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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 107 155 it is the complementary color RGB 87 148 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 107 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 168 107 155: RGB 173 107 150, RGB 190 125 169, RGB 207 143 188, RGB 224 161 207 and RGB 241 179 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 107 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 168 107 155: RGB 168 107 155, RGB 151 89 136, RGB 134 71 117, RGB 117 53 98 and RGB 100 35 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 8 / 34

HEX #A86B9B

RGB 168 107 155

HSL 312.79, 0.26%, 0.54%

LAB 53.18, 31.82, -15.97

 

Complementary color

CMYK 41 / 0 / 32 / 42

HEX #579464

RGB 87 148 100

HSL 132.79, 0.26%, 0.46%

LAB 56.21, -30.55, 19.35

 

CMYK 0 / 38 / 13 / 32

HEX #AD6B96

RGB 173 107 150

HSL 320.91, 0.29%, 0.55%

LAB 53.6, 32.67, -12.34

 

CMYK 0 / 34 / 11 / 25

HEX #BE7DA9

RGB 190 125 169

HSL 319.38, 0.33%, 0.62%

LAB 60.32, 31.9, -13.01

 

CMYK 0 / 31 / 9 / 19

HEX #CF8FBC

RGB 207 143 188

HSL 317.81, 0.4%, 0.69%

LAB 66.93, 31.17, -13.62

 

CMYK 0 / 28 / 8 / 12

HEX #E0A1CF

RGB 224 161 207

HSL 316.19, 0.5%, 0.75%

LAB 73.44, 30.49, -14.19

 

CMYK 0 / 26 / 6 / 5

HEX #F1B3E2

RGB 241 179 226

HSL 314.52, 0.69%, 0.82%

LAB 79.86, 29.85, -14.71

 

CMYK 0 / 36 / 8 / 34

HEX #A86B9B

RGB 168 107 155

HSL 312.79, 0.26%, 0.54%

LAB 53.18, 31.82, -15.97

 

CMYK 0 / 41 / 10 / 41

HEX #975988

RGB 151 89 136

HSL 314.52, 0.26%, 0.47%

LAB 46.31, 32.61, -15.34

 

CMYK 0 / 47 / 13 / 47

HEX #864775

RGB 134 71 117

HSL 316.19, 0.31%, 0.4%

LAB 39.34, 33.42, -14.59

 

CMYK 0 / 55 / 16 / 54

HEX #753562

RGB 117 53 98

HSL 317.81, 0.38%, 0.33%

LAB 32.28, 34.18, -13.64

 

CMYK 0 / 65 / 21 / 61

HEX #64234F

RGB 100 35 79

HSL 319.38, 0.48%, 0.26%

LAB 25.19, 34.7, -12.33

 

CMYK 0 / 36 / 8 / 34

HEX #A86B9B

RGB 168 107 155

HSL 312.79, 0.26%, 0.54%

LAB 53.18, 31.82, -15.97

 

CMYK 0 / 36 / 14 / 34

HEX #A86B91

RGB 168 107 145

HSL 322.62, 0.26%, 0.54%

LAB 52.82, 30.06, -10.64

 

CMYK 0 / 36 / 20 / 34

HEX #A86B87

RGB 168 107 135

HSL 332.46, 0.26%, 0.54%

LAB 52.5, 28.41, -5.24

 

CMYK 0 / 36 / 26 / 34

HEX #A86B7D

RGB 168 107 125

HSL 342.3, 0.26%, 0.54%

LAB 52.2, 26.86, 0.22

 

CMYK 0 / 36 / 32 / 34

HEX #A86B73

RGB 168 107 115

HSL 352.13, 0.26%, 0.54%

LAB 51.93, 25.43, 5.74

 

CMYK 0 / 36 / 8 / 34

HEX #A86B9B

RGB 168 107 155

HSL 312.79, 0.26%, 0.54%

LAB 53.18, 31.82, -15.97

 

CMYK 0 / 37 / 8 / 14

HEX #DB8BCA

RGB 219 139 202

HSL 312.75, 0.53%, 0.7%

LAB 67.87, 39.72, -19.9

 

CMYK 0 / 33 / 7 / 94

HEX #0F0A0E

RGB 15 10 14

HSL 312, 0.2%, 0.05%

LAB 3.16, 2.12, -1.16

 

CMYK 0 / 36 / 8 / 74

HEX #422A3D

RGB 66 42 61

HSL 312.5, 0.22%, 0.21%

LAB 20.64, 14.78, -7.56

 

CMYK 0 / 36 / 8 / 54

HEX #754B6C

RGB 117 75 108

HSL 312.86, 0.22%, 0.38%

LAB 37.66, 23.39, -11.77

 

CMYK 0 / 36 / 8 / 34

HEX #A86B9B

RGB 168 107 155

HSL 312.79, 0.26%, 0.54%

LAB 53.18, 31.82, -15.97

 

CMYK 0 / 22 / 36 / 34

HEX #A8836B

RGB 168 131 107

HSL 23.61, 0.26%, 0.54%

LAB 57.67, 10.79, 18.42

 

CMYK 36 / 0 / 8 / 34

HEX #6BA89B

RGB 107 168 155

HSL 167.21, 0.26%, 0.54%

LAB 64.56, -22.75, 0.47

 

CMYK 0 / 36 / 8 / 34

HEX #A86B9B

RGB 168 107 155

HSL 312.79, 0.26%, 0.54%

LAB 53.18, 31.82, -15.97

 

CMYK 8 / 0 / 36 / 34

HEX #9BA86B

RGB 155 168 107

HSL 72.79, 0.26%, 0.54%

LAB 66.55, -14.72, 30.02

 

CMYK 36 / 8 / 0 / 34

HEX #6B9BA8

RGB 107 155 168

HSL 192.79, 0.26%, 0.54%

LAB 61.13, -12.73, -11.92

 

CMYK 0 / 36 / 8 / 34

HEX #A86B9B

RGB 168 107 155

HSL 312.79, 0.26%, 0.54%

LAB 53.18, 31.82, -15.97

 

CMYK 0 / 22 / 36 / 34

HEX #A8836B

RGB 168 131 107

HSL 23.61, 0.26%, 0.54%

LAB 57.67, 10.79, 18.42

 

CMYK 36 / 0 / 29 / 34

HEX #6BA877

RGB 107 168 119

HSL 131.8, 0.26%, 0.54%

LAB 63.72, -30.28, 19.24

 

CMYK 36 / 15 / 0 / 34

HEX #6B8FA8

RGB 107 143 168

HSL 204.59, 0.26%, 0.54%

LAB 57.65, -6.1, -17.17

 

CMYK 0 / 36 / 8 / 34

HEX #A86B9B

RGB 168 107 155

HSL 312.79, 0.26%, 0.54%

LAB 53.18, 31.82, -15.97

 

CMYK 0 / 11 / 36 / 34

HEX #A8956B

RGB 168 149 107

HSL 41.31, 0.26%, 0.54%

LAB 62.41, 0.76, 24.79

 

CMYK 36 / 0 / 29 / 34

HEX #6BA877

RGB 107 168 119

HSL 131.8, 0.26%, 0.54%

LAB 63.72, -30.28, 19.24

 

CMYK 36 / 26 / 0 / 34

HEX #6B7DA8

RGB 107 125 168

HSL 222.3, 0.26%, 0.54%

LAB 52.53, 4.29, -25.02

 

Description

Color code: RGB 168 107 155 | qconv.com Color code: RGB 168 107 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 107 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 107 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 8 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 8% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to HKS®

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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