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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 40 23 it is the complementary color RGB 86 215 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 40 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 169 40 23: RGB 174 40 18, RGB 191 58 37, RGB 208 76 56, RGB 225 94 75 and RGB 242 112 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 40 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 169 40 23: RGB 169 40 23, RGB 152 22 4, RGB 135 4 0, RGB 118 0 0 and RGB 101 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 86 / 34

HEX #A92817

RGB 169 40 23

HSL 6.99, 0.76%, 0.38%

LAB 37.87, 51.04, 41.62

 

Complementary color

CMYK 63 / 7 / 0 / 9

HEX #56D7E8

RGB 86 215 232

HSL 186.99, 0.76%, 0.62%

LAB 79.84, -30.17, -18.89

 

CMYK 0 / 77 / 90 / 32

HEX #AE2812

RGB 174 40 18

HSL 8.46, 0.81%, 0.38%

LAB 38.83, 52.51, 45.09

 

CMYK 0 / 70 / 81 / 25

HEX #BF3A25

RGB 191 58 37

HSL 8.18, 0.68%, 0.45%

LAB 44.57, 52, 42.27

 

CMYK 0 / 63 / 73 / 18

HEX #D04C38

RGB 208 76 56

HSL 7.89, 0.62%, 0.52%

LAB 50.53, 51.05, 39.29

 

CMYK 0 / 58 / 67 / 12

HEX #E15E4B

RGB 225 94 75

HSL 7.6, 0.71%, 0.59%

LAB 56.61, 49.89, 36.55

 

CMYK 0 / 54 / 61 / 5

HEX #F2705E

RGB 242 112 94

HSL 7.3, 0.85%, 0.66%

LAB 62.74, 48.66, 34.13

 

CMYK 0 / 76 / 86 / 34

HEX #A92817

RGB 169 40 23

HSL 6.99, 0.76%, 0.38%

LAB 37.87, 51.04, 41.62

 

CMYK 0 / 86 / 97 / 40

HEX #981604

RGB 152 22 4

HSL 7.3, 0.95%, 0.31%

LAB 32.39, 50.74, 44.15

 

CMYK 0 / 97 / 100 / 47

HEX #870400

RGB 135 4 0

HSL 1.78, 1%, 0.26%

LAB 27.4, 49.24, 40.35

 

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

 

CMYK 0 / 100 / 100 / 60

HEX #650000

RGB 101 0 0

HSL 0, 1%, 0.2%

LAB 19.08, 40.6, 29.31

 

CMYK 0 / 76 / 86 / 34

HEX #A92817

RGB 169 40 23

HSL 6.99, 0.76%, 0.38%

LAB 37.87, 51.04, 41.62

 

CMYK 0 / 64 / 86 / 33

HEX #AA3E17

RGB 170 62 23

HSL 15.92, 0.76%, 0.38%

LAB 41.3, 42.55, 44.62

 

CMYK 0 / 49 / 86 / 33

HEX #AA5717

RGB 170 87 23

HSL 26.12, 0.76%, 0.38%

LAB 46.21, 29.94, 48.75

 

CMYK 0 / 35 / 86 / 33

HEX #AA6F17

RGB 170 111 23

HSL 35.92, 0.76%, 0.38%

LAB 51.81, 16.63, 53.41

 

CMYK 0 / 20 / 86 / 33

HEX #AA8817

RGB 170 136 23

HSL 46.12, 0.76%, 0.38%

LAB 58.24, 2.63, 58.73

 

CMYK 0 / 76 / 86 / 34

HEX #A92817

RGB 169 40 23

HSL 6.99, 0.76%, 0.38%

LAB 37.87, 51.04, 41.62

 

CMYK 0 / 76 / 86 / 14

HEX #DC341E

RGB 220 52 30

HSL 6.95, 0.76%, 0.49%

LAB 49.21, 63.01, 51.86

 

CMYK 0 / 75 / 88 / 94

HEX #100402

RGB 16 4 2

HSL 8.57, 0.78%, 0.04%

LAB 1.82, 3.14, 1.96

 

CMYK 0 / 76 / 87 / 74

HEX #431009

RGB 67 16 9

HSL 7.24, 0.76%, 0.15%

LAB 13.13, 24.11, 16.49

 

CMYK 0 / 76 / 86 / 54

HEX #761C10

RGB 118 28 16

HSL 7.06, 0.76%, 0.26%

LAB 25.92, 38.25, 30.67

 

CMYK 0 / 76 / 86 / 34

HEX #A92817

RGB 169 40 23

HSL 6.99, 0.76%, 0.38%

LAB 37.87, 51.04, 41.62

 

CMYK 26 / 0 / 86 / 33

HEX #7EAA17

RGB 126 170 23

HSL 77.96, 0.76%, 0.38%

LAB 64.36, -34.2, 62.41

 

CMYK 86 / 61 / 0 / 33

HEX #1743AA

RGB 23 67 170

HSL 222.04, 0.76%, 0.38%

LAB 32.03, 25.95, -59.1

 

CMYK 0 / 76 / 86 / 34

HEX #A92817

RGB 169 40 23

HSL 6.99, 0.76%, 0.38%

LAB 37.87, 51.04, 41.62

 

CMYK 86 / 0 / 78 / 33

HEX #17AA25

RGB 23 170 37

HSL 125.71, 0.76%, 0.38%

LAB 60.84, -60.63, 54.05

 

CMYK 78 / 86 / 0 / 33

HEX #2517AA

RGB 37 23 170

HSL 245.71, 0.76%, 0.38%

LAB 23.37, 52.37, -73.36

 

CMYK 0 / 76 / 86 / 34

HEX #A92817

RGB 169 40 23

HSL 6.99, 0.76%, 0.38%

LAB 37.87, 51.04, 41.62

 

CMYK 26 / 0 / 86 / 33

HEX #7EAA17

RGB 126 170 23

HSL 77.96, 0.76%, 0.38%

LAB 64.36, -34.2, 62.41

 

CMYK 86 / 9 / 0 / 33

HEX #179BAA

RGB 23 155 170

HSL 186.12, 0.76%, 0.38%

LAB 58.53, -27.23, -17.23

 

CMYK 61 / 86 / 0 / 33

HEX #4317AA

RGB 67 23 170

HSL 257.96, 0.76%, 0.38%

LAB 25.89, 54.52, -69.11

 

CMYK 0 / 76 / 86 / 34

HEX #A92817

RGB 169 40 23

HSL 6.99, 0.76%, 0.38%

LAB 37.87, 51.04, 41.62

 

CMYK 52 / 0 / 86 / 33

HEX #52AA17

RGB 82 170 23

HSL 95.92, 0.76%, 0.38%

LAB 62.17, -49.77, 59.66

 

CMYK 86 / 9 / 0 / 33

HEX #179BAA

RGB 23 155 170

HSL 186.12, 0.76%, 0.38%

LAB 58.53, -27.23, -17.23

 

CMYK 35 / 86 / 0 / 33

HEX #6F17AA

RGB 111 23 170

HSL 275.92, 0.76%, 0.38%

LAB 31.57, 59.77, -59.56

 

Description

Color code: RGB 169 40 23 | qconv.com Color code: RGB 169 40 23 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 40 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 40 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 86 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 86% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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