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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 100 129 it is the complementary color RGB 88 155 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 100 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 167 100 129: RGB 172 100 124, RGB 189 118 143, RGB 206 136 162, RGB 223 154 181 and RGB 240 172 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 100 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 167 100 129: RGB 167 100 129, RGB 150 82 110, RGB 133 64 91, RGB 116 46 72 and RGB 99 28 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 23 / 35

HEX #A76481

RGB 167 100 129

HSL 334.03, 0.28%, 0.52%

LAB 50.59, 31, -4.53

 

Complementary color

CMYK 43 / 0 / 19 / 39

HEX #589B7E

RGB 88 155 126

HSL 154.03, 0.28%, 0.48%

LAB 59, -28.3, 8.61

 

CMYK 0 / 42 / 28 / 33

HEX #AC647C

RGB 172 100 124

HSL 340, 0.3%, 0.53%

LAB 51.08, 32.1, -0.75

 

CMYK 0 / 38 / 24 / 26

HEX #BD768F

RGB 189 118 143

HSL 338.87, 0.35%, 0.6%

LAB 57.81, 31.22, -1.79

 

CMYK 0 / 34 / 21 / 19

HEX #CE88A2

RGB 206 136 162

HSL 337.71, 0.42%, 0.67%

LAB 64.43, 30.41, -2.71

 

CMYK 0 / 31 / 19 / 13

HEX #DF9AB5

RGB 223 154 181

HSL 336.52, 0.52%, 0.74%

LAB 70.96, 29.66, -3.53

 

CMYK 0 / 28 / 17 / 6

HEX #F0ACC8

RGB 240 172 200

HSL 335.29, 0.69%, 0.81%

LAB 77.4, 28.97, -4.29

 

CMYK 0 / 40 / 23 / 35

HEX #A76481

RGB 167 100 129

HSL 334.03, 0.28%, 0.52%

LAB 50.59, 31, -4.53

 

CMYK 0 / 45 / 27 / 41

HEX #96526E

RGB 150 82 110

HSL 335.29, 0.29%, 0.45%

LAB 43.72, 31.88, -3.48

 

CMYK 0 / 52 / 32 / 48

HEX #85405B

RGB 133 64 91

HSL 336.52, 0.35%, 0.39%

LAB 36.76, 32.78, -2.2

 

CMYK 0 / 60 / 38 / 55

HEX #742E48

RGB 116 46 72

HSL 337.71, 0.43%, 0.32%

LAB 29.75, 33.61, -0.56

 

CMYK 0 / 72 / 46 / 61

HEX #631C35

RGB 99 28 53

HSL 338.87, 0.56%, 0.25%

LAB 22.79, 34.1, 1.74

 

CMYK 0 / 40 / 23 / 35

HEX #A76481

RGB 167 100 129

HSL 334.03, 0.28%, 0.52%

LAB 50.59, 31, -4.53

 

CMYK 0 / 41 / 30 / 35

HEX #A66274

RGB 166 98 116

HSL 344.12, 0.28%, 0.52%

LAB 49.62, 29.83, 1.79

 

CMYK 0 / 41 / 37 / 35

HEX #A66269

RGB 166 98 105

HSL 353.82, 0.28%, 0.52%

LAB 49.33, 28.37, 7.94

 

CMYK 0 / 39 / 41 / 35

HEX #A66662

RGB 166 102 98

HSL 3.53, 0.28%, 0.52%

LAB 50.09, 25.28, 13.17

 

CMYK 0 / 31 / 41 / 35

HEX #A67262

RGB 166 114 98

HSL 14.12, 0.28%, 0.52%

LAB 52.98, 18.49, 17.14

 

CMYK 0 / 40 / 23 / 35

HEX #A76481

RGB 167 100 129

HSL 334.03, 0.28%, 0.52%

LAB 50.59, 31, -4.53

 

CMYK 0 / 40 / 23 / 15

HEX #DA83A8

RGB 218 131 168

HSL 334.48, 0.54%, 0.68%

LAB 64.93, 38.22, -5.21

 

CMYK 0 / 43 / 21 / 95

HEX #0E080B

RGB 14 8 11

HSL 330, 0.27%, 0.04%

LAB 2.63, 2.11, -0.55

 

CMYK 0 / 40 / 23 / 75

HEX #412732

RGB 65 39 50

HSL 334.62, 0.25%, 0.2%

LAB 19.25, 14.13, -2.06

 

CMYK 0 / 41 / 22 / 55

HEX #74455A

RGB 116 69 90

HSL 333.19, 0.25%, 0.36%

LAB 35.41, 23.34, -3.83

 

CMYK 0 / 40 / 23 / 35

HEX #A76481

RGB 167 100 129

HSL 334.03, 0.28%, 0.52%

LAB 50.59, 31, -4.53

 

CMYK 0 / 10 / 41 / 35

HEX #A69662

RGB 166 150 98

HSL 45.88, 0.28%, 0.52%

LAB 62.34, -1.7, 29.57

 

CMYK 41 / 7 / 0 / 35

HEX #629BA6

RGB 98 155 166

HSL 189.71, 0.28%, 0.52%

LAB 60.6, -15.72, -11.64

 

CMYK 0 / 40 / 23 / 35

HEX #A76481

RGB 167 100 129

HSL 334.03, 0.28%, 0.52%

LAB 50.59, 31, -4.53

 

CMYK 23 / 0 / 41 / 35

HEX #80A662

RGB 128 166 98

HSL 93.53, 0.28%, 0.52%

LAB 63.95, -25.37, 31.07

 

CMYK 41 / 23 / 0 / 35

HEX #6280A6

RGB 98 128 166

HSL 213.53, 0.28%, 0.52%

LAB 52.72, -0.6, -23.62

 

CMYK 0 / 40 / 23 / 35

HEX #A76481

RGB 167 100 129

HSL 334.03, 0.28%, 0.52%

LAB 50.59, 31, -4.53

 

CMYK 0 / 10 / 41 / 35

HEX #A69662

RGB 166 150 98

HSL 45.88, 0.28%, 0.52%

LAB 62.34, -1.7, 29.57

 

CMYK 41 / 0 / 17 / 35

HEX #62A689

RGB 98 166 137

HSL 154.41, 0.28%, 0.52%

LAB 63.07, -28.41, 8.31

 

CMYK 41 / 31 / 0 / 35

HEX #6272A6

RGB 98 114 166

HSL 225.88, 0.28%, 0.52%

LAB 48.74, 7.74, -29.79

 

CMYK 0 / 40 / 23 / 35

HEX #A76481

RGB 167 100 129

HSL 334.03, 0.28%, 0.52%

LAB 50.59, 31, -4.53

 

CMYK 2 / 0 / 41 / 35

HEX #A2A662

RGB 162 166 98

HSL 63.53, 0.28%, 0.52%

LAB 66.39, -11.93, 34.68

 

CMYK 41 / 0 / 17 / 35

HEX #62A689

RGB 98 166 137

HSL 154.41, 0.28%, 0.52%

LAB 63.07, -28.41, 8.31

 

CMYK 39 / 41 / 0 / 35

HEX #6662A6

RGB 102 98 166

HSL 243.53, 0.28%, 0.52%

LAB 44.68, 18.67, -36.14

 

Description

Color code: RGB 167 100 129 | qconv.com Color code: RGB 167 100 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 100 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 100 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 23 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 23% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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