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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 18 251 it is the complementary color RGB 86 237 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 18 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 169 18 251: RGB 174 18 246, RGB 191 36 255, RGB 208 54 255, RGB 225 72 255 and RGB 242 90 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 18 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 169 18 251: RGB 169 18 251, RGB 152 0 232, RGB 135 0 213, RGB 118 0 194 and RGB 101 0 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 93 / 0 / 2

HEX #A912FB

RGB 169 18 251

HSL 278.88, 0.97%, 0.53%

LAB 46.75, 84.41, -81.24

 

Complementary color

CMYK 64 / 0 / 98 / 7

HEX #56ED04

RGB 86 237 4

HSL 98.88, 0.97%, 0.47%

LAB 83.21, -72.18, 79.66

 

CMYK 29 / 93 / 0 / 4

HEX #AE12F6

RGB 174 18 246

HSL 281.05, 0.93%, 0.52%

LAB 47.09, 84.08, -77.87

 

CMYK 25 / 86 / 0 / 0

HEX #BF24FF

RGB 191 36 255

HSL 282.47, 1%, 0.57%

LAB 51.33, 84.98, -75.86

 

CMYK 18 / 79 / 0 / 0

HEX #D036FF

RGB 208 54 255

HSL 285.97, 1%, 0.61%

LAB 55.35, 83.26, -69.24

 

CMYK 12 / 72 / 0 / 0

HEX #E148FF

RGB 225 72 255

HSL 290.16, 1%, 0.64%

LAB 59.76, 80.84, -62

 

CMYK 5 / 65 / 0 / 0

HEX #F25AFF

RGB 242 90 255

HSL 295.27, 1%, 0.68%

LAB 64.49, 77.94, -54.31

 

CMYK 33 / 93 / 0 / 2

HEX #A912FB

RGB 169 18 251

HSL 278.88, 0.97%, 0.53%

LAB 46.75, 84.41, -81.24

 

CMYK 34 / 100 / 0 / 9

HEX #9800E8

RGB 152 0 232

HSL 279.31, 1%, 0.45%

LAB 42, 80.75, -78.42

 

CMYK 37 / 100 / 0 / 16

HEX #8700D5

RGB 135 0 213

HSL 278.03, 1%, 0.42%

LAB 37.76, 75.27, -74.59

 

CMYK 39 / 100 / 0 / 24

HEX #7600C2

RGB 118 0 194

HSL 276.49, 1%, 0.38%

LAB 33.45, 69.72, -70.7

 

CMYK 42 / 100 / 0 / 31

HEX #6500AF

RGB 101 0 175

HSL 274.63, 1%, 0.34%

LAB 29.06, 64.08, -66.73

 

CMYK 33 / 93 / 0 / 2

HEX #A912FB

RGB 169 18 251

HSL 278.88, 0.97%, 0.53%

LAB 46.75, 84.41, -81.24

 

CMYK 19 / 93 / 0 / 2

HEX #CC12FB

RGB 204 18 251

HSL 287.9, 0.97%, 0.53%

LAB 52.1, 88.89, -72.3

 

CMYK 3 / 93 / 0 / 2

HEX #F312FB

RGB 243 18 251

HSL 297.94, 0.97%, 0.53%

LAB 58.46, 94.66, -61.71

 

CMYK 0 / 93 / 12 / 2

HEX #FB12DC

RGB 251 18 220

HSL 307.98, 0.97%, 0.53%

LAB 58.14, 91.76, -44.75

 

CMYK 0 / 93 / 28 / 2

HEX #FB12B5

RGB 251 18 181

HSL 318.03, 0.97%, 0.53%

LAB 56.37, 87.19, -25.14

 

CMYK 33 / 93 / 0 / 2

HEX #A912FB

RGB 169 18 251

HSL 278.88, 0.97%, 0.53%

LAB 46.75, 84.41, -81.24

 

CMYK 32 / 94 / 0 / 82

HEX #20032F

RGB 32 3 47

HSL 279.55, 0.88%, 0.1%

LAB 5.22, 23.05, -22.03

 

CMYK 33 / 93 / 0 / 62

HEX #420762

RGB 66 7 98

HSL 278.9, 0.87%, 0.21%

LAB 16.46, 41.31, -39.22

 

CMYK 33 / 93 / 0 / 42

HEX #640B95

RGB 100 11 149

HSL 278.7, 0.86%, 0.31%

LAB 27.07, 56.53, -54.2

 

CMYK 33 / 93 / 0 / 22

HEX #870EC8

RGB 135 14 200

HSL 279.03, 0.87%, 0.42%

LAB 37.18, 70.99, -68

 

CMYK 33 / 93 / 0 / 2

HEX #A912FB

RGB 169 18 251

HSL 278.88, 0.97%, 0.53%

LAB 46.75, 84.41, -81.24

 

CMYK 0 / 93 / 77 / 2

HEX #FB1239

RGB 251 18 57

HSL 349.96, 0.97%, 0.53%

LAB 53.21, 78.68, 43.97

 

CMYK 93 / 0 / 71 / 2

HEX #12FB49

RGB 18 251 73

HSL 134.16, 0.97%, 0.53%

LAB 86.8, -81.52, 67.8

 

CMYK 33 / 93 / 0 / 2

HEX #A912FB

RGB 169 18 251

HSL 278.88, 0.97%, 0.53%

LAB 46.75, 84.41, -81.24

 

CMYK 0 / 34 / 93 / 2

HEX #FBA612

RGB 251 166 18

HSL 38.11, 0.97%, 0.53%

LAB 74.71, 21.9, 76.35

 

CMYK 93 / 0 / 34 / 2

HEX #12FBA6

RGB 18 251 166

HSL 158.11, 0.97%, 0.53%

LAB 87.91, -68.17, 27.2

 

CMYK 33 / 93 / 0 / 2

HEX #A912FB

RGB 169 18 251

HSL 278.88, 0.97%, 0.53%

LAB 46.75, 84.41, -81.24

 

CMYK 0 / 93 / 77 / 2

HEX #FB1239

RGB 251 18 57

HSL 349.96, 0.97%, 0.53%

LAB 53.21, 78.68, 43.97

 

CMYK 59 / 0 / 93 / 2

HEX #68FB12

RGB 104 251 18

HSL 97.85, 0.97%, 0.53%

LAB 87.96, -72.42, 82.45

 

CMYK 93 / 0 / 16 / 2

HEX #12FBD4

RGB 18 251 212

HSL 169.96, 0.97%, 0.53%

LAB 88.86, -57.65, 4.89

 

CMYK 33 / 93 / 0 / 2

HEX #A912FB

RGB 169 18 251

HSL 278.88, 0.97%, 0.53%

LAB 46.75, 84.41, -81.24

 

CMYK 0 / 80 / 93 / 2

HEX #FB3112

RGB 251 49 18

HSL 7.98, 0.97%, 0.53%

LAB 54.81, 72.53, 63.04

 

CMYK 59 / 0 / 93 / 2

HEX #68FB12

RGB 104 251 18

HSL 97.85, 0.97%, 0.53%

LAB 87.96, -72.42, 82.45

 

CMYK 93 / 12 / 0 / 2

HEX #12DCFB

RGB 18 220 251

HSL 187.98, 0.97%, 0.53%

LAB 80.89, -33.05, -27.5

 

Description

Color code: RGB 169 18 251 | qconv.com Color code: RGB 169 18 251 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 18 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 18 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 93 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 93% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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