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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 195 193 it is the complementary color RGB 90 60 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 195 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 165 195 193: RGB 170 195 188, RGB 187 213 207, RGB 204 231 226, RGB 221 249 245 and RGB 238 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 195 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 165 195 193: RGB 165 195 193, RGB 148 177 174, RGB 131 159 155, RGB 114 141 136 and RGB 97 123 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 1 / 24

HEX #A5C3C1

RGB 165 195 193

HSL 176, 0.2%, 0.71%

LAB 76.61, -10.46, -2.38

 

Complementary color

CMYK 0 / 33 / 31 / 65

HEX #5A3C3E

RGB 90 60 62

HSL 356, 0.2%, 0.29%

LAB 28.78, 13.54, 4.12

 

CMYK 13 / 0 / 4 / 24

HEX #AAC3BC

RGB 170 195 188

HSL 163.2, 0.17%, 0.72%

LAB 76.8, -9.83, 0.65

 

CMYK 12 / 0 / 3 / 16

HEX #BBD5CF

RGB 187 213 207

HSL 166.15, 0.24%, 0.78%

LAB 83.26, -9.81, 0.02

 

CMYK 12 / 0 / 2 / 9

HEX #CCE7E2

RGB 204 231 226

HSL 168.89, 0.36%, 0.85%

LAB 89.62, -9.81, -0.58

 

CMYK 11 / 0 / 2 / 2

HEX #DDF9F5

RGB 221 249 245

HSL 171.43, 0.7%, 0.92%

LAB 95.88, -9.81, -1.17

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 15 / 0 / 1 / 24

HEX #A5C3C1

RGB 165 195 193

HSL 176, 0.2%, 0.71%

LAB 76.61, -10.46, -2.38

 

CMYK 16 / 0 / 2 / 31

HEX #94B1AE

RGB 148 177 174

HSL 173.79, 0.16%, 0.64%

LAB 70.03, -10.5, -1.79

 

CMYK 18 / 0 / 3 / 38

HEX #839F9B

RGB 131 159 155

HSL 171.43, 0.13%, 0.57%

LAB 63.33, -10.55, -1.16

 

CMYK 19 / 0 / 4 / 45

HEX #728D88

RGB 114 141 136

HSL 168.89, 0.11%, 0.5%

LAB 56.49, -10.63, -0.51

 

CMYK 21 / 0 / 5 / 52

HEX #617B75

RGB 97 123 117

HSL 166.15, 0.12%, 0.43%

LAB 49.49, -10.73, 0.17

 

CMYK 15 / 0 / 1 / 24

HEX #A5C3C1

RGB 165 195 193

HSL 176, 0.2%, 0.71%

LAB 76.61, -10.46, -2.38

 

CMYK 15 / 2 / 0 / 24

HEX #A6C0C3

RGB 166 192 195

HSL 186.21, 0.19%, 0.71%

LAB 75.91, -8.14, -4.48

 

CMYK 15 / 4 / 0 / 24

HEX #A6BBC3

RGB 166 187 195

HSL 196.55, 0.19%, 0.71%

LAB 74.56, -5.5, -6.47

 

CMYK 15 / 6 / 0 / 24

HEX #A6B7C3

RGB 166 183 195

HSL 204.83, 0.19%, 0.71%

LAB 73.49, -3.36, -8.07

 

CMYK 15 / 9 / 0 / 24

HEX #A6B2C3

RGB 166 178 195

HSL 215.17, 0.19%, 0.71%

LAB 72.15, -0.66, -10.06

 

CMYK 15 / 0 / 1 / 24

HEX #A5C3C1

RGB 165 195 193

HSL 176, 0.2%, 0.71%

LAB 76.61, -10.46, -2.38

 

CMYK 15 / 0 / 1 / 4

HEX #D0F6F3

RGB 208 246 243

HSL 175.26, 0.68%, 0.89%

LAB 94.22, -12.76, -2.66

 

CMYK 14 / 0 / 0 / 84

HEX #242A2A

RGB 36 42 42

HSL 180, 0.08%, 0.15%

LAB 16.49, -2.64, -0.9

 

CMYK 15 / 0 / 1 / 64

HEX #4F5D5C

RGB 79 93 92

HSL 175.71, 0.08%, 0.34%

LAB 38.31, -5.61, -1.25

 

CMYK 15 / 0 / 1 / 44

HEX #7A908F

RGB 122 144 143

HSL 177.27, 0.09%, 0.52%

LAB 58.1, -8.02, -2.1

 

CMYK 15 / 0 / 1 / 24

HEX #A5C3C1

RGB 165 195 193

HSL 176, 0.2%, 0.71%

LAB 76.61, -10.46, -2.38

 

CMYK 13 / 15 / 0 / 24

HEX #AAA6C3

RGB 170 166 195

HSL 248.28, 0.19%, 0.71%

LAB 69.3, 7.23, -14.31

 

CMYK 0 / 7 / 15 / 24

HEX #C3B6A6

RGB 195 182 166

HSL 33.1, 0.19%, 0.71%

LAB 74.71, 1.92, 9.8

 

CMYK 15 / 0 / 1 / 24

HEX #A5C3C1

RGB 165 195 193

HSL 176, 0.2%, 0.71%

LAB 76.61, -10.46, -2.38

 

CMYK 1 / 15 / 0 / 24

HEX #C1A6C3

RGB 193 166 195

HSL 295.86, 0.19%, 0.71%

LAB 71.25, 15, -11.18

 

CMYK 0 / 1 / 15 / 24

HEX #C3C1A6

RGB 195 193 166

HSL 55.86, 0.19%, 0.71%

LAB 77.58, -3.91, 13.86

 

CMYK 15 / 0 / 1 / 24

HEX #A5C3C1

RGB 165 195 193

HSL 176, 0.2%, 0.71%

LAB 76.61, -10.46, -2.38

 

CMYK 13 / 15 / 0 / 24

HEX #AAA6C3

RGB 170 166 195

HSL 248.28, 0.19%, 0.71%

LAB 69.3, 7.23, -14.31

 

CMYK 0 / 15 / 14 / 24

HEX #C3A6A8

RGB 195 166 168

HSL 355.86, 0.19%, 0.71%

LAB 70.66, 10.91, 2.9

 

CMYK 2 / 0 / 15 / 24

HEX #BFC3A6

RGB 191 195 166

HSL 68.28, 0.19%, 0.71%

LAB 77.79, -6.43, 14.12

 

CMYK 15 / 0 / 1 / 24

HEX #A5C3C1

RGB 165 195 193

HSL 176, 0.2%, 0.71%

LAB 76.61, -10.46, -2.38

 

CMYK 8 / 15 / 0 / 24

HEX #B3A6C3

RGB 179 166 195

HSL 266.9, 0.19%, 0.71%

LAB 70.03, 10.24, -13.13

 

CMYK 0 / 15 / 14 / 24

HEX #C3A6A8

RGB 195 166 168

HSL 355.86, 0.19%, 0.71%

LAB 70.66, 10.91, 2.9

 

CMYK 6 / 0 / 15 / 24

HEX #B7C3A6

RGB 183 195 166

HSL 84.83, 0.19%, 0.71%

LAB 77.19, -9.33, 13.19

 

Description

Color code: RGB 165 195 193 | qconv.com Color code: RGB 165 195 193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 195 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 195 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 1 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 1% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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