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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 209 152 it is the complementary color RGB 90 46 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 209 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 165 209 152: RGB 170 209 147, RGB 187 227 166, RGB 204 245 185, RGB 221 255 204 and RGB 238 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 209 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 165 209 152: RGB 165 209 152, RGB 148 191 133, RGB 131 173 114, RGB 114 155 95 and RGB 97 137 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 27 / 18

HEX #A5D198

RGB 165 209 152

HSL 106.32, 0.38%, 0.71%

LAB 79.54, -25.06, 23.7

 

Complementary color

CMYK 13 / 55 / 0 / 60

HEX #5A2E67

RGB 90 46 103

HSL 286.32, 0.38%, 0.29%

LAB 27.04, 30.3, -25.32

 

CMYK 19 / 0 / 30 / 18

HEX #AAD193

RGB 170 209 147

HSL 97.74, 0.4%, 0.7%

LAB 79.76, -24.08, 26.66

 

CMYK 18 / 0 / 27 / 11

HEX #BBE3A6

RGB 187 227 166

HSL 99.34, 0.52%, 0.77%

LAB 86.13, -23.97, 25.63

 

CMYK 17 / 0 / 24 / 4

HEX #CCF5B9

RGB 204 245 185

HSL 101, 0.75%, 0.84%

LAB 92.42, -23.86, 24.65

 

CMYK 13 / 0 / 20 / 0

HEX #DDFFCC

RGB 221 255 204

HSL 100, 1%, 0.9%

LAB 96.51, -19.92, 20.79

 

CMYK 7 / 0 / 13 / 0

HEX #EEFFDF

RGB 238 255 223

HSL 91.88, 1%, 0.94%

LAB 98.04, -11.1, 13.41

 

CMYK 21 / 0 / 27 / 18

HEX #A5D198

RGB 165 209 152

HSL 106.32, 0.38%, 0.71%

LAB 79.54, -25.06, 23.7

 

CMYK 23 / 0 / 30 / 25

HEX #94BF85

RGB 148 191 133

HSL 104.48, 0.31%, 0.64%

LAB 73.06, -25.22, 24.75

 

CMYK 24 / 0 / 34 / 32

HEX #83AD72

RGB 131 173 114

HSL 102.71, 0.26%, 0.56%

LAB 66.46, -25.39, 25.87

 

CMYK 26 / 0 / 39 / 39

HEX #729B5F

RGB 114 155 95

HSL 101, 0.24%, 0.49%

LAB 59.75, -25.55, 27.06

 

CMYK 29 / 0 / 45 / 46

HEX #61894C

RGB 97 137 76

HSL 99.34, 0.29%, 0.42%

LAB 52.9, -25.7, 28.31

 

CMYK 21 / 0 / 27 / 18

HEX #A5D198

RGB 165 209 152

HSL 106.32, 0.38%, 0.71%

LAB 79.54, -25.06, 23.7

 

CMYK 25 / 0 / 27 / 18

HEX #9CD198

RGB 156 209 152

HSL 115.79, 0.38%, 0.71%

LAB 79, -28.13, 22.88

 

CMYK 27 / 0 / 24 / 18

HEX #98D19E

RGB 152 209 158

HSL 126.32, 0.38%, 0.71%

LAB 78.89, -28.43, 19.53

 

CMYK 27 / 0 / 20 / 18

HEX #98D1A7

RGB 152 209 167

HSL 135.79, 0.38%, 0.71%

LAB 79.08, -26.81, 15.03

 

CMYK 27 / 0 / 15 / 18

HEX #98D1B1

RGB 152 209 177

HSL 146.32, 0.38%, 0.71%

LAB 79.3, -24.91, 10.01

 

CMYK 21 / 0 / 27 / 18

HEX #A5D198

RGB 165 209 152

HSL 106.32, 0.38%, 0.71%

LAB 79.54, -25.06, 23.7

 

CMYK 20 / 0 / 20 / 98

HEX #040504

RGB 4 5 4

HSL 120, 0.11%, 0.02%

LAB 1.29, -0.4, 0.29

 

CMYK 21 / 0 / 27 / 78

HEX #2C3829

RGB 44 56 41

HSL 108, 0.15%, 0.19%

LAB 22.03, -8.53, 7.77

 

CMYK 21 / 0 / 27 / 58

HEX #546B4E

RGB 84 107 78

HSL 107.59, 0.16%, 0.36%

LAB 42.69, -14.67, 13.54

 

CMYK 21 / 0 / 27 / 38

HEX #7D9E73

RGB 125 158 115

HSL 106.05, 0.18%, 0.54%

LAB 61.7, -19.85, 18.84

 

CMYK 21 / 0 / 27 / 18

HEX #A5D198

RGB 165 209 152

HSL 106.32, 0.38%, 0.71%

LAB 79.54, -25.06, 23.7

 

CMYK 27 / 0 / 1 / 18

HEX #98D1CF

RGB 152 209 207

HSL 177.89, 0.38%, 0.71%

LAB 80.06, -18.62, -4.93

 

CMYK 0 / 27 / 10 / 18

HEX #D198BC

RGB 209 152 188

HSL 322.11, 0.38%, 0.71%

LAB 69.21, 26.96, -10.18

 

CMYK 21 / 0 / 27 / 18

HEX #A5D198

RGB 165 209 152

HSL 106.32, 0.38%, 0.71%

LAB 79.54, -25.06, 23.7

 

CMYK 27 / 21 / 0 / 18

HEX #98A6D1

RGB 152 166 209

HSL 225.26, 0.38%, 0.71%

LAB 68.42, 4.74, -23.49

 

CMYK 0 / 27 / 21 / 18

HEX #D198A6

RGB 209 152 166

HSL 345.26, 0.38%, 0.71%

LAB 68.58, 23.4, 1.15

 

CMYK 21 / 0 / 27 / 18

HEX #A5D198

RGB 165 209 152

HSL 106.32, 0.38%, 0.71%

LAB 79.54, -25.06, 23.7

 

CMYK 27 / 0 / 1 / 18

HEX #98D1CF

RGB 152 209 207

HSL 177.89, 0.38%, 0.71%

LAB 80.06, -18.62, -4.93

 

CMYK 6 / 27 / 0 / 18

HEX #C498D1

RGB 196 152 209

HSL 286.32, 0.38%, 0.71%

LAB 68.6, 26.47, -22.89

 

CMYK 0 / 27 / 26 / 18

HEX #D1989A

RGB 209 152 154

HSL 357.89, 0.38%, 0.71%

LAB 68.27, 21.64, 7.4

 

CMYK 21 / 0 / 27 / 18

HEX #A5D198

RGB 165 209 152

HSL 106.32, 0.38%, 0.71%

LAB 79.54, -25.06, 23.7

 

CMYK 27 / 7 / 0 / 18

HEX #98C2D1

RGB 152 194 209

HSL 195.79, 0.38%, 0.71%

LAB 75.98, -10.43, -12.06

 

CMYK 6 / 27 / 0 / 18

HEX #C498D1

RGB 196 152 209

HSL 286.32, 0.38%, 0.71%

LAB 68.6, 26.47, -22.89

 

CMYK 0 / 20 / 27 / 18

HEX #D1A798

RGB 209 167 152

HSL 15.79, 0.38%, 0.71%

LAB 71.87, 13.21, 13.61

 

Description

Color code: RGB 165 209 152 | qconv.com Color code: RGB 165 209 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 209 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 209 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 27 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 27% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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