0.57%

LAB 64.82, -25.78, 19.77

 

CMYK 28 / 6 / 0 / 34

HEX #799FA9

RGB 121 159 169

HSL 192.5, 0.22%, 0.57%

LAB 63.12, -10.54, -9.43

 

CMYK 0 / 28 / 0 / 33

HEX #AA7BAA

RGB 170 123 170

HSL 300, 0.22%, 0.57%

LAB 57.67, 26.32, -17.81

 

CMYK 0 / 14 / 28 / 34

HEX #A99179

RGB 169 145 121

HSL 30, 0.22%, 0.57%

LAB 61.71, 5.24, 16.07

 

CMYK 28 / 0 / 28 / 34

HEX #79A979

RGB 121 169 121

HSL 120, 0.22%, 0.57%

LAB 64.82, -25.78, 19.77

 

CMYK 28 / 14 / 0 / 34

HEX #7991A9

RGB 121 145 169

HSL 210, 0.22%, 0.57%

LAB 59.14, -2.79, -15.4

 

Description

Color code: RGB 170 123 170 | qconv.com Color code: RGB 170 123 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 123 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 123 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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