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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 231 216 it is the complementary color RGB 86 24 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 231 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 169 231 216: RGB 174 231 211, RGB 191 249 230, RGB 208 255 249, RGB 225 255 255 and RGB 242 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 231 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 169 231 216: RGB 169 231 216, RGB 152 213 197, RGB 135 195 178, RGB 118 177 159 and RGB 101 159 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 6 / 9

HEX #A9E7D8

RGB 169 231 216

HSL 165.48, 0.56%, 0.78%

LAB 87.26, -22.63, 0.97

 

Complementary color

CMYK 0 / 72 / 55 / 66

HEX #561827

RGB 86 24 39

HSL 345.48, 0.56%, 0.22%

LAB 19.13, 29.86, 5.96

 

CMYK 25 / 0 / 9 / 9

HEX #AEE7D3

RGB 174 231 211

HSL 158.95, 0.54%, 0.79%

LAB 87.41, -22.17, 3.85

 

CMYK 23 / 0 / 8 / 2

HEX #BFF9E6

RGB 191 249 230

HSL 160.34, 0.83%, 0.86%

LAB 93.68, -22.01, 3.16

 

CMYK 18 / 0 / 2 / 0

HEX #D0FFF9

RGB 208 255 249

HSL 172.34, 1%, 0.91%

LAB 96.73, -16.03, -2.09

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 27 / 0 / 6 / 9

HEX #A9E7D8

RGB 169 231 216

HSL 165.48, 0.56%, 0.78%

LAB 87.26, -22.63, 0.97

 

CMYK 29 / 0 / 8 / 16

HEX #98D5C5

RGB 152 213 197

HSL 164.26, 0.42%, 0.72%

LAB 80.9, -22.8, 1.65

 

CMYK 31 / 0 / 9 / 24

HEX #87C3B2

RGB 135 195 178

HSL 163, 0.33%, 0.65%

LAB 74.44, -22.98, 2.37

 

CMYK 33 / 0 / 10 / 31

HEX #76B19F

RGB 118 177 159

HSL 161.69, 0.27%, 0.58%

LAB 67.87, -23.17, 3.13

 

CMYK 36 / 0 / 12 / 38

HEX #659F8C

RGB 101 159 140

HSL 160.34, 0.23%, 0.51%

LAB 61.18, -23.39, 3.94

 

CMYK 27 / 0 / 6 / 9

HEX #A9E7D8

RGB 169 231 216

HSL 165.48, 0.56%, 0.78%

LAB 87.26, -22.63, 0.97

 

CMYK 27 / 0 / 2 / 10

HEX #A7E6E1

RGB 167 230 225

HSL 175.24, 0.56%, 0.78%

LAB 87.12, -20.8, -3.99

 

CMYK 27 / 2 / 0 / 10

HEX #A7E1E6

RGB 167 225 230

HSL 184.76, 0.56%, 0.78%

LAB 85.9, -17.2, -8.42

 

CMYK 27 / 7 / 0 / 10

HEX #A7D6E6

RGB 167 214 230

HSL 195.24, 0.56%, 0.78%

LAB 82.93, -11.61, -12.85

 

CMYK 27 / 11 / 0 / 10

HEX #A7CCE6

RGB 167 204 230

HSL 204.76, 0.56%, 0.78%

LAB 80.24, -6.4, -16.88

 

CMYK 27 / 0 / 6 / 9

HEX #A9E7D8

RGB 169 231 216

HSL 165.48, 0.56%, 0.78%

LAB 87.26, -22.63, 0.97

 

CMYK 26 / 0 / 7 / 89

HEX #141B19

RGB 20 27 25

HSL 162.86, 0.15%, 0.09%

LAB 9.01, -3.8, 0.31

 

CMYK 27 / 0 / 6 / 69

HEX #394E49

RGB 57 78 73

HSL 165.71, 0.16%, 0.26%

LAB 31.35, -9.35, 0.31

 

CMYK 27 / 0 / 6 / 49

HEX #5E8179

RGB 94 129 121

HSL 166.29, 0.16%, 0.44%

LAB 51.22, -14.15, 0.33

 

CMYK 27 / 0 / 7 / 29

HEX #84B4A8

RGB 132 180 168

HSL 165, 0.24%, 0.61%

LAB 69.74, -18.47, 0.97

 

CMYK 27 / 0 / 6 / 9

HEX #A9E7D8

RGB 169 231 216

HSL 165.48, 0.56%, 0.78%

LAB 87.26, -22.63, 0.97

 

CMYK 27 / 26 / 0 / 10

HEX #A7AAE6

RGB 167 170 230

HSL 237.14, 0.56%, 0.78%

LAB 71.34, 12.07, -30.45

 

CMYK 0 / 18 / 27 / 10

HEX #E6BDA7

RGB 230 189 167

HSL 20.95, 0.56%, 0.78%

LAB 79.62, 11.48, 16.63

 

CMYK 27 / 0 / 6 / 9

HEX #A9E7D8

RGB 169 231 216

HSL 165.48, 0.56%, 0.78%

LAB 87.26, -22.63, 0.97

 

CMYK 7 / 27 / 0 / 10

HEX #D6A7E6

RGB 214 167 230

HSL 284.76, 0.56%, 0.78%

LAB 74.6, 28.23, -25.1

 

CMYK 0 / 7 / 27 / 10

HEX #E6D6A7

RGB 230 214 167

HSL 44.76, 0.56%, 0.78%

LAB 85.86, -1.59, 25.25

 

CMYK 27 / 0 / 6 / 9

HEX #A9E7D8

RGB 169 231 216

HSL 165.48, 0.56%, 0.78%

LAB 87.26, -22.63, 0.97

 

CMYK 27 / 26 / 0 / 10

HEX #A7AAE6

RGB 167 170 230

HSL 237.14, 0.56%, 0.78%

LAB 71.34, 12.07, -30.45

 

CMYK 0 / 27 / 20 / 10

HEX #E6A7B7

RGB 230 167 183

HSL 344.76, 0.56%, 0.78%

LAB 74.75, 25.5, 1

 

CMYK 0 / 1 / 27 / 10

HEX #E6E3A7

RGB 230 227 167

HSL 57.14, 0.56%, 0.78%

LAB 89.18, -8.21, 29.76

 

CMYK 27 / 0 / 6 / 9

HEX #A9E7D8

RGB 169 231 216

HSL 165.48, 0.56%, 0.78%

LAB 87.26, -22.63, 0.97

 

CMYK 20 / 27 / 0 / 10

HEX #B7A7E6

RGB 183 167 230

HSL 255.24, 0.56%, 0.78%

LAB 71.84, 18.54, -29.58

 

CMYK 0 / 27 / 20 / 10

HEX #E6A7B7

RGB 230 167 183

HSL 344.76, 0.56%, 0.78%

LAB 74.75, 25.5, 1

 

CMYK 7 / 0 / 27 / 10

HEX #D6E6A7

RGB 214 230 167

HSL 75.24, 0.56%, 0.78%

LAB 88.77, -15.64, 29

 

Description

Color code: RGB 169 231 216 | qconv.com Color code: RGB 169 231 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 231 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 231 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 6 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 6% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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