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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 150 180 it is the complementary color RGB 89 105 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 150 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 166 150 180: RGB 171 150 175, RGB 188 168 194, RGB 205 186 213, RGB 222 204 232 and RGB 239 222 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 150 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 166 150 180: RGB 166 150 180, RGB 149 132 161, RGB 132 114 142, RGB 115 96 123 and RGB 98 78 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 17 / 0 / 29

HEX #A696B4

RGB 166 150 180

HSL 272, 0.17%, 0.65%

LAB 64.33, 11.67, -13.45

 

Complementary color

CMYK 15 / 0 / 29 / 59

HEX #59694B

RGB 89 105 75

HSL 92, 0.17%, 0.35%

LAB 42.36, -12.09, 14.93

 

CMYK 2 / 14 / 0 / 31

HEX #AB96AF

RGB 171 150 175

HSL 290.4, 0.14%, 0.64%

LAB 64.62, 12.39, -10.17

 

CMYK 3 / 13 / 0 / 24

HEX #BCA8C2

RGB 188 168 194

HSL 286.15, 0.18%, 0.71%

LAB 71.28, 12, -10.63

 

CMYK 4 / 13 / 0 / 16

HEX #CDBAD5

RGB 205 186 213

HSL 282.22, 0.24%, 0.78%

LAB 77.82, 11.63, -11.09

 

CMYK 4 / 12 / 0 / 9

HEX #DECCE8

RGB 222 204 232

HSL 278.57, 0.38%, 0.85%

LAB 84.25, 11.3, -11.54

 

CMYK 5 / 12 / 0 / 2

HEX #EFDEFB

RGB 239 222 251

HSL 275.17, 0.78%, 0.93%

LAB 90.58, 10.98, -11.98

 

CMYK 8 / 17 / 0 / 29

HEX #A696B4

RGB 166 150 180

HSL 272, 0.17%, 0.65%

LAB 64.33, 11.67, -13.45

 

CMYK 7 / 18 / 0 / 37

HEX #9584A1

RGB 149 132 161

HSL 275.17, 0.13%, 0.57%

LAB 57.53, 12.08, -13.06

 

CMYK 7 / 20 / 0 / 44

HEX #84728E

RGB 132 114 142

HSL 278.57, 0.11%, 0.5%

LAB 50.56, 12.54, -12.67

 

CMYK 7 / 22 / 0 / 52

HEX #73607B

RGB 115 96 123

HSL 282.22, 0.12%, 0.43%

LAB 43.42, 13.05, -12.28

 

CMYK 6 / 25 / 0 / 59

HEX #624E68

RGB 98 78 104

HSL 286.15, 0.14%, 0.36%

LAB 36.07, 13.63, -11.89

 

CMYK 8 / 17 / 0 / 29

HEX #A696B4

RGB 166 150 180

HSL 272, 0.17%, 0.65%

LAB 64.33, 11.67, -13.45

 

CMYK 5 / 17 / 0 / 29

HEX #AB96B4

RGB 171 150 180

HSL 282, 0.17%, 0.65%

LAB 64.78, 13.39, -12.74

 

CMYK 2 / 17 / 0 / 29

HEX #B096B4

RGB 176 150 180

HSL 292, 0.17%, 0.65%

LAB 65.23, 15.11, -12.01

 

CMYK 0 / 17 / 1 / 29

HEX #B496B3

RGB 180 150 179

HSL 302, 0.17%, 0.65%

LAB 65.57, 16.31, -10.9

 

CMYK 0 / 17 / 3 / 29

HEX #B496AE

RGB 180 150 174

HSL 312, 0.17%, 0.65%

LAB 65.41, 15.37, -8.33

 

CMYK 8 / 17 / 0 / 29

HEX #A696B4

RGB 166 150 180

HSL 272, 0.17%, 0.65%

LAB 64.33, 11.67, -13.45

 

CMYK 8 / 16 / 0 / 9

HEX #D5C1E7

RGB 213 193 231

HSL 271.58, 0.44%, 0.83%

LAB 80.77, 14.02, -16.29

 

CMYK 7 / 15 / 0 / 89

HEX #19171B

RGB 25 23 27

HSL 270, 0.08%, 0.1%

LAB 8.12, 2.03, -2.46

 

CMYK 8 / 17 / 0 / 69

HEX #48414E

RGB 72 65 78

HSL 272.31, 0.09%, 0.28%

LAB 28.66, 5.88, -6.75

 

CMYK 8 / 16 / 0 / 49

HEX #776C81

RGB 119 108 129

HSL 271.43, 0.09%, 0.46%

LAB 47.28, 8.59, -10.03

 

CMYK 8 / 17 / 0 / 29

HEX #A696B4

RGB 166 150 180

HSL 272, 0.17%, 0.65%

LAB 64.33, 11.67, -13.45

 

CMYK 0 / 17 / 12 / 29

HEX #B4969E

RGB 180 150 158

HSL 344, 0.17%, 0.65%

LAB 64.95, 12.51, -0.01

 

CMYK 17 / 0 / 14 / 29

HEX #96B49A

RGB 150 180 154

HSL 128, 0.17%, 0.65%

LAB 70.5, -15.37, 9.89

 

CMYK 8 / 17 / 0 / 29

HEX #A696B4

RGB 166 150 180

HSL 272, 0.17%, 0.65%

LAB 64.33, 11.67, -13.45

 

CMYK 0 / 8 / 17 / 29

HEX #B4A696

RGB 180 166 150

HSL 32, 0.17%, 0.65%

LAB 68.88, 2.36, 10.11

 

CMYK 17 / 0 / 8 / 29

HEX #96B4A6

RGB 150 180 166

HSL 152, 0.17%, 0.65%

LAB 70.79, -13.05, 3.73

 

CMYK 8 / 17 / 0 / 29

HEX #A696B4

RGB 166 150 180

HSL 272, 0.17%, 0.65%

LAB 64.33, 11.67, -13.45

 

CMYK 0 / 17 / 12 / 29

HEX #B4969E

RGB 180 150 158

HSL 344, 0.17%, 0.65%

LAB 64.95, 12.51, -0.01

 

CMYK 9 / 0 / 17 / 29

HEX #A4B496

RGB 164 180 150

HSL 92, 0.17%, 0.65%

LAB 71.38, -11.09, 13.45

 

CMYK 17 / 0 / 4 / 29

HEX #96B4AC

RGB 150 180 172

HSL 164, 0.17%, 0.65%

LAB 70.94, -11.84, 0.66

 

CMYK 8 / 17 / 0 / 29

HEX #A696B4

RGB 166 150 180

HSL 272, 0.17%, 0.65%

LAB 64.33, 11.67, -13.45

 

CMYK 0 / 16 / 17 / 29

HEX #B49796

RGB 180 151 150

HSL 2, 0.17%, 0.65%

LAB 64.99, 10.61, 4.55

 

CMYK 9 / 0 / 17 / 29

HEX #A4B496

RGB 164 180 150

HSL 92, 0.17%, 0.65%

LAB 71.38, -11.09, 13.45

 

CMYK 17 / 1 / 0 / 29

HEX #96B3B4

RGB 150 179 180

HSL 182, 0.17%, 0.65%

LAB 70.88, -9.63, -3.82

 

Description

Color code: RGB 166 150 180 | qconv.com Color code: RGB 166 150 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 150 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 150 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 17 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 17% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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