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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 207 222 it is the complementary color RGB 89 48 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 207 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 166 207 222: RGB 171 207 217, RGB 188 225 236, RGB 205 243 255, RGB 222 255 255 and RGB 239 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 207 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 166 207 222: RGB 166 207 222, RGB 149 189 203, RGB 132 171 184, RGB 115 153 165 and RGB 98 135 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 7 / 0 / 13

HEX #A6CFDE

RGB 166 207 222

HSL 196.07, 0.46%, 0.76%

LAB 80.74, -10.1, -11.85

 

Complementary color

CMYK 0 / 46 / 63 / 65

HEX #593021

RGB 89 48 33

HSL 16.07, 0.46%, 0.24%

LAB 24.79, 17.01, 17.64

 

CMYK 21 / 5 / 0 / 15

HEX #ABCFD9

RGB 171 207 217

HSL 193.04, 0.38%, 0.76%

LAB 80.9, -9.71, -8.91

 

CMYK 20 / 5 / 0 / 7

HEX #BCE1EC

RGB 188 225 236

HSL 193.75, 0.56%, 0.83%

LAB 87.29, -9.71, -9.38

 

CMYK 20 / 5 / 0 / 0

HEX #CDF3FF

RGB 205 243 255

HSL 194.4, 1%, 0.9%

LAB 93.58, -9.72, -9.85

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 25 / 7 / 0 / 13

HEX #A6CFDE

RGB 166 207 222

HSL 196.07, 0.46%, 0.76%

LAB 80.74, -10.1, -11.85

 

CMYK 27 / 7 / 0 / 20

HEX #95BDCB

RGB 149 189 203

HSL 195.56, 0.34%, 0.69%

LAB 74.25, -10.09, -11.41

 

CMYK 28 / 7 / 0 / 28

HEX #84ABB8

RGB 132 171 184

HSL 195, 0.27%, 0.62%

LAB 67.64, -10.08, -10.96

 

CMYK 30 / 7 / 0 / 35

HEX #7399A5

RGB 115 153 165

HSL 194.4, 0.22%, 0.55%

LAB 60.91, -10.07, -10.51

 

CMYK 33 / 8 / 0 / 43

HEX #628792

RGB 98 135 146

HSL 193.75, 0.2%, 0.48%

LAB 54.03, -10.06, -10.05

 

CMYK 25 / 7 / 0 / 13

HEX #A6CFDE

RGB 166 207 222

HSL 196.07, 0.46%, 0.76%

LAB 80.74, -10.1, -11.85

 

CMYK 25 / 11 / 0 / 13

HEX #A5C5DD

RGB 165 197 221

HSL 205.71, 0.45%, 0.76%

LAB 77.96, -5.38, -15.49

 

CMYK 25 / 15 / 0 / 13

HEX #A5BCDD

RGB 165 188 221

HSL 215.36, 0.45%, 0.76%

LAB 75.57, -0.56, -19.11

 

CMYK 25 / 19 / 0 / 13

HEX #A5B2DD

RGB 165 178 221

HSL 226.07, 0.45%, 0.76%

LAB 72.93, 4.89, -23.11

 

CMYK 25 / 24 / 0 / 13

HEX #A5A9DD

RGB 165 169 221

HSL 235.71, 0.45%, 0.76%

LAB 70.59, 9.87, -26.69

 

CMYK 25 / 7 / 0 / 13

HEX #A6CFDE

RGB 166 207 222

HSL 196.07, 0.46%, 0.76%

LAB 80.74, -10.1, -11.85

 

CMYK 28 / 6 / 0 / 93

HEX #0D1112

RGB 13 17 18

HSL 192, 0.16%, 0.06%

LAB 4.79, -1.16, -1.03

 

CMYK 25 / 7 / 0 / 73

HEX #344045

RGB 52 64 69

HSL 197.65, 0.14%, 0.24%

LAB 26.23, -3.56, -4.68

 

CMYK 25 / 7 / 0 / 53

HEX #5A7078

RGB 90 112 120

HSL 196, 0.14%, 0.41%

LAB 45.8, -6.12, -7.11

 

CMYK 25 / 7 / 0 / 33

HEX #809FAB

RGB 128 159 171

HSL 196.74, 0.2%, 0.59%

LAB 63.61, -7.9, -9.77

 

CMYK 25 / 7 / 0 / 13

HEX #A6CFDE

RGB 166 207 222

HSL 196.07, 0.46%, 0.76%

LAB 80.74, -10.1, -11.85

 

CMYK 14 / 25 / 0 / 13

HEX #BFA5DD

RGB 191 165 221

HSL 267.86, 0.45%, 0.76%

LAB 71.7, 20.15, -24.81

 

CMYK 0 / 3 / 25 / 13

HEX #DDD6A5

RGB 221 214 165

HSL 52.5, 0.45%, 0.76%

LAB 85.09, -5.25, 25.12

 

CMYK 25 / 7 / 0 / 13

HEX #A6CFDE

RGB 166 207 222

HSL 196.07, 0.46%, 0.76%

LAB 80.74, -10.1, -11.85

 

CMYK 0 / 25 / 7 / 13

HEX #DDA5CE

RGB 221 165 206

HSL 316.07, 0.45%, 0.76%

LAB 74.02, 27.15, -12.8

 

CMYK 7 / 0 / 25 / 13

HEX #CEDDA5

RGB 206 221 165

HSL 76.07, 0.45%, 0.76%

LAB 85.78, -14.37, 25.88

 

CMYK 25 / 7 / 0 / 13

HEX #A6CFDE

RGB 166 207 222

HSL 196.07, 0.46%, 0.76%

LAB 80.74, -10.1, -11.85

 

CMYK 14 / 25 / 0 / 13

HEX #BFA5DD

RGB 191 165 221

HSL 267.86, 0.45%, 0.76%

LAB 71.7, 20.15, -24.81

 

CMYK 0 / 19 / 25 / 13

HEX #DDB4A5

RGB 221 180 165

HSL 16.07, 0.45%, 0.76%

LAB 76.52, 12.59, 13.23

 

CMYK 12 / 0 / 25 / 13

HEX #C3DDA5

RGB 195 221 165

HSL 87.86, 0.45%, 0.76%

LAB 85.01, -18.35, 24.7

 

CMYK 25 / 7 / 0 / 13

HEX #A6CFDE

RGB 166 207 222

HSL 196.07, 0.46%, 0.76%

LAB 80.74, -10.1, -11.85

 

CMYK 6 / 25 / 0 / 13

HEX #D0A5DD

RGB 208 165 221

HSL 286.07, 0.45%, 0.76%

LAB 73.25, 25.61, -22.31

 

CMYK 0 / 19 / 25 / 13

HEX #DDB4A5

RGB 221 180 165

HSL 16.07, 0.45%, 0.76%

LAB 76.52, 12.59, 13.23

 

CMYK 19 / 0 / 25 / 13

HEX #B2DDA5

RGB 178 221 165

HSL 106.07, 0.45%, 0.76%

LAB 83.91, -24.33, 23.02

 

Description

Color code: RGB 166 207 222 | qconv.com Color code: RGB 166 207 222 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 207 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 207 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 7 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 7% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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