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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16 108 57 it is the complementary color RGB 239 147 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16 108 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 16 108 57: RGB 21 108 52, RGB 38 126 71, RGB 55 144 90, RGB 72 162 109 and RGB 89 180 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16 108 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 16 108 57: RGB 16 108 57, RGB 0 90 38, RGB 0 72 19, RGB 0 54 0 and RGB 0 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 47 / 58

HEX #106C39

RGB 16 108 57

HSL 146.74, 0.74%, 0.24%

LAB 39.8, -38.01, 21.45

 

Complementary color

CMYK 0 / 38 / 17 / 6

HEX #EF93C6

RGB 239 147 198

HSL 326.74, 0.74%, 0.76%

LAB 71.75, 41.47, -11.58

 

CMYK 81 / 0 / 52 / 58

HEX #156C34

RGB 21 108 52

HSL 141.38, 0.67%, 0.25%

LAB 39.8, -38.27, 24.28

 

CMYK 70 / 0 / 44 / 51

HEX #267E47

RGB 38 126 71

HSL 142.5, 0.54%, 0.32%

LAB 46.7, -39.04, 22.57

 

CMYK 62 / 0 / 38 / 44

HEX #37905A

RGB 55 144 90

HSL 143.6, 0.45%, 0.39%

LAB 53.49, -39.33, 21.03

 

CMYK 56 / 0 / 33 / 36

HEX #48A26D

RGB 72 162 109

HSL 144.67, 0.38%, 0.46%

LAB 60.18, -39.36, 19.64

 

CMYK 51 / 0 / 29 / 29

HEX #59B480

RGB 89 180 128

HSL 145.71, 0.38%, 0.53%

LAB 66.77, -39.25, 18.38

 

CMYK 85 / 0 / 47 / 58

HEX #106C39

RGB 16 108 57

HSL 146.74, 0.74%, 0.24%

LAB 39.8, -38.01, 21.45

 

CMYK 100 / 0 / 58 / 65

HEX #005A26

RGB 0 90 38

HSL 145.33, 1%, 0.18%

LAB 32.82, -36.41, 23.35

 

CMYK 100 / 0 / 74 / 72

HEX #004813

RGB 0 72 19

HSL 135.83, 1%, 0.14%

LAB 25.81, -32.81, 25.32

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 85 / 0 / 47 / 58

HEX #106C39

RGB 16 108 57

HSL 146.74, 0.74%, 0.24%

LAB 39.8, -38.01, 21.45

 

CMYK 86 / 0 / 34 / 58

HEX #0F6A46

RGB 15 106 70

HSL 156.26, 0.75%, 0.24%

LAB 39.33, -34.48, 13.23

 

CMYK 86 / 0 / 20 / 58

HEX #0F6A55

RGB 15 106 85

HSL 166.15, 0.75%, 0.24%

LAB 39.69, -30.55, 4.71

 

CMYK 86 / 0 / 6 / 58

HEX #0F6A64

RGB 15 106 100

HSL 176.04, 0.75%, 0.24%

LAB 40.13, -26.05, -3.78

 

CMYK 86 / 8 / 0 / 58

HEX #0F616A

RGB 15 97 106

HSL 185.93, 0.75%, 0.24%

LAB 37.28, -19.36, -11.73

 

CMYK 85 / 0 / 47 / 58

HEX #106C39

RGB 16 108 57

HSL 146.74, 0.74%, 0.24%

LAB 39.8, -38.01, 21.45

 

CMYK 85 / 0 / 47 / 38

HEX #189F54

RGB 24 159 84

HSL 146.67, 0.74%, 0.36%

LAB 57.68, -51.21, 29.64

 

CMYK 85 / 0 / 47 / 18

HEX #1FD26F

RGB 31 210 111

HSL 146.82, 0.74%, 0.47%

LAB 74.53, -63.65, 37.29

 

CMYK 83 / 0 / 50 / 98

HEX #010603

RGB 1 6 3

HSL 144, 0.71%, 0.01%

LAB 1.29, -1.72, 0.67

 

CMYK 86 / 0 / 47 / 78

HEX #08391E

RGB 8 57 30

HSL 146.94, 0.75%, 0.13%

LAB 20.33, -23.37, 12.39

 

CMYK 85 / 0 / 47 / 58

HEX #106C39

RGB 16 108 57

HSL 146.74, 0.74%, 0.24%

LAB 39.8, -38.01, 21.45

 

CMYK 86 / 54 / 0 / 58

HEX #0F316A

RGB 15 49 106

HSL 217.58, 0.75%, 0.24%

LAB 21.35, 11.41, -36.72

 

CMYK 0 / 83 / 86 / 58

HEX #6A120F

RGB 106 18 15

HSL 1.98, 0.75%, 0.24%

LAB 22.06, 37.74, 26.52

 

CMYK 85 / 0 / 47 / 58

HEX #106C39

RGB 16 108 57

HSL 146.74, 0.74%, 0.24%

LAB 39.8, -38.01, 21.45

 

CMYK 48 / 86 / 0 / 58

HEX #370F6A

RGB 55 15 106

HSL 266.37, 0.75%, 0.24%

LAB 16.48, 38.84, -44.54

 

CMYK 0 / 48 / 86 / 58

HEX #6A370F

RGB 106 55 15

HSL 26.37, 0.75%, 0.24%

LAB 28.98, 19.58, 33.2

 

CMYK 85 / 0 / 47 / 58

HEX #106C39

RGB 16 108 57

HSL 146.74, 0.74%, 0.24%

LAB 39.8, -38.01, 21.45

 

CMYK 86 / 54 / 0 / 58

HEX #0F316A

RGB 15 49 106

HSL 217.58, 0.75%, 0.24%

LAB 21.35, 11.41, -36.72

 

CMYK 0 / 86 / 37 / 58

HEX #6A0F43

RGB 106 15 67

HSL 325.71, 0.75%, 0.24%

LAB 23.04, 42.59, -7.38

 

CMYK 0 / 31 / 86 / 58

HEX #6A490F

RGB 106 73 15

HSL 38.24, 0.75%, 0.24%

LAB 33.7, 8.61, 37.46

 

CMYK 85 / 0 / 47 / 58

HEX #106C39

RGB 16 108 57

HSL 146.74, 0.74%, 0.24%

LAB 39.8, -38.01, 21.45

 

CMYK 86 / 80 / 0 / 58

HEX #0F156A

RGB 15 21 106

HSL 236.04, 0.75%, 0.24%

LAB 13.7, 31.16, -49.25

 

CMYK 0 / 86 / 37 / 58

HEX #6A0F43

RGB 106 15 67

HSL 325.71, 0.75%, 0.24%

LAB 23.04, 42.59, -7.38

 

CMYK 0 / 6 / 86 / 58

HEX #6A640F

RGB 106 100 15

HSL 56.04, 0.75%, 0.24%

LAB 41.55, -7.5, 44.34

 

Description

Color code: RGB 16 108 57 | qconv.com Color code: RGB 16 108 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 108 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 108 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 47 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 47% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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