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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 160 199 it is the complementary color RGB 86 95 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 160 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 169 160 199: RGB 174 160 194, RGB 191 178 213, RGB 208 196 232, RGB 225 214 251 and RGB 242 232 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 160 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 169 160 199: RGB 169 160 199, RGB 152 142 180, RGB 135 124 161, RGB 118 106 142 and RGB 101 88 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 20 / 0 / 22

HEX #A9A0C7

RGB 169 160 199

HSL 253.85, 0.26%, 0.7%

LAB 67.8, 11.11, -18.79

 

Complementary color

CMYK 9 / 0 / 41 / 63

HEX #565F38

RGB 86 95 56

HSL 73.85, 0.26%, 0.3%

LAB 38.64, -10.65, 21.16

 

CMYK 10 / 18 / 0 / 24

HEX #AEA0C2

RGB 174 160 194

HSL 264.71, 0.22%, 0.69%

LAB 68.05, 11.69, -15.6

 

CMYK 10 / 16 / 0 / 16

HEX #BFB2D5

RGB 191 178 213

HSL 262.29, 0.29%, 0.77%

LAB 74.65, 11.32, -15.96

 

CMYK 10 / 16 / 0 / 9

HEX #D0C4E8

RGB 208 196 232

HSL 260, 0.44%, 0.84%

LAB 81.14, 10.99, -16.32

 

CMYK 10 / 15 / 0 / 2

HEX #E1D6FB

RGB 225 214 251

HSL 257.84, 0.82%, 0.91%

LAB 87.52, 10.67, -16.68

 

CMYK 5 / 9 / 0 / 0

HEX #F2E8FF

RGB 242 232 255

HSL 266.09, 1%, 0.95%

LAB 93.37, 7.5, -9.89

 

CMYK 15 / 20 / 0 / 22

HEX #A9A0C7

RGB 169 160 199

HSL 253.85, 0.26%, 0.7%

LAB 67.8, 11.11, -18.79

 

CMYK 16 / 21 / 0 / 29

HEX #988EB4

RGB 152 142 180

HSL 255.79, 0.2%, 0.63%

LAB 61.06, 11.5, -18.52

 

CMYK 16 / 23 / 0 / 37

HEX #877CA1

RGB 135 124 161

HSL 257.84, 0.16%, 0.56%

LAB 54.17, 11.93, -18.25

 

CMYK 17 / 25 / 0 / 44

HEX #766A8E

RGB 118 106 142

HSL 260, 0.15%, 0.49%

LAB 47.12, 12.41, -18.02

 

CMYK 18 / 28 / 0 / 52

HEX #65587B

RGB 101 88 123

HSL 262.29, 0.17%, 0.41%

LAB 39.88, 12.96, -17.81

 

CMYK 15 / 20 / 0 / 22

HEX #A9A0C7

RGB 169 160 199

HSL 253.85, 0.26%, 0.7%

LAB 67.8, 11.11, -18.79

 

CMYK 13 / 20 / 0 / 22

HEX #AD9EC6

RGB 173 158 198

HSL 262.5, 0.26%, 0.7%

LAB 67.59, 13.32, -18.53

 

CMYK 9 / 20 / 0 / 22

HEX #B49EC6

RGB 180 158 198

HSL 273, 0.26%, 0.7%

LAB 68.19, 15.63, -17.55

 

CMYK 6 / 20 / 0 / 22

HEX #BB9EC6

RGB 187 158 198

HSL 283.5, 0.26%, 0.7%

LAB 68.82, 17.97, -16.54

 

CMYK 3 / 20 / 0 / 22

HEX #C19EC6

RGB 193 158 198

HSL 292.5, 0.26%, 0.7%

LAB 69.38, 20, -15.65

 

CMYK 15 / 20 / 0 / 22

HEX #A9A0C7

RGB 169 160 199

HSL 253.85, 0.26%, 0.7%

LAB 67.8, 11.11, -18.79

 

CMYK 15 / 20 / 0 / 2

HEX #D4C9FA

RGB 212 201 250

HSL 253.47, 0.83%, 0.88%

LAB 83.27, 13.29, -22.67

 

CMYK 15 / 20 / 0 / 82

HEX #27252E

RGB 39 37 46

HSL 253.33, 0.11%, 0.16%

LAB 15.23, 3.22, -5.58

 

CMYK 15 / 20 / 0 / 62

HEX #524E61

RGB 82 78 97

HSL 252.63, 0.11%, 0.34%

LAB 34.2, 5.99, -10.47

 

CMYK 15 / 20 / 0 / 42

HEX #7E7794

RGB 126 119 148

HSL 254.48, 0.12%, 0.52%

LAB 51.57, 8.81, -14.71

 

CMYK 15 / 20 / 0 / 22

HEX #A9A0C7

RGB 169 160 199

HSL 253.85, 0.26%, 0.7%

LAB 67.8, 11.11, -18.79

 

CMYK 0 / 20 / 9 / 22

HEX #C69EB5

RGB 198 158 181

HSL 325.5, 0.26%, 0.7%

LAB 69.32, 18.59, -6.24

 

CMYK 17 / 0 / 20 / 22

HEX #A5C69E

RGB 165 198 158

HSL 109.5, 0.26%, 0.7%

LAB 76.59, -18.62, 16.45

 

CMYK 15 / 20 / 0 / 22

HEX #A9A0C7

RGB 169 160 199

HSL 253.85, 0.26%, 0.7%

LAB 67.8, 11.11, -18.79

 

CMYK 0 / 16 / 20 / 22

HEX #C6A79E

RGB 198 167 158

HSL 13.5, 0.26%, 0.7%

LAB 70.95, 9.89, 8.86

 

CMYK 20 / 0 / 16 / 22

HEX #9EC6A7

RGB 158 198 167

HSL 133.5, 0.26%, 0.7%

LAB 76.34, -19.41, 11.21

 

CMYK 15 / 20 / 0 / 22

HEX #A9A0C7

RGB 169 160 199

HSL 253.85, 0.26%, 0.7%

LAB 67.8, 11.11, -18.79

 

CMYK 0 / 20 / 9 / 22

HEX #C69EB5

RGB 198 158 181

HSL 325.5, 0.26%, 0.7%

LAB 69.32, 18.59, -6.24

 

CMYK 5 / 0 / 20 / 22

HEX #BDC69E

RGB 189 198 158

HSL 73.5, 0.26%, 0.7%

LAB 78.27, -9.97, 19.05

 

CMYK 20 / 0 / 12 / 22

HEX #9EC6AF

RGB 158 198 175

HSL 145.5, 0.26%, 0.7%

LAB 76.53, -17.89, 7.17

 

CMYK 15 / 20 / 0 / 22

HEX #A9A0C7

RGB 169 160 199

HSL 253.85, 0.26%, 0.7%

LAB 67.8, 11.11, -18.79

 

CMYK 0 / 20 / 15 / 22

HEX #C69EA9

RGB 198 158 169

HSL 343.5, 0.26%, 0.7%

LAB 68.99, 16.56, -0.07

 

CMYK 5 / 0 / 20 / 22

HEX #BDC69E

RGB 189 198 158

HSL 73.5, 0.26%, 0.7%

LAB 78.27, -9.97, 19.05

 

CMYK 20 / 0 / 6 / 22

HEX #9EC6BB

RGB 158 198 187

HSL 163.5, 0.26%, 0.7%

LAB 76.83, -15.5, 1.13

 

Description

Color code: RGB 169 160 199 | qconv.com Color code: RGB 169 160 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 160 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 160 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 20 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 20% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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