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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 225 172 it is the complementary color RGB 88 30 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 225 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 167 225 172: RGB 172 225 167, RGB 189 243 186, RGB 206 255 205, RGB 223 255 224 and RGB 240 255 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 225 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 167 225 172: RGB 167 225 172, RGB 150 207 153, RGB 133 189 134, RGB 116 171 115 and RGB 99 153 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 24 / 12

HEX #A7E1AC

RGB 167 225 172

HSL 125.17, 0.49%, 0.77%

LAB 84.51, -28.76, 20.09

 

Complementary color

CMYK 0 / 66 / 6 / 65

HEX #581E53

RGB 88 30 83

HSL 305.17, 0.49%, 0.23%

LAB 22.4, 34.12, -19.49

 

CMYK 24 / 0 / 26 / 12

HEX #ACE1A7

RGB 172 225 167

HSL 114.83, 0.49%, 0.77%

LAB 84.7, -27.96, 23

 

CMYK 22 / 0 / 23 / 5

HEX #BDF3BA

RGB 189 243 186

HSL 116.84, 0.7%, 0.84%

LAB 90.99, -27.77, 22.03

 

CMYK 19 / 0 / 20 / 0

HEX #CEFFCD

RGB 206 255 205

HSL 118.8, 1%, 0.9%

LAB 95.6, -24.75, 18.87

 

CMYK 13 / 0 / 12 / 0

HEX #DFFFE0

RGB 223 255 224

HSL 121.88, 1%, 0.94%

LAB 97.06, -15.94, 11.36

 

CMYK 6 / 0 / 5 / 0

HEX #F0FFF3

RGB 240 255 243

HSL 132, 1%, 0.97%

LAB 98.64, -7.04, 4.03

 

CMYK 26 / 0 / 24 / 12

HEX #A7E1AC

RGB 167 225 172

HSL 125.17, 0.49%, 0.77%

LAB 84.51, -28.76, 20.09

 

CMYK 28 / 0 / 26 / 19

HEX #96CF99

RGB 150 207 153

HSL 123.16, 0.37%, 0.7%

LAB 78.12, -28.99, 21.08

 

CMYK 30 / 0 / 29 / 26

HEX #85BD86

RGB 133 189 134

HSL 121.07, 0.3%, 0.63%

LAB 71.62, -29.23, 22.13

 

CMYK 32 / 0 / 33 / 33

HEX #74AB73

RGB 116 171 115

HSL 118.93, 0.25%, 0.56%

LAB 65.02, -29.48, 23.26

 

CMYK 35 / 0 / 37 / 40

HEX #639960

RGB 99 153 96

HSL 116.84, 0.23%, 0.49%

LAB 58.3, -29.73, 24.46

 

CMYK 26 / 0 / 24 / 12

HEX #A7E1AC

RGB 167 225 172

HSL 125.17, 0.49%, 0.77%

LAB 84.51, -28.76, 20.09

 

CMYK 26 / 0 / 20 / 12

HEX #A7E1B5

RGB 167 225 181

HSL 134.48, 0.49%, 0.77%

LAB 84.69, -27.17, 15.65

 

CMYK 26 / 0 / 15 / 12

HEX #A7E1BF

RGB 167 225 191

HSL 144.83, 0.49%, 0.77%

LAB 84.91, -25.32, 10.71

 

CMYK 26 / 0 / 11 / 12

HEX #A7E1C9

RGB 167 225 201

HSL 155.17, 0.49%, 0.77%

LAB 85.14, -23.36, 5.77

 

CMYK 26 / 0 / 7 / 12

HEX #A7E1D2

RGB 167 225 210

HSL 164.48, 0.49%, 0.77%

LAB 85.36, -21.53, 1.35

 

CMYK 26 / 0 / 24 / 12

HEX #A7E1AC

RGB 167 225 172

HSL 125.17, 0.49%, 0.77%

LAB 84.51, -28.76, 20.09

 

CMYK 24 / 0 / 24 / 92

HEX #101510

RGB 16 21 16

HSL 120, 0.14%, 0.07%

LAB 6.18, -3.06, 2.18

 

CMYK 26 / 0 / 24 / 72

HEX #354837

RGB 53 72 55

HSL 126.32, 0.15%, 0.25%

LAB 28.56, -11.51, 7.82

 

CMYK 26 / 0 / 24 / 52

HEX #5B7B5E

RGB 91 123 94

HSL 125.63, 0.15%, 0.42%

LAB 48.51, -17.71, 12.23

 

CMYK 26 / 0 / 24 / 32

HEX #81AE85

RGB 129 174 133

HSL 125.33, 0.22%, 0.59%

LAB 67, -23.4, 16.28

 

CMYK 26 / 0 / 24 / 12

HEX #A7E1AC

RGB 167 225 172

HSL 125.17, 0.49%, 0.77%

LAB 84.51, -28.76, 20.09

 

CMYK 26 / 8 / 0 / 12

HEX #A7D0E1

RGB 167 208 225

HSL 197.59, 0.49%, 0.77%

LAB 81.16, -9.64, -12.82

 

CMYK 0 / 26 / 18 / 12

HEX #E1A7B9

RGB 225 167 185

HSL 341.38, 0.49%, 0.77%

LAB 74.28, 24, -0.84

 

CMYK 26 / 0 / 24 / 12

HEX #A7E1AC

RGB 167 225 172

HSL 125.17, 0.49%, 0.77%

LAB 84.51, -28.76, 20.09

 

CMYK 24 / 26 / 0 / 12

HEX #ACA7E1

RGB 172 167 225

HSL 245.17, 0.49%, 0.77%

LAB 70.76, 14.04, -28.57

 

CMYK 0 / 24 / 26 / 12

HEX #E1ACA7

RGB 225 172 167

HSL 5.17, 0.49%, 0.77%

LAB 75.02, 18.66, 10.07

 

CMYK 26 / 0 / 24 / 12

HEX #A7E1AC

RGB 167 225 172

HSL 125.17, 0.49%, 0.77%

LAB 84.51, -28.76, 20.09

 

CMYK 26 / 8 / 0 / 12

HEX #A7D0E1

RGB 167 208 225

HSL 197.59, 0.49%, 0.77%

LAB 81.16, -9.64, -12.82

 

CMYK 0 / 26 / 2 / 12

HEX #E1A7DC

RGB 225 167 220

HSL 305.17, 0.49%, 0.77%

LAB 75.33, 29.9, -18.44

 

CMYK 0 / 19 / 26 / 12

HEX #E1B7A7

RGB 225 183 167

HSL 16.55, 0.49%, 0.77%

LAB 77.68, 12.78, 13.84

Pantone® 7513 C

CMYK 26 / 0 / 24 / 12

HEX #A7E1AC

RGB 167 225 172

HSL 125.17, 0.49%, 0.77%

LAB 84.51, -28.76, 20.09

 

CMYK 26 / 15 / 0 / 12

HEX #A7BFE1

RGB 167 191 225

HSL 215.17, 0.49%, 0.77%

LAB 76.63, -0.64, -19.65

 

CMYK 0 / 26 / 2 / 12

HEX #E1A7DC

RGB 225 167 220

HSL 305.17, 0.49%, 0.77%

LAB 75.33, 29.9, -18.44

 

CMYK 0 / 11 / 26 / 12

HEX #E1C9A7

RGB 225 201 167

HSL 35.17, 0.49%, 0.77%

LAB 82.15, 3.26, 20.08

 

Description

Color code: RGB 167 225 172 | qconv.com Color code: RGB 167 225 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 225 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 225 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 24 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 24% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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