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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 103 120 it is the complementary color RGB 88 152 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 103 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 167 103 120: RGB 172 103 115, RGB 189 121 134, RGB 206 139 153, RGB 223 157 172 and RGB 240 175 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 103 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 167 103 120: RGB 167 103 120, RGB 150 85 101, RGB 133 67 82, RGB 116 49 63 and RGB 99 31 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 28 / 35

HEX #A76778

RGB 167 103 120

HSL 344.06, 0.27%, 0.53%

LAB 51, 27.99, 1.43

 

Complementary color

CMYK 42 / 0 / 11 / 40

HEX #589887

RGB 88 152 135

HSL 164.06, 0.27%, 0.47%

LAB 58.3, -24.74, 2.52

 

CMYK 0 / 40 / 33 / 33

HEX #AC6773

RGB 172 103 115

HSL 349.57, 0.29%, 0.54%

LAB 51.51, 29.2, 5.2

 

CMYK 0 / 36 / 29 / 26

HEX #BD7986

RGB 189 121 134

HSL 348.53, 0.34%, 0.61%

LAB 58.24, 28.29, 4.05

 

CMYK 0 / 33 / 26 / 19

HEX #CE8B99

RGB 206 139 153

HSL 347.46, 0.41%, 0.68%

LAB 64.87, 27.46, 3.03

 

CMYK 0 / 30 / 23 / 13

HEX #DF9DAC

RGB 223 157 172

HSL 346.36, 0.51%, 0.75%

LAB 71.41, 26.7, 2.11

 

CMYK 0 / 27 / 20 / 6

HEX #F0AFBF

RGB 240 175 191

HSL 345.23, 0.68%, 0.81%

LAB 77.84, 26.01, 1.26

 

CMYK 0 / 38 / 28 / 35

HEX #A76778

RGB 167 103 120

HSL 344.06, 0.27%, 0.53%

LAB 51, 27.99, 1.43

 

CMYK 0 / 43 / 33 / 41

HEX #965565

RGB 150 85 101

HSL 345.23, 0.28%, 0.46%

LAB 44.12, 28.93, 2.61

 

CMYK 0 / 50 / 38 / 48

HEX #854352

RGB 133 67 82

HSL 346.36, 0.33%, 0.39%

LAB 37.13, 29.93, 4.03

 

CMYK 0 / 58 / 46 / 55

HEX #74313F

RGB 116 49 63

HSL 347.46, 0.41%, 0.32%

LAB 30.08, 30.93, 5.84

 

CMYK 0 / 69 / 56 / 61

HEX #631F2C

RGB 99 31 44

HSL 348.53, 0.52%, 0.25%

LAB 23.05, 31.77, 8.3

 

CMYK 0 / 38 / 28 / 35

HEX #A76778

RGB 167 103 120

HSL 344.06, 0.27%, 0.53%

LAB 51, 27.99, 1.43

 

CMYK 0 / 39 / 35 / 35

HEX #A7666D

RGB 167 102 109

HSL 353.54, 0.27%, 0.53%

LAB 50.48, 27.04, 7.21

 

CMYK 0 / 36 / 39 / 35

HEX #A76B66

RGB 167 107 102

HSL 4.62, 0.27%, 0.53%

LAB 51.49, 23.35, 12.77

 

CMYK 0 / 30 / 39 / 35

HEX #A77566

RGB 167 117 102

HSL 13.85, 0.27%, 0.53%

LAB 53.92, 17.68, 16.13

 

CMYK 0 / 23 / 39 / 35

HEX #A78066

RGB 167 128 102

HSL 24, 0.27%, 0.53%

LAB 56.7, 11.45, 19.91

 

CMYK 0 / 38 / 28 / 35

HEX #A76778

RGB 167 103 120

HSL 344.06, 0.27%, 0.53%

LAB 51, 27.99, 1.43

 

CMYK 0 / 39 / 28 / 15

HEX #DA869D

RGB 218 134 157

HSL 343.57, 0.53%, 0.69%

LAB 65.27, 35.09, 1.52

 

CMYK 0 / 36 / 29 / 95

HEX #0E090A

RGB 14 9 10

HSL 348, 0.22%, 0.05%

LAB 2.81, 1.57, 0.12

 

CMYK 0 / 38 / 28 / 75

HEX #41282F

RGB 65 40 47

HSL 343.2, 0.24%, 0.21%

LAB 19.42, 12.91, 0.28

 

CMYK 0 / 38 / 28 / 55

HEX #744853

RGB 116 72 83

HSL 345, 0.23%, 0.37%

LAB 35.93, 20.42, 1.36

 

CMYK 0 / 38 / 28 / 35

HEX #A76778

RGB 167 103 120

HSL 344.06, 0.27%, 0.53%

LAB 51, 27.99, 1.43

 

CMYK 0 / 2 / 39 / 35

HEX #A7A366

RGB 167 163 102

HSL 56.31, 0.27%, 0.53%

LAB 66.04, -7.84, 32.2

 

CMYK 39 / 13 / 0 / 35

HEX #6691A7

RGB 102 145 167

HSL 200.31, 0.27%, 0.53%

LAB 57.91, -8.91, -16.24

 

CMYK 0 / 38 / 28 / 35

HEX #A76778

RGB 167 103 120

HSL 344.06, 0.27%, 0.53%

LAB 51, 27.99, 1.43

 

CMYK 28 / 0 / 39 / 35

HEX #78A766

RGB 120 167 102

HSL 103.38, 0.27%, 0.53%

LAB 63.83, -28.22, 28.69

 

CMYK 39 / 28 / 0 / 35

HEX #6678A7

RGB 102 120 167

HSL 223.38, 0.27%, 0.53%

LAB 50.74, 5.54, -27.23

 

CMYK 0 / 38 / 28 / 35

HEX #A76778

RGB 167 103 120

HSL 344.06, 0.27%, 0.53%

LAB 51, 27.99, 1.43

 

CMYK 0 / 2 / 39 / 35

HEX #A7A366

RGB 167 163 102

HSL 56.31, 0.27%, 0.53%

LAB 66.04, -7.84, 32.2

 

CMYK 39 / 0 / 10 / 35

HEX #66A796

RGB 102 167 150

HSL 164.31, 0.27%, 0.53%

LAB 63.89, -24.83, 2.25

 

CMYK 39 / 36 / 0 / 35

HEX #666BA7

RGB 102 107 167

HSL 235.38, 0.27%, 0.53%

LAB 47.14, 13.42, -32.85

 

CMYK 0 / 38 / 28 / 35

HEX #A76778

RGB 167 103 120

HSL 344.06, 0.27%, 0.53%

LAB 51, 27.99, 1.43

 

CMYK 9 / 0 / 39 / 35

HEX #98A766

RGB 152 167 102

HSL 73.85, 0.27%, 0.53%

LAB 65.96, -16.03, 31.87

 

CMYK 39 / 0 / 10 / 35

HEX #66A796

RGB 102 167 150

HSL 164.31, 0.27%, 0.53%

LAB 63.89, -24.83, 2.25

 

CMYK 30 / 39 / 0 / 35

HEX #7566A7

RGB 117 102 167

HSL 253.85, 0.27%, 0.53%

LAB 47.07, 20.81, -32.87

 

Description

Color code: RGB 167 103 120 | qconv.com Color code: RGB 167 103 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 103 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 103 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 28 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 28% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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