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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 84 85 it is the complementary color RGB 89 171 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 84 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 166 84 85: RGB 171 84 80, RGB 188 102 99, RGB 205 120 118, RGB 222 138 137 and RGB 239 156 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 84 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 166 84 85: RGB 166 84 85, RGB 149 66 66, RGB 132 48 47, RGB 115 30 28 and RGB 98 12 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 49 / 35

HEX #A65455

RGB 166 84 85

HSL 359.27, 0.33%, 0.49%

LAB 45.78, 33.75, 15.01

 

Complementary color

CMYK 48 / 0 / 1 / 33

HEX #59ABAA

RGB 89 171 170

HSL 179.27, 0.33%, 0.51%

LAB 65.08, -25.18, -7.23

 

CMYK 0 / 51 / 53 / 33

HEX #AB5450

RGB 171 84 80

HSL 2.64, 0.36%, 0.49%

LAB 46.42, 35.21, 19.01

 

CMYK 0 / 46 / 47 / 26

HEX #BC6663

RGB 188 102 99

HSL 2.02, 0.4%, 0.56%

LAB 53.05, 34.03, 17.13

 

CMYK 0 / 41 / 42 / 20

HEX #CD7876

RGB 205 120 118

HSL 1.38, 0.47%, 0.63%

LAB 59.64, 32.93, 15.52

 

CMYK 0 / 38 / 38 / 13

HEX #DE8A89

RGB 222 138 137

HSL 0.71, 0.56%, 0.7%

LAB 66.15, 31.91, 14.12

 

CMYK 0 / 35 / 35 / 6

HEX #EF9C9C

RGB 239 156 156

HSL 0, 0.72%, 0.77%

LAB 72.58, 30.99, 12.87

 

CMYK 0 / 49 / 49 / 35

HEX #A65455

RGB 166 84 85

HSL 359.27, 0.33%, 0.49%

LAB 45.78, 33.75, 15.01

 

CMYK 0 / 56 / 56 / 42

HEX #954242

RGB 149 66 66

HSL 0, 0.39%, 0.42%

LAB 39.04, 34.92, 17.09

 

CMYK 0 / 64 / 64 / 48

HEX #84302F

RGB 132 48 47

HSL 0.71, 0.47%, 0.35%

LAB 32.31, 36.05, 19.71

 

CMYK 0 / 74 / 76 / 55

HEX #731E1C

RGB 115 30 28

HSL 1.38, 0.61%, 0.28%

LAB 25.73, 36.87, 23.08

 

CMYK 0 / 88 / 91 / 62

HEX #620C09

RGB 98 12 9

HSL 2.02, 0.83%, 0.21%

LAB 19.55, 36.78, 26

 

CMYK 0 / 49 / 49 / 35

HEX #A65455

RGB 166 84 85

HSL 359.27, 0.33%, 0.49%

LAB 45.78, 33.75, 15.01

 

CMYK 0 / 42 / 50 / 35

HEX #A66053

RGB 166 96 83

HSL 9.4, 0.33%, 0.49%

LAB 48.38, 27, 19.72

 

CMYK 0 / 34 / 50 / 35

HEX #A66D53

RGB 166 109 83

HSL 18.8, 0.33%, 0.49%

LAB 51.46, 19.69, 23.79

 

CMYK 0 / 26 / 50 / 35

HEX #A67B53

RGB 166 123 83

HSL 28.92, 0.33%, 0.49%

LAB 54.97, 11.76, 28.32

 

CMYK 0 / 17 / 50 / 35

HEX #A68953

RGB 166 137 83

HSL 39.04, 0.33%, 0.49%

LAB 58.62, 3.89, 32.93

 

CMYK 0 / 49 / 49 / 35

HEX #A65455

RGB 166 84 85

HSL 359.27, 0.33%, 0.49%

LAB 45.78, 33.75, 15.01

 

CMYK 0 / 49 / 49 / 15

HEX #D96E6F

RGB 217 110 111

HSL 359.44, 0.58%, 0.64%

LAB 59.02, 41.91, 18.96

 

CMYK 0 / 46 / 46 / 95

HEX #0D0707

RGB 13 7 7

HSL 0, 0.3%, 0.04%

LAB 2.28, 1.64, 0.58

 

CMYK 0 / 50 / 48 / 75

HEX #402021

RGB 64 32 33

HSL 358.13, 0.33%, 0.19%

LAB 16.66, 15.54, 6.17

 

CMYK 0 / 50 / 49 / 55

HEX #733A3B

RGB 115 58 59

HSL 358.95, 0.33%, 0.34%

LAB 31.78, 25.07, 10.79

 

CMYK 0 / 49 / 49 / 35

HEX #A65455

RGB 166 84 85

HSL 359.27, 0.33%, 0.49%

LAB 45.78, 33.75, 15.01

 

CMYK 9 / 0 / 50 / 35

HEX #97A653

RGB 151 166 83

HSL 70.84, 0.33%, 0.49%

LAB 65.34, -18.06, 40.85

 

CMYK 50 / 29 / 0 / 35

HEX #5376A6

RGB 83 118 166

HSL 214.7, 0.33%, 0.49%

LAB 48.94, 1.39, -29.54

 

CMYK 0 / 49 / 49 / 35

HEX #A65455

RGB 166 84 85

HSL 359.27, 0.33%, 0.49%

LAB 45.78, 33.75, 15.01

 

CMYK 49 / 0 / 50 / 35

HEX #55A653

RGB 85 166 83

HSL 118.55, 0.33%, 0.49%

LAB 61.51, -42.01, 35.29

 

CMYK 50 / 49 / 0 / 35

HEX #5355A6

RGB 83 85 166

HSL 238.55, 0.33%, 0.49%

LAB 39.73, 21.93, -44.1

 

CMYK 0 / 49 / 49 / 35

HEX #A65455

RGB 166 84 85

HSL 359.27, 0.33%, 0.49%

LAB 45.78, 33.75, 15.01

 

CMYK 9 / 0 / 50 / 35

HEX #97A653

RGB 151 166 83

HSL 70.84, 0.33%, 0.49%

LAB 65.34, -18.06, 40.85

 

CMYK 50 / 0 / 1 / 35

HEX #53A6A4

RGB 83 166 164

HSL 178.55, 0.33%, 0.49%

LAB 63.17, -25.64, -6.74

 

CMYK 41 / 50 / 0 / 35

HEX #6253A6

RGB 98 83 166

HSL 250.84, 0.33%, 0.49%

LAB 40.47, 26.88, -42.84

 

CMYK 0 / 49 / 49 / 35

HEX #A65455

RGB 166 84 85

HSL 359.27, 0.33%, 0.49%

LAB 45.78, 33.75, 15.01

 

CMYK 24 / 0 / 50 / 35

HEX #7EA653

RGB 126 166 83

HSL 88.92, 0.33%, 0.49%

LAB 63.62, -28.02, 38.36

 

CMYK 50 / 0 / 1 / 35

HEX #53A6A4

RGB 83 166 164

HSL 178.55, 0.33%, 0.49%

LAB 63.17, -25.64, -6.74

 

CMYK 26 / 50 / 0 / 35

HEX #7B53A6

RGB 123 83 166

HSL 268.92, 0.33%, 0.49%

LAB 42.99, 33.63, -38.68

 

Description

Color code: RGB 166 84 85 | qconv.com Color code: RGB 166 84 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 84 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 84 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 49 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 49% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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