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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 118 120 it is the complementary color RGB 87 137 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 118 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 168 118 120: RGB 173 118 115, RGB 190 136 134, RGB 207 154 153, RGB 224 172 172 and RGB 241 190 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 118 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 168 118 120: RGB 168 118 120, RGB 151 100 101, RGB 134 82 82, RGB 117 64 63 and RGB 100 46 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 29 / 34

HEX #A87678

RGB 168 118 120

HSL 357.6, 0.22%, 0.56%

LAB 54.7, 19.92, 6.77

 

Complementary color

CMYK 36 / 0 / 1 / 46

HEX #578987

RGB 87 137 135

HSL 177.6, 0.22%, 0.44%

LAB 53.67, -17.23, -4.27

 

CMYK 0 / 32 / 34 / 32

HEX #AD7673

RGB 173 118 115

HSL 3.1, 0.26%, 0.56%

LAB 55.15, 21.2, 10.41

 

CMYK 0 / 28 / 29 / 25

HEX #BE8886

RGB 190 136 134

HSL 2.14, 0.3%, 0.64%

LAB 61.89, 20.38, 9.29

 

CMYK 0 / 26 / 26 / 19

HEX #CF9A99

RGB 207 154 153

HSL 1.11, 0.36%, 0.71%

LAB 68.52, 19.65, 8.28

 

CMYK 0 / 23 / 23 / 12

HEX #E0ACAC

RGB 224 172 172

HSL 0, 0.46%, 0.78%

LAB 75.03, 19, 7.35

 

CMYK 0 / 21 / 21 / 5

HEX #F1BEBF

RGB 241 190 191

HSL 358.82, 0.65%, 0.85%

LAB 81.45, 18.41, 6.49

 

CMYK 0 / 30 / 29 / 34

HEX #A87678

RGB 168 118 120

HSL 357.6, 0.22%, 0.56%

LAB 54.7, 19.92, 6.77

 

CMYK 0 / 34 / 33 / 41

HEX #976465

RGB 151 100 101

HSL 358.82, 0.2%, 0.49%

LAB 47.79, 20.77, 7.89

 

CMYK 0 / 39 / 39 / 47

HEX #865252

RGB 134 82 82

HSL 0, 0.24%, 0.42%

LAB 40.75, 21.74, 9.19

 

CMYK 0 / 45 / 46 / 54

HEX #75403F

RGB 117 64 63

HSL 1.11, 0.3%, 0.35%

LAB 33.58, 22.86, 10.76

 

CMYK 0 / 54 / 56 / 61

HEX #642E2C

RGB 100 46 44

HSL 2.14, 0.39%, 0.28%

LAB 26.29, 24.13, 12.74

 

CMYK 0 / 30 / 29 / 34

HEX #A87678

RGB 168 118 120

HSL 357.6, 0.22%, 0.56%

LAB 54.7, 19.92, 6.77

 

CMYK 0 / 26 / 29 / 35

HEX #A77B76

RGB 167 123 118

HSL 6.12, 0.22%, 0.56%

LAB 55.78, 16.4, 9.45

 

CMYK 0 / 21 / 29 / 35

HEX #A78476

RGB 167 132 118

HSL 17.14, 0.22%, 0.56%

LAB 58.06, 11.3, 12.66

 

CMYK 0 / 16 / 29 / 35

HEX #A78C76

RGB 167 140 118

HSL 26.94, 0.22%, 0.56%

LAB 60.14, 6.8, 15.56

 

CMYK 0 / 11 / 29 / 35

HEX #A79476

RGB 167 148 118

HSL 36.73, 0.22%, 0.56%

LAB 62.26, 2.35, 18.47

 

CMYK 0 / 30 / 29 / 34

HEX #A87678

RGB 168 118 120

HSL 357.6, 0.22%, 0.56%

LAB 54.7, 19.92, 6.77

 

CMYK 0 / 30 / 29 / 14

HEX #DB9A9C

RGB 219 154 156

HSL 358.15, 0.47%, 0.73%

LAB 69.87, 24.59, 8.72

 

CMYK 0 / 27 / 27 / 94

HEX #0F0B0B

RGB 15 11 11

HSL 0, 0.15%, 0.05%

LAB 3.3, 1.23, 0.43

 

CMYK 0 / 30 / 29 / 74

HEX #422E2F

RGB 66 46 47

HSL 357, 0.18%, 0.22%

LAB 21.27, 9.36, 2.98

 

CMYK 0 / 30 / 28 / 54

HEX #755254

RGB 117 82 84

HSL 356.57, 0.18%, 0.39%

LAB 38.65, 14.95, 4.67

 

CMYK 0 / 30 / 29 / 34

HEX #A87678

RGB 168 118 120

HSL 357.6, 0.22%, 0.56%

LAB 54.7, 19.92, 6.77

 

CMYK 4 / 0 / 29 / 35

HEX #A0A776

RGB 160 167 118

HSL 68.57, 0.22%, 0.56%

LAB 66.84, -10.74, 24.58

 

CMYK 29 / 16 / 0 / 35

HEX #768CA7

RGB 118 140 167

HSL 213.06, 0.22%, 0.56%

LAB 57.46, -1.39, -16.83

 

CMYK 0 / 30 / 29 / 34

HEX #A87678

RGB 168 118 120

HSL 357.6, 0.22%, 0.56%

LAB 54.7, 19.92, 6.77

 

CMYK 28 / 0 / 29 / 35

HEX #78A776

RGB 120 167 118

HSL 117.55, 0.22%, 0.56%

LAB 64.11, -25.66, 20.43

 

CMYK 29 / 28 / 0 / 35

HEX #7678A7

RGB 118 120 167

HSL 237.55, 0.22%, 0.56%

LAB 51.92, 10.29, -25.32

 

CMYK 0 / 30 / 29 / 34

HEX #A87678

RGB 168 118 120

HSL 357.6, 0.22%, 0.56%

LAB 54.7, 19.92, 6.77

 

CMYK 4 / 0 / 29 / 35

HEX #A0A776

RGB 160 167 118

HSL 68.57, 0.22%, 0.56%

LAB 66.84, -10.74, 24.58

 

CMYK 29 / 0 / 1 / 35

HEX #76A7A5

RGB 118 167 165

HSL 177.55, 0.22%, 0.56%

LAB 65.13, -16.66, -4.22

 

CMYK 25 / 29 / 0 / 35

HEX #7D76A7

RGB 125 118 167

HSL 248.57, 0.22%, 0.56%

LAB 51.96, 13.66, -25.21

 

CMYK 0 / 30 / 29 / 34

HEX #A87678

RGB 168 118 120

HSL 357.6, 0.22%, 0.56%

LAB 54.7, 19.92, 6.77

 

CMYK 13 / 0 / 29 / 35

HEX #91A776

RGB 145 167 118

HSL 86.94, 0.22%, 0.56%

LAB 65.72, -16.55, 22.88

 

CMYK 29 / 0 / 1 / 35

HEX #76A7A5

RGB 118 167 165

HSL 177.55, 0.22%, 0.56%

LAB 65.13, -16.66, -4.22

 

CMYK 16 / 29 / 0 / 35

HEX #8C76A7

RGB 140 118 167

HSL 266.94, 0.22%, 0.56%

LAB 53.3, 18.5, -23.03

 

Description

Color code: RGB 168 118 120 | qconv.com Color code: RGB 168 118 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 118 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 118 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 29 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 29% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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