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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 89 73 it is the complementary color RGB 88 166 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 89 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 167 89 73: RGB 172 89 68, RGB 189 107 87, RGB 206 125 106, RGB 223 143 125 and RGB 240 161 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 89 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 167 89 73: RGB 167 89 73, RGB 150 71 54, RGB 133 53 35, RGB 116 35 16 and RGB 99 17 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 56 / 35

HEX #A75949

RGB 167 89 73

HSL 10.21, 0.39%, 0.47%

LAB 46.77, 30.34, 23.52

 

Complementary color

CMYK 52 / 9 / 0 / 29

HEX #58A6B6

RGB 88 166 182

HSL 190.21, 0.39%, 0.53%

LAB 63.94, -19.55, -15.65

 

CMYK 0 / 48 / 60 / 33

HEX #AC5944

RGB 172 89 68

HSL 12.12, 0.43%, 0.47%

LAB 47.41, 31.95, 27.41

 

CMYK 0 / 43 / 54 / 26

HEX #BD6B57

RGB 189 107 87

HSL 11.76, 0.44%, 0.54%

LAB 54.05, 30.61, 25.44

 

CMYK 0 / 39 / 49 / 19

HEX #CE7D6A

RGB 206 125 106

HSL 11.4, 0.51%, 0.61%

LAB 60.63, 29.4, 23.72

 

CMYK 0 / 36 / 44 / 13

HEX #DF8F7D

RGB 223 143 125

HSL 11.02, 0.6%, 0.68%

LAB 67.14, 28.31, 22.21

 

CMYK 0 / 33 / 40 / 6

HEX #F0A190

RGB 240 161 144

HSL 10.63, 0.76%, 0.75%

LAB 73.56, 27.33, 20.84

 

CMYK 0 / 47 / 56 / 35

HEX #A75949

RGB 167 89 73

HSL 10.21, 0.39%, 0.47%

LAB 46.77, 30.34, 23.52

 

CMYK 0 / 53 / 64 / 41

HEX #964736

RGB 150 71 54

HSL 10.63, 0.47%, 0.4%

LAB 40.01, 31.73, 25.69

 

CMYK 0 / 60 / 74 / 48

HEX #853523

RGB 133 53 35

HSL 11.02, 0.58%, 0.33%

LAB 33.25, 33.2, 28.27

 

CMYK 0 / 70 / 86 / 55

HEX #742310

RGB 116 35 16

HSL 11.4, 0.76%, 0.26%

LAB 26.6, 34.56, 31.15

 

CMYK 0 / 83 / 100 / 61

HEX #631100

RGB 99 17 0

HSL 10.3, 1%, 0.19%

LAB 20.26, 35.29, 30.53

 

CMYK 0 / 47 / 56 / 35

HEX #A75949

RGB 167 89 73

HSL 10.21, 0.39%, 0.47%

LAB 46.77, 30.34, 23.52

 

CMYK 0 / 37 / 56 / 35

HEX #A66849

RGB 166 104 73

HSL 20, 0.39%, 0.47%

LAB 50.08, 21.59, 27.73

 

CMYK 0 / 28 / 56 / 35

HEX #A67749

RGB 166 119 73

HSL 29.68, 0.39%, 0.47%

LAB 53.79, 13.09, 32.36

 

CMYK 0 / 19 / 56 / 35

HEX #A68749

RGB 166 135 73

HSL 40, 0.39%, 0.47%

LAB 57.96, 4.09, 37.41

 

CMYK 0 / 9 / 56 / 35

HEX #A69749

RGB 166 151 73

HSL 50.32, 0.39%, 0.47%

LAB 62.27, -4.7, 42.49

 

CMYK 0 / 47 / 56 / 35

HEX #A75949

RGB 167 89 73

HSL 10.21, 0.39%, 0.47%

LAB 46.77, 30.34, 23.52

 

CMYK 0 / 47 / 56 / 15

HEX #DA745F

RGB 218 116 95

HSL 10.24, 0.62%, 0.61%

LAB 60.09, 37.85, 29.5

 

CMYK 0 / 50 / 57 / 95

HEX #0E0706

RGB 14 7 6

HSL 7.5, 0.4%, 0.04%

LAB 2.33, 1.81, 1.07

 

CMYK 0 / 46 / 57 / 75

HEX #41231C

RGB 65 35 28

HSL 11.35, 0.4%, 0.18%

LAB 17.51, 13.43, 10.85

 

CMYK 0 / 47 / 56 / 55

HEX #743E33

RGB 116 62 51

HSL 10.15, 0.39%, 0.33%

LAB 32.69, 22.33, 17.15

 

CMYK 0 / 47 / 56 / 35

HEX #A75949

RGB 167 89 73

HSL 10.21, 0.39%, 0.47%

LAB 46.77, 30.34, 23.52

 

CMYK 20 / 0 / 56 / 35

HEX #84A649

RGB 132 166 73

HSL 81.94, 0.39%, 0.47%

LAB 63.88, -26.75, 43.68

 

CMYK 56 / 43 / 0 / 35

HEX #495EA6

RGB 73 94 166

HSL 226.45, 0.39%, 0.47%

LAB 41.49, 13.92, -41.32

 

CMYK 0 / 47 / 56 / 35

HEX #A75949

RGB 167 89 73

HSL 10.21, 0.39%, 0.47%

LAB 46.77, 30.34, 23.52

 

CMYK 56 / 0 / 47 / 35

HEX #49A658

RGB 73 166 88

HSL 129.68, 0.39%, 0.47%

LAB 61.13, -44.54, 32.15

 

CMYK 47 / 56 / 0 / 35

HEX #5849A6

RGB 88 73 166

HSL 249.68, 0.39%, 0.47%

LAB 37.1, 30.63, -48.3

 

CMYK 0 / 47 / 56 / 35

HEX #A75949

RGB 167 89 73

HSL 10.21, 0.39%, 0.47%

LAB 46.77, 30.34, 23.52

 

CMYK 20 / 0 / 56 / 35

HEX #84A649

RGB 132 166 73

HSL 81.94, 0.39%, 0.47%

LAB 63.88, -26.75, 43.68

 

CMYK 56 / 9 / 0 / 35

HEX #4997A6

RGB 73 151 166

HSL 189.68, 0.39%, 0.47%

LAB 58.32, -19.55, -15.17

 

CMYK 36 / 56 / 0 / 35

HEX #6B49A6

RGB 107 73 166

HSL 261.94, 0.39%, 0.47%

LAB 38.97, 35.2, -45.19

 

CMYK 0 / 47 / 56 / 35

HEX #A75949

RGB 167 89 73

HSL 10.21, 0.39%, 0.47%

LAB 46.77, 30.34, 23.52

 

CMYK 37 / 0 / 56 / 35

HEX #68A649

RGB 104 166 73

HSL 100, 0.39%, 0.47%

LAB 62.25, -37.2, 41.36

 

CMYK 56 / 9 / 0 / 35

HEX #4997A6

RGB 73 151 166

HSL 189.68, 0.39%, 0.47%

LAB 58.32, -19.55, -15.17

 

CMYK 19 / 56 / 0 / 35

HEX #8749A6

RGB 135 73 166

HSL 280, 0.39%, 0.47%

LAB 42.26, 42.54, -39.75

 

Description

Color code: RGB 167 89 73 | qconv.com Color code: RGB 167 89 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 89 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 89 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 56 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 56% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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