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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 210 233 it is the complementary color RGB 88 45 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 210 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 167 210 233: RGB 172 210 228, RGB 189 228 247, RGB 206 246 255, RGB 223 255 255 and RGB 240 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 210 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 167 210 233: RGB 167 210 233, RGB 150 192 214, RGB 133 174 195, RGB 116 156 176 and RGB 99 138 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 10 / 0 / 9

HEX #A7D2E9

RGB 167 210 233

HSL 200.91, 0.6%, 0.78%

LAB 81.94, -8.84, -15.92

 

Complementary color

CMYK 0 / 49 / 75 / 65

HEX #582D16

RGB 88 45 22

HSL 20.91, 0.6%, 0.22%

LAB 23.7, 17.55, 23.17

 

CMYK 25 / 8 / 0 / 11

HEX #ACD2E4

RGB 172 210 228

HSL 199.29, 0.51%, 0.78%

LAB 82.09, -8.53, -13

 

CMYK 23 / 8 / 0 / 3

HEX #BDE4F7

RGB 189 228 247

HSL 199.66, 0.78%, 0.85%

LAB 88.46, -8.57, -13.42

 

CMYK 19 / 4 / 0 / 0

HEX #CEF6FF

RGB 206 246 255

HSL 191.02, 1%, 0.9%

LAB 94.42, -10.94, -8.6

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 28 / 10 / 0 / 9

HEX #A7D2E9

RGB 167 210 233

HSL 200.91, 0.6%, 0.78%

LAB 81.94, -8.84, -15.92

 

CMYK 30 / 10 / 0 / 16

HEX #96C0D6

RGB 150 192 214

HSL 200.63, 0.44%, 0.71%

LAB 75.48, -8.78, -15.54

 

CMYK 32 / 11 / 0 / 24

HEX #85AEC3

RGB 133 174 195

HSL 200.32, 0.34%, 0.64%

LAB 68.9, -8.71, -15.17

 

CMYK 34 / 11 / 0 / 31

HEX #749CB0

RGB 116 156 176

HSL 200, 0.28%, 0.57%

LAB 62.19, -8.63, -14.79

 

CMYK 37 / 12 / 0 / 38

HEX #638A9D

RGB 99 138 157

HSL 199.66, 0.23%, 0.5%

LAB 55.34, -8.54, -14.41

 

CMYK 28 / 10 / 0 / 9

HEX #A7D2E9

RGB 167 210 233

HSL 200.91, 0.6%, 0.78%

LAB 81.94, -8.84, -15.92

 

CMYK 29 / 15 / 0 / 9

HEX #A5C6E8

RGB 165 198 232

HSL 210.45, 0.59%, 0.78%

LAB 78.59, -3.33, -20.47

 

CMYK 29 / 19 / 0 / 9

HEX #A5BBE8

RGB 165 187 232

HSL 220.3, 0.59%, 0.78%

LAB 75.68, 2.6, -24.89

 

CMYK 29 / 24 / 0 / 9

HEX #A5B0E8

RGB 165 176 232

HSL 230.15, 0.59%, 0.78%

LAB 72.81, 8.64, -29.29

 

CMYK 29 / 29 / 0 / 9

HEX #A5A5E8

RGB 165 165 232

HSL 240, 0.59%, 0.78%

LAB 69.99, 14.78, -33.64

 

CMYK 28 / 10 / 0 / 9

HEX #A7D2E9

RGB 167 210 233

HSL 200.91, 0.6%, 0.78%

LAB 81.94, -8.84, -15.92

 

CMYK 28 / 10 / 0 / 89

HEX #151A1D

RGB 21 26 29

HSL 202.5, 0.16%, 0.1%

LAB 8.88, -1.45, -2.87

 

CMYK 29 / 10 / 0 / 69

HEX #394850

RGB 57 72 80

HSL 200.87, 0.17%, 0.27%

LAB 29.62, -3.81, -6.74

 

CMYK 28 / 10 / 0 / 49

HEX #5E7683

RGB 94 118 131

HSL 201.08, 0.16%, 0.44%

LAB 48.23, -5.5, -9.99

 

CMYK 29 / 10 / 0 / 29

HEX #82A4B6

RGB 130 164 182

HSL 200.77, 0.26%, 0.61%

LAB 65.49, -7.37, -13.09

 

CMYK 28 / 10 / 0 / 9

HEX #A7D2E9

RGB 167 210 233

HSL 200.91, 0.6%, 0.78%

LAB 81.94, -8.84, -15.92

 

CMYK 13 / 29 / 0 / 9

HEX #C9A5E8

RGB 201 165 232

HSL 272.24, 0.59%, 0.78%

LAB 72.99, 25.63, -28.76

 

CMYK 0 / 2 / 29 / 9

HEX #E8E4A5

RGB 232 228 165

HSL 56.42, 0.59%, 0.78%

LAB 89.56, -8.22, 31.31

 

CMYK 28 / 10 / 0 / 9

HEX #A7D2E9

RGB 167 210 233

HSL 200.91, 0.6%, 0.78%

LAB 81.94, -8.84, -15.92

 

CMYK 0 / 29 / 9 / 9

HEX #E8A5D2

RGB 232 165 210

HSL 319.7, 0.59%, 0.78%

LAB 75.28, 31.56, -12.99

 

CMYK 9 / 0 / 29 / 9

HEX #D2E8A5

RGB 210 232 165

HSL 79.7, 0.59%, 0.78%

LAB 88.98, -18.36, 30.26

 

CMYK 28 / 10 / 0 / 9

HEX #A7D2E9

RGB 167 210 233

HSL 200.91, 0.6%, 0.78%

LAB 81.94, -8.84, -15.92

 

CMYK 13 / 29 / 0 / 9

HEX #C9A5E8

RGB 201 165 232

HSL 272.24, 0.59%, 0.78%

LAB 72.99, 25.63, -28.76

 

CMYK 0 / 19 / 29 / 9

HEX #E8BBA5

RGB 232 187 165

HSL 19.7, 0.59%, 0.78%

LAB 79.28, 13.03, 17.26

 

CMYK 16 / 0 / 29 / 9

HEX #C4E8A5

RGB 196 232 165

HSL 92.24, 0.59%, 0.78%

LAB 88.05, -23.38, 28.84

 

CMYK 28 / 10 / 0 / 9

HEX #A7D2E9

RGB 167 210 233

HSL 200.91, 0.6%, 0.78%

LAB 81.94, -8.84, -15.92

 

CMYK 5 / 29 / 0 / 9

HEX #DDA5E8

RGB 221 165 232

HSL 290.15, 0.59%, 0.78%

LAB 74.89, 31.92, -25.68

 

CMYK 0 / 19 / 29 / 9

HEX #E8BBA5

RGB 232 187 165

HSL 19.7, 0.59%, 0.78%

LAB 79.28, 13.03, 17.26

 

CMYK 24 / 0 / 29 / 9

HEX #B0E8A5

RGB 176 232 165

HSL 110.15, 0.59%, 0.78%

LAB 86.83, -30.26, 26.98

 

Description

Color code: RGB 167 210 233 | qconv.com Color code: RGB 167 210 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 210 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 210 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 10 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 10% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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